I wandered lonely as a Cloud
That floats on high o’er Vales and Hills,
When all at once I saw a crowd,
A host of golden Daffodils;
Beside the Lake, beneath the trees,
Fluttering and dancing in the breeze.
Continuous as the stars that shine
And twinkle on the Milky Way,
They stretched in never-ending line
Along the margin of a bay:
Ten thousand saw I at a glance,
Tossing their heads in sprightly dance.
The waves beside them danced, but they
Out-did the sparkling waves in glee:—
A Poet could not but be gay
In such a jocund company:
I gazed—and gazed—but little thought
What wealth the show to me had brought:
For oft when on my couch I lie
In vacant or in pensive mood,
They flash upon that inward eye
Which is the bliss of solitude,
And then my heart with pleasure fills,
And dances with the Daffodils.
This poem appeared in Poem-a-Day on October 1, 2017. This poem is in the public domain.
We walked on the bridge over the Chicago River
for what turned out to be the last time,
and I ate cotton candy, that sugary air,
that sweet blue light spun out of nothingness.
It was just a moment, really, nothing more,
but I remember marveling at the sturdy cables
of the bridge that held us up
and threading my fingers through the long
and slender fingers of my grandfather,
an old man from the Old World
who long ago disappeared into the nether regions.
And I remember that eight-year-old boy
who had tasted the sweetness of air,
which still clings to my mouth
and disappears when I breathe.
From The Living Fire: New and Selected Poems (Alfred A. Knopf, 2010) by Edward Hirsch. Copyright @2010 by Edward Hirsch. Used with permission of the author.
Nature’s first green is gold,
Her hardest hue to hold.
Her early leaf’s a flower;
But only so an hour.
Then leaf subsides to leaf.
So Eden sank to grief,
So dawn goes down to day.
Nothing gold can stay.
From The Poetry of Robert Frost edited by Edward Connery Lathem. Copyright © 1923, 1947, 1969 by Henry Holt and Company, copyright © 1942, 1951 by Robert Frost, copyright © 1970, 1975 by Lesley Frost Ballantine. Reprinted by permission of Henry Holt and Company, LLC.
Visible, invisible,
A fluctuating charm,
An amber-colored amethyst
Inhabits it; your arm
Approaches, and
It opens and
It closes;
You have meant
To catch it,
And it shrivels;
You abandon
Your intent—
It opens, and it
Closes and you
Reach for it—
The blue
Surrounding it
Grows cloudy, and
It floats away
From you.
This poem is in the public domain. Published in Poem-a-Day on August 30, 2015, by the Academy of American Poets.
A Bird came down the Walk—
He did not know I saw—
He bit an Angleworm in halves
And ate the fellow, raw,
And then he drank a Dew
From a convenient Grass—
And then hopped sidewise to the Wall
To let a Beetle pass—
He glanced with rapid eyes
That hurried all around—
They looked like frightened Beads, I thought—
He stirred his Velvet Head
Like one in danger, Cautious,
I offered him a Crumb
And he unrolled his feathers
And rowed him softer home—
Than Oars divide the Ocean,
Too silver for a seam—
Or Butterflies, off Banks of Noon
Leap, plashless as they swim.
This poem is in the public domain.
I spot the hills With yellow balls in autumn. I light the prairie cornfields Orange and tawny gold clusters And I am called pumpkins. On the last of October When dusk is fallen Children join hands And circle round me Singing ghost songs And love to the harvest moon; I am a jack-o'-lantern With terrible teeth And the children know I am fooling.
This poem is in the public domain.
The fog comes
on little cat feet.
It sits looking
over harbor and city
on silent haunches
and then moves on.
This poem is in the public domain.
after practice: right foot to left foot, stepping forward and back, to right foot and left foot, and left foot up to his thigh, holding it on his thigh as he twists around in a circle, until it rolls down the inside of his leg, like a tickle of sweat, not catching and tapping on the soft side of his foot, and juggling once, twice, three times, hopping on one foot like a jump-roper in the gym, now trapping and holding the ball in midair, balancing it on the instep of his weak left foot, stepping forward and forward and back, then lifting it overhead until it hangs there; and squaring off his body, he keeps the ball aloft with a nudge of his neck, heading it from side to side, softer and softer, like a dying refrain, until the ball, slowing, balances itself on his hairline, the hot sun and sweat filling his eyes as he jiggles this way and that, then flicking it up gently, hunching his shoulders and tilting his head back, he traps it in the hollow of his neck, and bending at the waist, sees his shadow, his dangling T-shirt, the bent blades of brown grass in summer heat; and relaxing, the ball slipping down his back. . .and missing his foot. He wheels around, he marches over the ball, as if it were a rock he stumbled into, and pressing his left foot against it, he pushes it against the inside of his right until it pops into the air, is heeled over his head—the rainbow!— and settles on his extended thigh before rolling over his knee and down his shin, so he can juggle it again from his left foot to his right foot —and right foot to left foot to thigh— as he wanders, on the last day of summer, around the empty field.
