For the Poet David Henderson

Hi there. My name is George
Washington
Carver.
If you bear with me
for a few minutes I
will share with you
a few
of the 30,117 uses to which
the lowly peanut has been put
by me
since yesterday afternoon.
If you will look at my feet you will notice
my sensible shoelaces made from unadulterated
peanut leaf composition that is biodegradable
in the extreme.
To your left you can observe the lovely Renoir
masterpiece reproduction that I have cleverly
pieced together from several million peanut
shell chips painted painstakingly so as to
accurately represent the colors of the original!
Overhead you will spot a squadron of Peanut B-52
Bombers flying due west.
I would extend my hands to greet you
at this time
except for the fact that I am holding a reserve
supply of high energy dry roasted peanuts
guaranteed to accelerate protein assimilation
precisely documented by my pocket peanut calculator;

May I ask when did you last contemplate the relationship
between the expanding peanut products industry
and the development of post-Marxian economic theory
which (Let me emphasize) need not exclude moral attrition
of prepuberty
polymorphic
prehensile skills within the population age sectors
of 8 to 15?
I hope you will excuse me if I appear to be staring at you
through these functional yet high fashion and prescriptive
peanut contact lenses providing for the most
minute observation of your physical response to all of this
ultimately nutritional information.
Peanut butter peanut soap peanut margarine peanut
brick houses and house and field peanut per se well
illustrate the diversified
potential of this lowly leguminous plant
to which you may correctly refer
also
as the goober the pindar the groundnut
and the ground pea/let me
interrupt to take your name down on my
pocket peanut writing pad complete with matching
peanut pencil that only 3 or 4
chewing motions of the jaws will sharpen
into pyrotechnical utility
and no sweat.
Please:
Speak right into the peanut!

Your name?

You may write me down in history
With your bitter, twisted lies,
You may trod me in the very dirt
But still, like dust, I’ll rise.

Does my sassiness upset you?
Why are you beset with gloom?
’Cause I walk like I’ve got oil wells
Pumping in my living room.
Just like moons and like suns,
With the certainty of tides,
Just like hopes springing high,
Still I’ll rise.

Did you want to see me broken?
Bowed head and lowered eyes?
Shoulders falling down like teardrops,
Weakened by my soulful cries?

Does my haughtiness offend you?
Don’t you take it awful hard
’Cause I laugh like I’ve got gold mines
Diggin’ in my own backyard.

You may shoot me with your words,
You may cut me with your eyes,
You may kill me with your hatefulness,
But still, like air, I’ll rise.

Does my sexiness upset you?
Does it come as a surprise
That I dance like I’ve got diamonds
At the meeting of my thighs?

Out of the huts of history’s shame
I rise
Up from a past that’s rooted in pain
I rise
I’m a black ocean, leaping and wide,
Welling and swelling I bear in the tide.

Leaving behind nights of terror and fear
I rise
Into a daybreak that’s wondrously clear
I rise
Bringing the gifts that my ancestors gave,
I am the dream and the hope of the slave.
I rise
I rise
I rise.

I’m learning to say thank you.
And I’m learning to say please.
And I’m learning to use Kleenex,
Not my sweater, when I sneeze.
And I’m learning not to dribble.
And I’m learning not to slurp.
And I’m learning (though it sometimes really hurts me)
Not to burp.
And I’m learning to chew softer
When I eat corn on the cob.
And I’m learning that it’s much
Much easier to be a slob.

The library is dangerous—
Don’t go in. If you do

You know what will happen.
It’s like a pet store or a bakery—

Every single time you’ll come out of there
Holding something in your arms.

Those novels with their big eyes.
And those no-nonsense, all muscle

Greyhounds and Dobermans,
All non-fiction and business,

Cuddly when they’re young,
But then the first page is turned.

The doughnut scent of it all, knowledge,
The aroma of coffee being made

In all those books, something for everyone,
The deli offerings of civilization itself.

The library is the book of books,
Its concrete and wood and glass covers

Keeping within them the very big,
Very long story of everything.

The library is dangerous, full
Of answers. If you go inside,

You may not come out
The same person who went in.