the screed seen here blesses
the sweet, the meek, the gentle,
the serene. let eyes ensembled
peep the news sheets: ere
december descends, we'll elect
the next pres, reps, etc. when
we welter, cede the wheel,
we let greed-
Born and raised in Nashville, Tennessee in 1965, Evie Shockley received her BA from Northwestern University. After studying Law at the University of Michigan, she earned her PhD in English from Duke University.
Shockley's first book, The Gorgon Goddess, was published by Carolina Wren Press in 2001. Since then she has published three books: a half-red sea (Carolina Wren Press, 2006), 31 words * prose poems (Belladonna* Books, 2007), and the new black (Wesleyan University Press, 2011), which received the 2012 Hurston/Wright Legacy Award in Poetry.
Embracing both free verse and formal structures, Shockley straddles the divide between traditional and experimental poetics. A review of her work in Library Journal noted that, "Shockley’s work incorporates elements of myth without being patently 'mythical' and is personal without being self-indulgent, sentimental without being saccharine." Her reported influences include Gwendolyn Brooks, Lucille Clifton, and Harryette Mullen.
A Cave Canem graduate fellow, Shockley received the 2012 Holmes National Poetry Prize. She was awarded a residency at the Hedgebrook Retreat for Women Writers in 2003. Two of her poems were displayed in the Biko 30/30 exhibit, a commemoration of the life and work of anti-apartheid activist Steven Biko, which toured South Africa in 2007.
Shockley was coeditor of the poetry journal jubilat from 2004-2007, and teaches African American Literature and Creative Writing at Rutgers University-New Brunswick in New Jersey.