The lettering on the shop window in which
you catch a glimpse of yourself is in Polish.
Behind you a man quickly walks by, nearly shouting
into his cell phone. Then a woman
at a dreamier pace, carrying a just-bought bouquet
upside-down. All on a street where pickpockets abound
along with the ubiquitous smell of something baking.
It is delicious to be anonymous on a foreign city street.
Who knew this could be a life, having languages
instead of relationships, struggling even then,
finding out what it means to be a woman
by watching the faces of men passing by.
I went to distant cities, it almost didn’t matter
which, so primed was I to be reverent.
All of them have the beautiful bridge
crossing a grey, near-sighted river,
one that massages the eyes, focuses
the swooping birds that skim the water’s surface.
The usual things I didn’t pine for earlier
because I didn’t know I wouldn’t have them.
I spent so much time alone, when I actually turned lonely
it was vertigo.
Myself estranged is how I understood the world.
My ignorance had saved me, my vices fueled me,
and then I turned forty. I who love to look and look
couldn’t see what others did.
Now I think about currencies, linguistic equivalents, how
lop-sided they are, while
my reflection blurs in the shop windows.
Wanting to be as far away as possible exactly as much as still
with you.
Shamelessly entering a Starbucks (free wifi) to write this.
Copyright © 2015 by Jennifer Grotz. Originally published in Poem-a-Day on September 21, 2015, by the Academy of American Poets
What lips my lips have kissed, and where, and why,
I have forgotten, and what arms have lain
Under my head till morning; but the rain
Is full of ghosts tonight, that tap and sigh
Upon the glass and listen for reply,
And in my heart there stirs a quiet pain
For unremembered lads that not again
Will turn to me at midnight with a cry.
Thus in winter stands the lonely tree,
Nor knows what birds have vanished one by one,
Yet knows its boughs more silent than before:
I cannot say what loves have come and gone,
I only know that summer sang in me
A little while, that in me sings no more.
From Collected Poems by Edna St. Vincent Millay, published by Harper & Brothers Publishers. Copyright © 1956 by Norma Millay Ellis.
It was the summer of Chandra Levy, disappearing from Washington D.C., her lover a Congressman, evasive and blow-dried from Modesto, the TV wondering in every room in America to an image of her tight jeans and piles of curls frozen in a studio pose. It was the summer the only woman known as a serial killer, a ten-dollar whore trolling the plains of central Florida, said she knew she would kill again, murder filled her dreams and if she walked in the world, it would crack her open with its awful wings. It was the summer that in Texas, another young woman killed her five children, left with too many little boys, always pregnant. One Thanksgiving, she tried to slash her own throat. That summer the Congressman lied again about the nature of his relations, or, as he said, he couldn't remember if they had sex that last night he saw her, but there were many anonymous girls that summer, there always are, who lower their necks to the stone and pray, not to God but to the Virgin, herself once a young girl, chosen in her room by an archangel. Instead of praying, that summer I watched television, reruns of a UFO series featuring a melancholic woman detective who had gotten cancer and was made sterile by aliens. I watched infomercials: exercise machines, pasta makers, and a product called Nails Again With Henna, ladies, make your nails steely strong, naturally, and then the photograph of Chandra Levy would appear again, below a bright red number, such as 81, to indicate the days she was missing. Her mother said, please understand how we're feeling when told that the police don't believe she will be found alive, though they searched the parks and forests of the Capitol for the remains and I remembered being caught in Tennessee, my tent filled with wind lifting around me, tornado honey, said the operator when I called in fear. The highway barren, I drove to a truck stop where maybe a hundred trucks hummed in pale, even rows like eggs in a carton. Truckers paced in the dining room, fatigue in their beards, in their bottomless cups of coffee. The store sold handcuffs, dirty magazines, t-shirts that read, Ass, gas or grass. Nobody rides for free, and a bulletin board bore a public notice: Jane Doe, found in a refrigerator box outside Johnson, TN, her slight measurements and weight. The photographs were of her face, not peaceful in death, and of her tattoos Born to Run, and J.T. caught in scrollworks of roses. One winter in Harvard Square, I wandered drunk, my arms full of still warm, stolen laundry, and a man said come to my studio and of course I went— for some girls, our bodies are not immortal so much as expendable, we have punished them or wearied from dragging them around for so long and so we go wearing the brilliant plumage of the possibly freed by death. Quick on the icy sidewalks, I felt thin and fleet, and the night made me feel unique in the eyes of the stranger. He told me he made sculptures of figure skaters, not of the women's bodies, but of the air that whipped around them, a study of negative space, which he said was the where-we-were-not that made us. Dizzy from beer, I thought why not step into that space? He locked the door behind me.
From Rare High Meadow of Which I Might Dream by Connie Voisine. Copyright © 2008 by Connie Voisine. Used by permission of University of Chicago Press. All rights reserved.
To begin with the end, what the rain
did not uncover. A teacup overflows,
we call it a spill; a riverbed overflows, we
call it a flood, what it is to be
swept away. Great is the power of steady
misrepresentation, writes Darwin. I like
things that light up on their own—
the headlights on my new car when we
drive under a bridge. I like how
it doesn’t distinguish between different types
of darkness. Darwin again: I am not
the least afraid to die. Well,
I burned my thumb last night
on the kettle, distracted
by the buzzing of my phone—
my mother again. There is still some pleasure
in dissection—what admirably
well-adapted movements
the tip of a root possesses. I like things
that come apart easily
in my hands—dried leaves, clumps of sugar—
Do you remember, before wireless,
when to unplug meant getting
on your knees to jerk the cord from the wall? Now
if you want to disconnect,
you have to ask nicely. Off/on;
let go/resurrect—the game your mind plays
in dreams, holding him up—no, a simulacrum
slipping its cage in my consciousness. Daytime
calls me to wakefulness, its dog home
from the walk, from the bewildering folly
of weather. Turns out these purple statices
on the dresser stand for
remembrance but I don’t need
any help remembering. They are right
in front of me—they have fully loaded.
