in the rain-
darkness,        the sunset
being sheathed i sit and
think of you

the holy
city which is your face
your little cheeks the streets
of smiles

your eyes half-
thrush
half-angel and your drowsy
lips where float flowers of kiss

and
there is the sweet shy pirouette
your hair
and then

your dancesong
soul.      rarely-beloved
a single star is
uttered,and i

think
           of you

This poem is in the public domain.

consider O 
woman this 
my body.
for it has 

lain 
with empty arms 
upon the giddy hills 
to dream of you, 

approve these 
firm unsated 
eyes 
which have beheld 

night's speechless carnival 
the painting 
of the dark 
with meteors 

streaming from playful 
immortal hands 
the bursting 
of the wafted stars 

(in time to come you shall 
remember of this night amazing 
ecstasies       slowly, 
in the glutted 

heart fleet 
flowerterrible 
memories 
shall 

rise,slowly 
return upon the 
                                red elected lips 


scaleless visions)

This poem is in the public domain.

after five
times the poem
of thy remembrance
surprises with refrain

of unreasoning summer
that by responding
ways cloaked with renewal
my body turns toward

thee
again      for the stars have been
finished in the nobler trees and
the language of leaves repeats

eventual perfection
while east deserves of dawn,
i lie at length,breathing
with shut eyes

the sweet earth where thou liest

This poem is in the public domain.

Eruptive lightnings flutter to and fro
Above the heights of immemorial hills;
Thirst-stricken air, dumb-throated, in its woe
Limply down-sagging, its limp body spills
Upon the earth. A panting silence fills
The empty vault of Night with shimmering bars
Of sullen silver, where the lake distils
Its misered bounty.—Hark! No whisper mars
The utter silence of the untranslated stars.

This poem is in the public domain. 

somewhere i have never travelled, gladly beyond
any experience, your eyes have their silence:
in your most frail gesture are things which enclose me,
or which i cannot touch because they are too near

your slightest look easily will unclose me
though i have closed myself as fingers,
you open always petal by petal myself as Spring opens
(touching skillfully, mysteriously) her first rose

or if your wish be to close me, i and
my life will shut very beautifully, suddenly,
as when the heart of this flower imagines
the snow carefully everywhere descending;

nothing which we are to perceive in this world equals
the power of your intense fragility: whose texture
compels me with the colour of its countries,
rendering death and forever with each breathing

(i do not know what it is about you that closes
and opens; only something in me understands
the voice of your eyes is deeper than all roses)
nobody, not even the rain, has such small hands

From Complete Poems: 1904-1962 by E. E. Cummings, edited by George J. Firmage. Used with the permission of Liveright Publishing Corporation. Copyright © 1923, 1931, 1935, 1940, 1951, 1959, 1963, 1968, 1991 by the Trustees for the E. E. Cummings Trust. Copyright © 1976, 1978, 1979 by George James Firmage.

I will wade out
                    	   till my thighs are steeped in burn-
ing flowers
I will take the sun in my mouth
and leap into the ripe air
                                	   	Alive
                                            	               with closed eyes
to dash against darkness
                                	  in the sleeping curves of my
body
Shall enter fingers of smooth mastery
with chasteness of sea-girls
                                	         Will I complete the mystery
of my flesh
I will rise
        	After a thousand years
lipping
flowers
             And set my teeth in the silver of the moon

This poem is in the public domain. Published in Poem-a-Day on October 14, 2018, by the Academy of American Poets.

Thy fingers make early flowers of
all things.
thy hair mostly the hours love:
a smoothness which
sings,saying
(though love be a day)
do not fear,we will go amaying.

thy whitest feet crisply are straying.
Always
thy moist eyes are at kisses playing,
whose strangeness much
says;singing
(though love be a day)
for which girl art thou flowers bringing?

To be thy lips is a sweet thing
and small.
Death,Thee i call rich beyond wishing
if this thou catch,
else missing.
(though love be a day
and life be nothing,it shall not stop kissing).

This poem is in the public domain.

Before you know what kindness really is
you must lose things,
feel the future dissolve in a moment
like salt in a weakened broth.
What you held in your hand,
what you counted and carefully saved,
all this must go so you know
how desolate the landscape can be
between the regions of kindness.
How you ride and ride
thinking the bus will never stop,
the passengers eating maize and chicken
will stare out the window forever.

Before you learn the tender gravity of kindness
you must travel where the Indian in a white poncho
lies dead by the side of the road.
You must see how this could be you,
how he too was someone
who journeyed through the night with plans
and the simple breath that kept him alive.

Before you know kindness as the deepest thing inside,
you must know sorrow as the other deepest thing.
You must wake up with sorrow.
You must speak to it till your voice
catches the thread of all sorrows
and you see the size of the cloth.
Then it is only kindness that makes sense anymore,
only kindness that ties your shoes
and sends you out into the day to gaze at bread,
only kindness that raises its head
from the crowd of the world to say
It is I you have been looking for,
and then goes with you everywhere
like a shadow or a friend.

From Words Under the Words: Selected Poems. Copyright © 1995 by Naomi Shihab Nye. Reprinted with the permission of the author.

The boy beside me
is not you but he
is familiar in all

the important ways.
I pass through life
finding you over

and over again—
oppress you
with love. And every

surrogate?
Afflicted by my
kindness, they leave

me with my music.
I loved you before
I ever loved you.

Copyright © 2015 by Jennifer Franklin. Originally published in Poem-a-Day on June 9, 2015, by the Academy of American Poets.

The boy beside me
is not you but he
is familiar in all

the important ways.
I pass through life
finding you over

and over again—
oppress you
with love. And every

surrogate?
Afflicted by my
kindness, they leave

me with my music.
I loved you before
I ever loved you.

Copyright © 2015 by Jennifer Franklin. Originally published in Poem-a-Day on June 9, 2015, by the Academy of American Poets.

And who has seen the moon, who has not seen
Her rise from out the chamber of the deep,
Flushed and grand and naked, as from the chamber
Of finished bridegroom, seen her rise and throw
Confession of delight upon the wave,
Littering the waves with her own superscription
Of bliss, till all her lambent beauty shakes towards us
Spread out and known at last, and we are sure
That beauty is a thing beyond the grave,
That perfect, bright experience never falls
To nothingness, and time will dim the moon
Sooner than our full consummation here
In this odd life will tarnish or pass away.

This poem is in the public domain.

The way clouds taste as they go from castles to rabbits above your head.
You are twelve, your skin damp from the humid tropical day, the grass
under your arms and legs benign even if itchy. The way a million stars
scatter at night, and you in jersey gown and bare feet seek the same spot
from earlier in the day to count far away incandescent rocks and tucked
behind your ear your secret wish to spot a single UFO. The way a slice
of tres leches cake on your thirteenth birthday surrenders in unison on
your tongue its sweet milks. The way at twelve you tasted marvel and
by fourteen you’d tasted war.

Originally published in Poetry Northwest. Copyright © 2016 by Claudia Castro Luna.