Promise you wont forget
each time we met
we kept our clothes on
despite obvious intentions
to take them off,
seldom kissed or even slept,
talked to spend desire,
worn exhausted from regret.
Continue our relationship apart
under surveillance, torture, persecuted
confinement’s theft; no must or sudden blows
when embodied spirits mingled
despite fall’s knock
we rode the great divide
of falsehood, hunger and last year
From Supplication: Selected Poems of John Wieners, edited by Joshua Beckman, CAConrad, and Robert Dewhurst © 2015 John Wieners Literary Trust, Raymond Foye, Administrator. Reprinted with the permission of The John Wieners Literary Trust.
What was it I was going to say?
Slipped away probably because
it needn’t be said. At that edge
almost not knowing but second
guessing the gain, loss, or effect
of an otherwise hesitant remark.
Slant of light on a brass box. The way
a passing thought knots the heart.
There’s nothing, nothing to say.
Copyright © 2015 by Thomas Meyer. Originally published in Poem-a-Day on July 1, 2015, by the Academy of American Poets.
we let our hair down. It wasn't so much that we worried about what people thought or about keeping it real but that we knew this was our moment. We knew we'd blow our cool sooner or later. Probably sooner. Probably even before we got too far out of Westmont High and had kids of our own who left home wearing clothes we didn't think belonged in school. Like Mrs. C. whose nearly unrecognizably pretty senior photo we passed every day on the way to Gym, we'd get old. Or like Mr. Lurk who told us all the time how it's never too late to throw a Hail Mary like he did his junior year and how we could win everything for the team and hear the band strike up a tune so the cheer squad could sing our name, too. Straight out of a Hallmark movie, Mr. Lurk's hero turned teacher story. We had heard it a million times. Sometimes he'd ask us to sing with him, T-O-N-Y-L-U-R-K Tony Tony Lurk Lurk Lurk. Sin ironia, con sentimiento, por favor, and then we would get back to our Spanish lessons, opening our thin textbooks, until the bell rang and we went on to the cotton gin in History. Really, this had nothing to do with being cool. We only wanted to have a moment to ourselves, a moment before Jazz Band and after Gym when we could look in the mirror and like it. June and Tiffany and Janet all told me I looked pretty. We took turns saying nice things, though we might just as likely say, Die and go to hell. Beauty or hell. No difference. The bell would ring soon. With thanks to "We Real Cool" by Gwendolyn Brooks
Copyright © 2014 by Camille Dungy. Used with permission of the author. This poem appeared in Poem-A-Day on January 14, 2014. Browse the Poem-A-Day archive.
Now as I was young and easy under the apple boughs
About the lilting house and happy as the grass was green,
The night above the dingle starry,
Time let me hail and climb
Golden in the heydays of his eyes,
And honoured among wagons I was prince of the apple towns
And once below a time I lordly had the trees and leaves
Trail with daisies and barley
Down the rivers of the windfall light.
And as I was green and carefree, famous among the barns
About the happy yard and singing as the farm was home,
In the sun that is young once only,
Time let me play and be
Golden in the mercy of his means,
And green and golden I was huntsman and herdsman, the calves
Sang to my horn, the foxes on the hills barked clear and cold,
And the sabbath rang slowly
In the pebbles of the holy streams.
All the sun long it was running, it was lovely, the hay
Fields high as the house, the tunes from the chimneys, it was air
And playing, lovely and watery
And fire green as grass.
And nightly under the simple stars
As I rode to sleep the owls were bearing the farm away,
All the moon long I heard, blessed among stables, the nightjars
Flying with the ricks, and the horses
Flashing into the dark.
And then to awake, and the farm, like a wanderer white
With the dew, come back, the cock on his shoulder: it was all
Shining, it was Adam and maiden,
The sky gathered again
And the sun grew round that very day.
So it must have been after the birth of the simple light
In the first, spinning place, the spellbound horses walking warm
Out of the whinnying green stable
On to the fields of praise.
And honoured among foxes and pheasants by the gay house
Under the new made clouds and happy as the heart was long,
In the sun born over and over,
I ran my heedless ways,
My wishes raced through the house high hay
And nothing I cared, at my sky blue trades, that time allows
In all his tuneful turning so few and such morning songs
Before the children green and golden
Follow him out of grace,
Nothing I cared, in the lamb white days, that time would take me
Up to the swallow thronged loft by the shadow of my hand,
In the moon that is always rising,
Nor that riding to sleep
I should hear him fly with the high fields
And wake to the farm forever fled from the childless land.
Oh as I was young and easy in the mercy of his means,
Time held me green and dying
Though I sang in my chains like the sea.
From The Poems of Dylan Thomas, published by New Directions. Copyright © 1952, 1953 Dylan Thomas. Copyright © 1937, 1945, 1955, 1962, 1966, 1967 the Trustees for the Copyrights of Dylan Thomas. Copyright © 1938, 1939, 1943, 1946, 1971 New Directions Publishing Corp. Used with permission.