From Motion: American Sports Poems, edited by Noah Blaustein. Copyright © 2001 by Christopher Merrill. Used with permission. All rights reserved.
White sheep, white sheep,
On a blue hill,
When the wind stops,
You all stand still.
When the wind blows,
You walk away slow.
White sheep, white sheep,
Where do you go?
This poem is in the public domain.
I have a little shadow that goes in and out with me,
And what can be the use of him is more than I can see.
He is very, very like me from the heels up to the head;
And I see him jump before me, when I jump into my bed.
The funniest thing about him is the way he likes to grow—
Not at all like proper children, which is always very slow;
For he sometimes shoots up taller like an India-rubber ball,
And he sometimes gets so little that there’s none of him at all.
He hasn’t got a notion of how children ought to play,
And can only make a fool of me in every sort of way.
He stays so close beside me, he’s a coward you can see;
I’d think shame to stick to nursie as that shadow sticks to me!
One morning, very early, before the sun was up,
I rose and found the shining dew on every buttercup;
But my lazy little shadow, like an arrant sleepy-head,
Had stayed at home behind me and was fast asleep in bed.
This poem is in the public domain.
A
A was an ant
Who seldom stood still,
And who made a nice house
In the side of a hill.
a
Nice little ant!
*
B
B was a book
With a binding of blue,
And pictures and stories
For me and for you.
b
Nice little book!
*
C
C was a cat
Who ran after a rat;
But his courage did fail
When she seized on his tail.
c
Crafty old cat!
*
D
D was a duck
With spots on his back,
Who lived in the water,
And always said “Quack!”
d
Dear little duck!
*
E
E was an elephant,
Stately and wise:
He had tusks and a trunk,
And two queer little eyes.
e
Oh, what funny small eyes!
*
F
F was a fish
Who was caught in a net;
But he got out again,
And is quite alive yet.
f
Lively young fish!
*
G
G was a goat
Who was spotted with brown:
When he did not lie still
He walked up and down.
g
Good little goat!
*
H
H was a hat
Which was all on one side;
Its crown was too high,
And its brim was too wide.
h
Oh, what a hat!
*
I
I was some ice
So white and so nice,
But which nobody tasted;
And so it was wasted.
i
All that good ice!
*
J
J was a jackdaw
Who hopped up and down
In the principal street
Of a neighboring town.
j
All through the town!
*
K
K was a kite
Which flew out of sight,
Above houses so high,
Quite into the sky.
k
Fly away, kite!
*
L
L was a light
Which burned all the night,
And lighted the gloom
Of a very dark room.
l
Useful nice light!
*
M
M was a mill
Which stood on a hill,
And turned round and round
With a loud hummy sound.
m
Useful old mill!
*
N
N was a net
Which was thrown in the sea
To catch fish for dinner
For you and for me.
n
Nice little net!
*
O
O was an orange
So yellow and round:
When it fell off the tree,
It fell down to the ground.
o
Down to the ground!
*
P
P was a pig,
Who was not very big;
But his tail was too curly,
And that made him surly.
p
Cross little pig!
*
Q
Q was a quail
With a very short tail;
And he fed upon corn
In the evening and morn.
q
Quaint little quail!
*
R
R was a rabbit,
Who had a bad habit
Of eating the flowers
In gardens and bowers.
r
Naughty fat rabbit!
*
S
S was the sugar-tongs,
sippity-see,
To take up the sugar
To put in our tea.
s
sippity-see!
*
T
T was a tortoise,
All yellow and black:
He walked slowly away,
And he never came back.
t
Torty never came back!
*
U
U was an urn
All polished and bright,
And full of hot water
At noon and at night.
u
Useful old urn!
