Ah, how poets sing and die!
Make one song and Heaven takes it;
Have one heart and Beauty breaks it;
Chatterton, Shelley, Keats, and I—
Ah, how poets sing and die!
This poem is in the public domain. Published in Poem-a-Day on June 30, 2022 by the Academy of American Poets.
That time
we all heard it,
cool and clear,
cutting across the hot grit of the day.
The major Voice.
The adult Voice
forgoing Rolling River,
forgoing tearful tale of bale and barge
and other symptoms of an old despond.
Warning, in music-words
devout and large,
that we are each other’s
harvest:
we are each other’s
business:
we are each other’s
magnitude and bond.
From The Essential Gwendolyn Brooks (Library of America, 2005). Copyright © 1970 by Gwendolyn Brooks. Reprinted By Consent of Brooks Permissions.
I got one part of it. Sell them watermelons and get me another part. Get Bernice to sell that piano and I’ll have the third part.
—August Wilson
We who gave, owned nothing,
learned the value of dirt, how
a man or a woman can stand
among the unruly growth,
look far into its limits,
a place of stone and entanglements,
and suddenly understand
the meaning of a name, a deed,
a currency of personhood.
Here, where we have labored
for another man’s gain, if it is fine
to own dirt and stone, it is
fine to have a plot where
a body may be planted to rot.
We who have built only
that which others have owned
learn the ritual of trees,
the rites of fruit picked
and eaten, the pleasures
of ownership. We who
have fled with sword
at our backs know the things
they have stolen from us, and we
will walk naked and filthy
into the open field knowing
only that this piece of dirt,
this expanse of nothing,
is the earnest of our faith
in the idea of tomorrow.
We will sell our bones
for a piece of dirt,
we will build new tribes
and plant new seeds
and bury our bones in our dirt.
From Duppy Conqueror: New and Selected Poems. Copyright © 2013 by Kwame Dawes. Reprinted with the permission of The Permissions Company, Inc., on behalf of Copper Canyon Press, www.coppercanyonpress.org.
I am a Negro:
Black as the night is black,
Black like the depths of my Africa.
I’ve been a slave:
Caesar told me to keep his door-steps clean.
I brushed the boots of Washington.
I’ve been a worker:
Under my hand the pyramids arose.
I made mortar for the Woolworth Building.
I’ve been a singer:
All the way from Africa to Georgia
I carried my sorrow songs.
I made ragtime.
I’ve been a victim:
The Belgians cut off my hands in the Congo.
They lynch me still in Mississippi.
I am a Negro:
Black as the night is black,
Black like the depths of my Africa.
This poem is in the public domain.
On summer afternoons I sit
Quiescent by you in the park
And idly watch the sunbeams gild
And tint the ash-trees’ bark.
Or else I watch the squirrels frisk
And chaffer in the grassy lane;
And all the while I mark your voice
Breaking with love and pain.
I know a woman who would give
Her chance of heaven to take my place;
To see the love-light in your eyes,
The love-glow on your face!
And there’s a man whose lightest word
Can set my chilly blood afire;
Fulfillment of his least behest
Defines my life’s desire.
But he will none of me, nor I
Of you. Nor you of her. ’Tis said
The world is full of jests like these.—
I wish that I were dead.
From The Book of American Negro Poetry (Harcourt, Brace, 1922), edited by James Weldon Johnson.This poem is in the public domain.
This much the gods vouchsafe today:
That we two lie in the clover,
Watching the heavens dip and sway,
With galleons sailing over.
This much is granted for an hour:
That we are young and tender,
That I am bee and you are flower,
Honey-mouthed and swaying slender.
This sweet of sweets is ours now:
To wander through the land,
Plucking an apple from its bough
To toss from hand to hand.
No thing is certain, joy nor sorrow,
Except the hour we know it;
Oh, wear my heart today; tomorrow
Who knows where the winds will blow it?
This poem is in the public domain.