From Breakfast on through all the day
At home among my friends I stay,
But every night I go abroad
Afar into the land of Nod.

All by myself I have to go,
With none to tell me what to do--
All alone beside the streams
And up the mountain-sides of dreams.

The strangest things are there for me,
Both things to eat and things to see,
And many frightening sights abroad
Till morning in the land of Nod.

Try as I like to find the way,
I never can get back by day,
Nor can remember plain and clear
The curious music that I hear.

This poem is in the public domain.

Said the Socialist to the Suffragist:
   “My cause is greater than yours!
     You only work for a Special Class,
     We work for the gain of the General Mass,
   Which every good ensures!”

Said the Suffragist to the Socialist:
   “You underrate my Cause!
   While women remain a Subject Class,
   You never can move the General Mass,
   With your Economic Laws!”

Said the Socialist to the Suffragist:
   “You misinterpret facts!
     There is no room for doubt or schism
     In Economic Determinism–
   It governs all our acts!”

Said the Suffragist to the Socialist:
   “You men will always find
     That this old world will never move
     More swiftly in its ancient groove
   While women stay behind!”

“A lifted world lifts women up,”
   The Socialist explained.
     “You cannot lift the world at all
     While half of it is kept so small,”
   The Suffragist maintained.

The world awoke, and tartly spoke:
   “Your work is all the same:
     Work together or work apart,
     Work, each of you, with all your heart–
   Just get into the game!”

This poem is in the public domain.

I dreamed that I was a rose
That grew beside a lonely way,
Close by a path none ever chose,
And there I lingered day by day.
Beneath the sunshine and the show’r
I grew and waited there apart,
Gathering perfume hour by hour,
And storing it within my heart,
        Yet, never knew,
Just why I waited there and grew.

I dreamed that you were a bee
That one day gaily flew along,
You came across the hedge to me,
And sang a soft, love-burdened song.
You brushed my petals with a kiss,
I woke to gladness with a start,
And yielded up to you in bliss
The treasured fragrance of my heart;
        And then I knew
That I had waited there for you.

This poem is in the public domain. 

The moon has a face like the clock in the hall;
She shines on thieves on the garden wall,
On streets and fields and harbour quays,
And birdies asleep in the forks of the trees.

The squalling cat and the squeaking mouse,
The howling dog by the door of the house,
The bat that lies in bed at noon,
All love to be out by the light of the moon.

But all of the things that belong to the day
Cuddle to sleep to be out of her way;
And flowers and children close their eyes
Till up in the morning the sun shall arise.

This poem is in the public domain.

There are names for what binds us:
strong forces, weak forces.
Look around, you can see them:
the skin that forms in a half-empty cup,
nails rusting into the places they join,
joints dovetailed on their own weight.
The way things stay so solidly
wherever they’ve been set down—
and gravity, scientists say, is weak.

And see how the flesh grows back
across a wound, with a great vehemence,
more strong
than the simple, untested surface before.
There’s a name for it on horses,
when it comes back darker and raised: proud flesh,

as all flesh
is proud of its wounds, wears them
as honors given out after battle,
small triumphs pinned to the chest

And when two people have loved each other
see how it is like a
scar between their bodies,
stronger, darker, and proud;
how the black cord makes of them a single fabric
that nothing can tear or mend.

—1982

Originally published in Of Gravity & Angels (Wesleyan University Press, 1988). Copyright © 1988 by Jane Hirshfield. Reprinted with the permission of the author. All rights reserved.

Dear March—Come in—
How glad I am—
I hoped for you before—
Put down your Hat—
You must have walked—
How out of Breath you are—
Dear March, how are you, and the Rest—
Did you leave Nature well—
Oh March, Come right upstairs with me—
I have so much to tell—

I got your Letter, and the Birds—
The Maples never knew that you were coming—
I declare - how Red their Faces grew—
But March, forgive me—
And all those Hills you left for me to Hue—
There was no Purple suitable—
You took it all with you—

Who knocks? That April—
Lock the Door—
I will not be pursued—
He stayed away a Year to call
When I am occupied—
But trifles look so trivial
As soon as you have come

That blame is just as dear as Praise
And Praise as mere as Blame—

This poem is in the public domain.

Now shall I store my soul with silent beauty, 
     Beauty of drifting clouds and mountain heights, 
Beauty of sun-splashed hills and shadowed forests, 
     Beauty of dawn and dusk and star-swept nights. 

Now shall I fill my heart with quiet music, 
    Song of the wind across the pine-clad hill, 
Song of the rain and, fairer than all music, 
    Call of the thrush when twilight woods are still. 

So shall the days to come be filled with beauty, 
     Bright with the promise caught from eastern skies; 
So shall I see the stars when night is darkest, 
     Still hear the thrush’s song when music dies. 

This poem is in the public domain. Published in Poem-a-Day on March 1, 2020, by the Academy of American Poets. 

O day—if I could cup my hands and drink of you,
And make this shining wonder be
A part of me!
O day! O day!
You lift and sway your colors on the sky
Till I am crushed with beauty. Why is there
More of reeling sunlit air
Than I can breathe? Why is there sound
In silence? Why is a singing wound
About each hour?
And perfume when there is no flower?
O day! O Day! How may I press
Nearer to loveliness?

This poem is in the public domain. Published in Poem-a-Day on March 22, 2020, by the Academy of American Poets.

I shall not lie to you any more,
    Flatter or fawn to attain my end—
I am what never has been before,
    Woman—and Friend.

I shall be strong as a man is strong,
    I shall be fair as a man is fair,
Hand in locked hand we shall pass along
    To a purer air:

I shall not drag at your bridle-rein,
    Knee pressed to knee shall we ride the hill;
I shall not lie to you ever again—
    Will you love me still?

This poem is in the public domain.