*
V
V was a villa
Which stood on a hill,
By the side of a river,
And close to a mill.
v
Nice little villa!
*
W
W was a whale
With a very long tail,
Whose movements were frantic
Across the Atlantic.
w
Monstrous old whale!
*
X
X was King Xerxes,
Who, more than all Turks, is
Renowned for his fashion
Of fury and passion.
x
Angry old Xerxes!
*
Y
Y was a yew,
Which flourished and grew
By a quiet abode
Near the side of a road.
y
Dark little yew!
*
Z
Z was some zinc,
So shiny and bright,
Which caused you to wink
In the sun's merry light.
z
Beautiful zinc!
This poem is in the public domain.
He clasps the crag with crooked hands;
Close to the sun in lonely lands,
Ringed with the azure world, he stands.
The wrinkled sea beneath him crawls;
He watches from his mountain walls,
And like a thunderbolt he falls.
This poem is in the public domain.
When I was sick and lay a-bed,
I had two pillows at my head,
And all my toys beside me lay
To keep me happy all the day.
And sometimes for an hour or so
I watched my leaden soldiers go,
With different uniforms and drills,
Among the bed-clothes, through the hills;
And sometimes sent my ships in fleets
All up and down among the sheets;
Or brought my trees and houses out,
And planted cities all about.
I was the giant great and still
That sits upon the pillow-hill,
And sees before him, dale and plain,
The pleasant land of counterpane.
This poem is in the public domain.
Tyger! Tyger! burning bright
In the forests of the night,
What immortal hand or eye
Could frame thy fearful symmetry?
In what distant deeps or skies
Burnt the fire of thine eyes?
On what wings dare he aspire?
What the hand, dare sieze the fire?
And what shoulder, & what art,
Could twist the sinews of thy heart?
And when thy heart began to beat,
What dread hand? & what dread feet?
What the hammer? what the chain?
In what furnace was thy brain?
What the anvil? what dread grasp
Dare its deadly terrors clasp?
When the stars threw down their spears,
And water'd heaven with their tears,
Did he smile his work to see?
Did he who made the Lamb make thee?
Tyger! Tyger! burning bright
In the forests of the night,
What immortal hand or eye
Dare frame thy fearful symmetry?
This poem is in the public domain.
Wynken, Blynken, and Nod one night
Sailed off in a wooden shoe,—
Sailed on a river of crystal light
Into a sea of dew.
"Where are you going, and what do you wish?"
The old moon asked the three.
"We have come to fish for the herring-fish
That live in this beautiful sea;
Nets of silver and gold have we,"
Said Wynken,
Blynken,
And Nod.
The old moon laughed and sang a song,
As they rocked in the wooden shoe;
And the wind that sped them all night long
Ruffled the waves of dew;
The little stars were the herring-fish
That lived in the beautiful sea.
"Now cast your nets wherever you wish,—
Never afraid are we!"
So cried the stars to the fishermen three,
Wynken,
Blynken,
And Nod.
All night long their nets they threw
To the stars in the twinkling foam,—
Then down from the skies came the wooden shoe,
Bringing the fishermen home:
'Twas all so pretty a sail, it seemed
As if it could not be;
And some folk thought 'twas a dream they'd dreamed
Of sailing that beautiful sea;
But I shall name you the fishermen three:
Wynken,
Blynken,
And Nod.
Wynken and Blynken are two little eyes,
And Nod is a little head,
And the wooden shoe that sailed the skies
Is a wee one's trundle-bed;
So shut your eyes while Mother sings
Of wonderful sights that be,
And you shall see the beautiful things
As you rock in the misty sea
Where the old shoe rocked the fishermen three:—
Wynken,
Blynken,
And Nod.
This poem is in the public domain.
Who has seen the wind?
Neither I nor you.
But when the leaves hang trembling,
The wind is passing through.
Who has seen the wind?
Neither you nor I.
But when the trees bow down their heads,
The wind is passing by.
This poem is in the public domain.
In winter I get up at night
And dress by yellow candle-light.
In summer, quite the other way,
I have to go to bed by day.
I have to go to bed and see
The birds still hopping on the tree,
Or hear the grown-up people’s feet
Still going past me in the street.
And does it not seem hard to you,
When all the sky is clear and blue,
And I should like so much to play,
To have to go to bed by day?
This poem is in the public domain.
(Lines on the loss of the "Titanic")
I
In a solitude of the sea Deep from human vanity, And the Pride of Life that planned her, stilly couches she.