The world is a beautiful place
to be born into
if you don’t mind happiness
not always being
so very much fun
if you don’t mind a touch of hell
now and then
just when everything is fine
because even in heaven
they don’t sing
all the time
The world is a beautiful place
to be born into
if you don’t mind some people dying
all the time
or maybe only starving
some of the time
which isn’t half so bad
if it isn’t you
Oh the world is a beautiful place
to be born into
if you don’t much mind
a few dead minds
in the higher places
or a bomb or two
now and then
in your upturned faces
or such other improprieties
as our Name Brand society
is prey to
with its men of distinction
and its men of extinction
and its priests
and other patrolmen
and its various segregations
and congressional investigations
and other constipations
that our fool flesh
is heir to
Yes the world is the best place of all
for a lot of such things as
making the fun scene
and making the love scene
and making the sad scene
and singing low songs of having
inspirations
and walking around
looking at everything
and smelling flowers
and goosing statues
and even thinking
and kissing people and
making babies and wearing pants
and waving hats and
dancing
and going swimming in rivers
on picnics
in the middle of the summer
and just generally
‘living it up’
Yes
but then right in the middle of it
comes the smiling
mortician
From A Coney Island of the Mind, copyright © 1955 by Lawrence Ferlinghetti. Reprinted by permission of New Directions Publishing Corp.
i have diver’s lungs from holding my
breath for so long. i promise you
i am not trying to break a record
sometimes i just forget to
exhale. my shoulders held tightly
near my neck, i am a ball of tense
living, a tumbleweed with steel-toed
boots. i can’t remember the last time
i felt light as dandelion. i can’t remember
the last time i took the sweetness in
& my diaphragm expanded into song.
they tell me breathing is everything,
meaning if i breathe right i can live to be
ancient. i’ll grow a soft furry tail or be
telekinetic something powerful enough
to heal the world. i swear i thought
the last time i’d think of death with breath
was that balmy day in july when the cops
became a raging fire & sucked the breath
out of Garner; but yesterday i walked
38 blocks to my father’s house with a mask
over my nose & mouth, the sweat dripping
off my chin only to get caught in fabric & pool up
like rain. & i inhaled small spurts of me, little
particles of my dna. i took into body my own self
& thought i’d die from so much exposure
to my own bereavement—they’re saying
this virus takes your breath away, not
like a mother’s love or like a good kiss
from your lover’s soft mouth but like the police
it can kill you fast or slow; dealer’s choice.
a pallbearer carrying your body without a casket.
they say it’s so contagious it could be quite
breathtaking. so persistent it might as well
be breathing down your neck—
Copyright © 2020 by Yesenia Montilla. Originally published in Poem-a-Day on July 21, 2020, by the Academy of American Poets.
10
maggie and milly and molly and may
went down to the beach(to play one day)
and maggie discovered a shell that sang
so sweetly she couldn’t remember her troubles,and
milly befriended a stranded star
whose rays five languid fingers were;
and molly was chased by a horrible thing
which raced sideways while blowing bubbles:and
may came home with a smooth round stone
as small as a world and as large as alone.
For whatever we lose(like a you or a me)
it’s always ourselves we find in the sea
Copyright © 1956, 1984, 1991 by the Trustees for the E. E. Cummings Trust from The Complete Poems: 1904–1962 by E. E. Cummings, Edited by George J. Firmage. Reprinted by permission of Liveright Publishing Corporation. All rights reserved.
If he hits the curve before you do, all is lost
is all I remember when the coach yelled out
to start, to kick it down the short straightaway
into the curve, the curve a devil’s handiwork,
with Worsenski ahead of me, two hundred sixty
pounds, one hundred pounds more than me,
and all I could see were the Converse soles
of a boy I dusted in my dreams on the bus
out here to make the track team, letters
for my sweater, girls going goo-goo over me,
coaches from big-league schools with papers
to say I was headed for glory, my unkempt
disappointment in me now sealed by winged
feet beating me in the curve, Worsenski as big
as the USS Enterprise sliding through Pacific
waters, parting the air in front of him that
sucked back behind just to hold me in my grip
of deep shame until I wished I were not there.
I wanted more than being human, a warrior
of field and track would be bursting out now
ripping open my chest with masculinity
to make Jesse Owens proud or jealous,
or inspired or something other than me
the pulling-up caboose slower than mud
running like an old man really walking,
all the most valuable parts of me inside
my brain in wishes, in dreams, in things
not yet born into the world, in calculations
of beauty, in yearning for love, for the word
of love, for some adoration from Wanda,
the most beautiful girl in the whole block,
black like me and wondering just what
life had to give those of us who can fly.
Copyright © 2015 Afaa Michael Weaver. Originally published in the Winter 2015 issue of Prairie Schooner. Used with permission of Prairie Schooner.
as you round the bend
keep the steel and mouse-skinned
rabbit front left center
and the track and the crowd
and its cries are a blurred ovation
as you stumble and recover
and then fully fall even if
only onto the rough gravel
of your inside mind or outside
in what is called the real world
as how many drunken grandfathers
holding little girls’ hands
and broken peanut shells go
swirling by why are you racing
what are you racing from
from what fixed arm does this
moth-eaten rabbit run
captive is different than stupid
near dead is different than dead
they call it a decoy but we know
a mirror when we see ourselves
lurch and dive for one
Copyright © 2015 Lisa Olstein. Originally published in the Winter 2015 issue of Prairie Schooner. Used with permission of Prairie Schooner.
Upon a path we lingered
When skies were overcast,
She knew not I was doubting
If love had come at last.
In her I felt arising
The pity Christ thought of––
To me naught else did matter
If only she could love.
To me unkind was pity,
And hurting, gratitude,
My love was more than kindness,
For thanks from her too good.
She said in lasting friendship
How happy we could be––
She did not know her hatred
Less painful were to me.
I said if love she could not,
’T were better to forget,
That in the flush of summer,
Upon that lane we met.
From Manila: A Collection of Verse (Imp. Paredes, Inc., 1926) by Luis Dato. This poem is in the public domain.