Copyright © 2017 by Katie Willingham. Originally published in Poem-a-Day on March 27, 2017, by the Academy of American Poets.
somewhere i have never travelled, gladly beyond
any experience, your eyes have their silence:
in your most frail gesture are things which enclose me,
or which i cannot touch because they are too near
your slightest look easily will unclose me
though i have closed myself as fingers,
you open always petal by petal myself as Spring opens
(touching skillfully, mysteriously) her first rose
or if your wish be to close me, i and
my life will shut very beautifully, suddenly,
as when the heart of this flower imagines
the snow carefully everywhere descending;
nothing which we are to perceive in this world equals
the power of your intense fragility: whose texture
compels me with the colour of its countries,
rendering death and forever with each breathing
(i do not know what it is about you that closes
and opens; only something in me understands
the voice of your eyes is deeper than all roses)
nobody, not even the rain, has such small hands
From Complete Poems: 1904-1962 by E. E. Cummings, edited by George J. Firmage. Used with the permission of Liveright Publishing Corporation. Copyright © 1923, 1931, 1935, 1940, 1951, 1959, 1963, 1968, 1991 by the Trustees for the E. E. Cummings Trust. Copyright © 1976, 1978, 1979 by George James Firmage.
Grandma’s rosebush
reminiscent of a Vice Lord’s do-rag.
the unfamiliar bloom in Mrs. Bradley’s yard
banging a Gangster Disciple style blue.
the dandelions all over the park putting on
Latin King gold like the Chicano cats
over east before they turn into a puff
of smoke like all us colored boys.
picking dandelions will ruin your hands,
turn their smell into a bitter cologne.
a man carries flowers for 3 reasons:
• he is in love
• he is in mourning
• he is a flower salesman
i’m on the express train passing stops
to a woman. maybe she’s home.
i have a bouquet in my hand,
laid on 1 of my arms like a shotgun.
the color is brilliant, a gang war
wrapped & cut diagonal at the stems.
i am not a flower salesman.
that is the only thing i know.
From Wild Hundreds. Copyright 2015 by Nate Marshall. Reprinted by permission of the University of Pittsburgh Press.
“Because it is so dense, scientists calculate the carbon must be crystalline, so a large part of this strange world will effectively be diamond.”
—Reuters, 8/24/2011
Like the universe’s largest engagement ring, it twirls
and sparkles its way through infinity.
The citizens of the new world know about luxury.
They can live for a thousand years.
Their hearts are little clocks
with silver pendulums pulsing inside,
Eyes like onyx, teeth like pearl.
But it’s not always easy. They know hunger.
They starve. A field made of diamond
is impossible to plow; shovels crumble and fold
like paper animals. So frequent is famine,
that when two people get married,
one gives the other a locket filled with dirt.
That’s the rare thing, the treasured thing, there.
It takes decades to save for,
but the ground beneath them glows,
and people find a way.
On Earth, when my wife is sleeping,
I like to look out at the sky.
I like to watch TV shows about supernovas,
and contemplate things that are endless
like the heavens and, maybe, love.
I can drink coffee and eat apples whenever I want.
Things grow everywhere, and so much is possible,
but on the news tonight: a debate about who
can love each other forever and who cannot.
There was a time when it would’ve been illegal
for my wife to be my wife. Her skin,
my household of privilege. Sometimes,
I wish I could move to another planet.
Sometimes, I wonder what worlds are out there.
I turn off the TV because the news rarely makes
the right decision on its own. But even as the room
goes blacker than the gaps between galaxies,
I can hear the echoes: who is allowed to hold
the ones they wish to hold, who can reach
into the night, who can press his or her
own ear against another’s chest and listen
to a heartbeat telling stories in the dark.
Matthew Olzmann, “Astronomers Locate a New Planet” from Contradictions in the Design. Copyright © 2016 by Matthew Olzmann. Used with the permission of Alice James Books, www.alicejamesbooks.org.
I want to grow old with you.
Old, old.
So old we pad through the supermarket
using the shopping cart as a cane that steadies us.
I’ll wait at register two in my green sweater
with threadbare elbows, smiling
because you’ve forgotten the bag of day-old pastries.
The cashier will tell me a joke about barbers as I wait.
He repeats the first line three times
but the only word I understand is barber.
Over the years we’ve caught inklings
of our shrinking frames and hunched spines.
You’re a little confused
looking for me at the wrong register with a bag
of almost-stale croissants clenched in your hand.
The first time I held your hand it felt enormous in my own.
Sasquatch, I teased you, a million years ago.
Over here, I yell, but not in a mad way.
We’re laughing.
You have a bright yellow pin on your coat that says, Shalom!
Senior Discount, you say.
But the cashier already knows us.
We’re everyone’s favorite customers.
Copyright © 2016 by Ali Liebegott. Originally published in Poem-a-Day on August 30, 2016, by the Academy of American Poets.