II
Steel chambers, late the pyres Of her salamandrine fires, Cold currents thrid, and turn to rhythmic tidal lyres.
III
Over the mirrors meant To glass the opulent The sea-worm crawls—grotesque, slimed, dumb, indifferent.
IV
Jewels in joy designed To ravish the sensuous mind Lie lightless, all their sparkles bleared and black and blind.
V
Dim moon-eyed fishes near Gaze at the gilded gear And query: "What does this vaingloriousness down here?". . .
VI
Well: while was fashioning This creature of cleaving wing, The Immanent Will that stirs and urges everything
VII
Prepared a sinister mate For her—so gaily great— A Shape of Ice, for the time far and dissociate.
VIII
And as the smart ship grew In stature, grace, and hue In shadowy silent distance grew the Iceberg too.
IX
Alien they seemed to be: No mortal eye could see The intimate welding of their later history.
X
Or sign that they were bent By paths coincident On being anon twin halves of one August event,
XI
Till the Spinner of the Years Said "Now!" And each one hears, And consummation comes, and jars two hemispheres.
This poem is in the public domain.
Very soon the Yankee teachers Came down and set up school; But, oh! how the Rebs did hate it,— It was agin' their rule. Our masters always tried to hide Book learning from our eyes; Knowledge didn't agree with slavery— 'Twould make us all too wise. But some of us would try to steal A little from the book, And put the words together, And learn by hook or crook. I remember Uncle Caldwell, Who took pot-liquor fat And greased the pages of his book, And hid it in his hat. And had his master ever seen The leaves up on his head, He'd have thought them greasy papers, But nothing to be read. And there was Mr. Turner's Ben, Who heard the children spell, And picked the words right up by heart, And learned to read 'em well. Well, the Northern folks kept sending The Yankee teachers down; And they stood right up and helped us, Though Rebs did sneer and frown. And, I longed to read my Bible, For precious words it said; But when I begun to learn it, Folks just shook their heads, And said there is no use trying, Oh! Chloe, you're too late; But as I was rising sixty, I had no time to wait. So I got a pair of glasses, And straight to work I went, And never stopped till I could read The hymns and Testament. Then I got a little cabin— A place to call my own— And I felt as independent As the queen upon her throne.
This poem is in the public domain.
Heard you that shriek? It rose So wildly on the air, It seemed as if a burden'd heart Was breaking in despair. Saw you those hands so sadly clasped-- The bowed and feeble head-- The shuddering of that fragile form-- That look of grief and dread? Saw you the sad, imploring eye? Its every glance was pain, As if a storm of agony Were sweeping through the brain. She is a mother pale with fear, Her boy clings to her side, And in her kirtle vainly tries His trembling form to hide. He is not hers, although she bore For him a mother's pains; He is not hers, although her blood Is coursing through his veins! He is not hers, for cruel hands May rudely tear apart The only wreath of household love That binds her breaking heart. His love has been a joyous light That o'er her pathway smiled, A fountain gushing ever new, Amid life's desert wild. His lightest word has been a tone Of music round her heart, Their lives a streamlet blent in one-- Oh, Father! must they part? They tear him from her circling arms, Her last and fond embrace. Oh! never more may her sad eyes Gaze on his mournful face. No marvel, then, these bitter shrieks Disturb the listening air: She is a mother, and her heart Is breaking in despair.
This poem is in the public domain.
Let me make the songs for the people,
Songs for the old and young;
Songs to stir like a battle-cry
Wherever they are sung.
Not for the clashing of sabres,
For carnage nor for strife;
But songs to thrill the hearts of men
With more abundant life.
Let me make the songs for the weary,
Amid life's fever and fret,
Till hearts shall relax their tension,
And careworn brows forget.
Let me sing for little children,
Before their footsteps stray,
Sweet anthems of love and duty,
To float o'er life's highway.
I would sing for the poor and aged,
When shadows dim their sight;
Of the bright and restful mansions,
Where there shall be no night.
Our world, so worn and weary,
Needs music, pure and strong,
To hush the jangle and discords
Of sorrow, pain, and wrong.
Music to soothe all its sorrow,
Till war and crime shall cease;
And the hearts of men grown tender
Girdle the world with peace.
This poem is in the public domain. Published in Poem-a-Day on August 8, 2020, by the Academy of American Poets.