Once from a big, big building,
When I was small, small,
The queer folk in the windows
Would smile at me and call.
And in the hard wee gardens
Such pleasant men would hoe:
“Sir, may we touch the little girl’s hair!”—
It was so red, you know.
They cut me coloured asters
With shears so sharp and neat,
They brought me grapes and plums and pears
And pretty cakes to eat.
And out of all the windows,
No matter where we went,
The merriest eyes would follow me
And make me compliment.
There were a thousand windows,
All latticed up and down.
And up to all the windows,
When we went back to town,
The queer folk put their faces,
As gentle as could be;
“Come again, little girl!” they called, and I
Called back, “You come see me!”
“A Visit to the Asylum” was published in The Harp-Weaver and Other Poems (Harper Brothers, 1923). This poem is in the public domain.
but they are fooling themselves, if there's a window open you might have a chance, if you hadn't all gone to Holy Name, if the world didn't change, if you only bent the laws of physics so much, if the tides weren't so strong on the Hudson, if you didn't have to go, if it wasn't a dream you still believed in, if that different kind of memory didn't take hold, if your muscle memory didn't steady you, if you didn't have orders you couldn't ship, if you didn't see what you saw, if the crawl wasn't always hungry, if there weren't celebrities in every sphere, if you didn't know all the criminals in the neighborhood, if nothing ever happened here, if it wasn't a country club, if there wasn't magic in actuality, if you didn't dislocate the phrase, if you didn't grind the blue sky, if it hadn't been a downward trajectory, if the shadow didn't undo itself, if you all weren't all on break, if everyone didn't shut down, if Canada wasn't in the escape plans, if the future wasn't sparkling with nostalgia
From A Country Road Going Back in Your Direction (Argos Books, 2015). Copyright © 2015 by Stephanie Gray. Used with permission of the author.
Whatever I care for, someone else loves it
more, deserves it more: the doe with her
whole mouth crushing the phlox or the seer
who adores my future, whereas I could
take it or leave it. I know I’ll disappear.
It won’t be glamorous. It won’t be like when
the Mona Lisa was stolen and the tourists all
lined up to pay their respects at the empty
spot on the wall of the Louvre.
I’ve never actually even seen the sky.
I’ve only ever seen effluents, seen wattage.
The only night I remember is the dinner
of neighbors at which a man I never
had met before said I don’t fear dying—
look at the past, people have been dying forever, and—
then he stopped and shook his head—
I drank too much. I was almost saying
that people have died forever and all
of them survived, but of course—he made
a hard laugh—God, of course they didn’t survive.
From Hard Child. Copyright © 2017 by Natalie Shapero. Used with the permission of The Permissions Company, Inc., on behalf of Copper Canyon Press, www.coppercanyonpress.org.
The Soul has Bandaged moments –
When too appalled to stir –
She feels some ghastly Fright come up
And stop to look at her –
Salute her, with long fingers –
Caress her freezing hair –
Sip, Goblin, from the very lips
The Lover – hovered – o’er –
Unworthy, that a thought so mean
Accost a Theme – so – fair –
The soul has moments of escape –
When bursting all the doors –
She dances like a Bomb, abroad,
And swings opon the Hours,
As do the Bee – delirious borne –
Long Dungeoned from his Rose –
Touch Liberty – then know no more,
But Noon, and Paradise –
The Soul’s retaken moments –
When, Felon led along,
With shackles on the plumed feet,
And staples, in the song,
The Horror welcomes her, again,
These, are not brayed of Tongue –
The Poems of Emily Dickinson, Ralph W. Franklin ed., Cambridge, Mass.: The Belknap Press of Harvard University Press, Copyright © 1998 by the President and Fellows of Harvard College. Copyright © 1951, 1955, 1979, by the President and Fellows of Harvard College. Copyright © renewed 1979, 1983 by the President and Fellows of Harvard College. Copyright © 1914, 1918, 1919, 1924, 1929, 1930, 1932, 1935, 1937, 1942 by Martha Dickinson Bianchi. Copyright © 1952, 1957, 1958, 1963, 1965 by Mary L. Hampson.
Imagine them in black, the morning heat losing within this day that floats. And always there is the being, and the not-seeing on their way to—
The days they approach and their sharpest aches will wrap experience until knowledge is translucent, the frost on which they find themselves slipping. Never mind the loose mindless grip of their forms reflected in the eye-watering hues of the surface, these two will survive in their capacity to meet, to hold the other beneath the plummeting, in the depths below each step full of avoidance. What they create will be held up, will resume: the appetite is bigger than joy. indestructible. for never was it independent from who they are. who will be.
Were we ever to arrive at knowing the other as the same pulsing compassion would break the most orthodox heart.
Excerpt from Plot, copyright © 2001 by Claudia Rankine. Used by permission of Grove/Atlantic, Inc. Any third party use of this material, outside of this publication, is prohibited.
Do you still remember: falling stars,
how they leapt slantwise through the sky
like horses over suddenly held-out hurdles
of our wishes—did we have so many?—
for stars, innumerable, leapt everywhere;
almost every gaze upward became
wedded to the swift hazard of their play,
and our heart felt like a single thing
beneath that vast disintegration of their brilliance—
and was whole, as if it would survive them!
“Do you still remember: falling stars,” from Uncollected Poems by Rainer Maria Rilke, translated by Edward Snow. Translation copyright © 1996 by Edward Snow.
Sometimes I don’t know if I’m having a feeling
so I check my phone or squint at the window
with a serious look, like someone in a movie
or a mother thinking about how time passes.
Sometimes I’m not sure how to feel so I think
about a lot of things until I get an allergy attack.
I take my antihistamine with beer, thank you very much,
sleep like a cut under a band aid, wake up
on the stairs having missed the entire party.
It was a real blast, I can tell, for all the vases
are broken, the flowers twisted into crowns
for the young, drunk, and beautiful. I put one on
and salute the moon, the lone face over me
shining through the grates on the front door window.
You have seen me like this before, such a strange
version of the person you thought you knew.
Guess what, I’m strange to us both. It’s like
I’m not even me sometimes. Who am I? A question
for the Lord only to decide as She looks over
my résumé. Everything is different sometimes.
Sometimes there is no hand on my shoulder
but my room, my apartment, my body are containers
and I am thusly contained. How easy to forget
the obvious. The walls, blankets, sunlight, your love.
Copyright © 2015 by Matthew Siegel. Originally published in Poem-a-Day on June 8, 2015, by the Academy of American Poets.
Ice petals on the trees.
The peppery black sparrows pour across
the frozen lawn.
The wind waits patiently behind the barn.
Though I’m not myself here, that’s okay.
I’ve lost my name,
my last address, the problem
that has kept me up all night this week in winter.
Such a long time coming,
this white timeless time in time,
with zero to the bone
the best thing anyone could ever say.
I stand here in the open,
full of straw, loose-limbed, unmuffled.
No one’s here, not-me as well,
this winter morning that goes on forever.
From New and Collected Poems: 1975-2015 by Jay Parini (Beacon Press, 2016). Reprinted with permission from Beacon Press.
All day on all my days,
the lives I’m not to process wash in;
anxieties lullaby on
and quite like to be gotten among;
but now—and now—one old,
abundant flower just screws up the room.
Copyright © 2016 by Graham Foust. Originally published in Poem-a-Day on October 4, 2016, by the Academy of American Poets.