From Oceanic (Copper Canyon Press, 2018). Copyright © 2018 by Aimee Nezhukumatathil. Used with the permission of The Permissions Company, Inc.m on behalf of Copper Canyon Press, www.coppercanyonpress.org. All rights reserved.
I’ve known rivers:
I’ve known rivers ancient as the world and older than the
flow of human blood in human veins.
My soul has grown deep like the rivers.
I bathed in the Euphrates when dawns were young.
I built my hut near the Congo and it lulled me to sleep.
I looked upon the Nile and raised the pyramids above it.
I heard the singing of the Mississippi when Abe Lincoln
went down to New Orleans, and I’ve seen its muddy
bosom turn all golden in the sunset.
I’ve known rivers:
Ancient, dusky rivers.
My soul has grown deep like the rivers.
From The Collected Poems of Langston Hughes, published by Alfred A. Knopf, Inc. Copyright © 1994 the Estate of Langston Hughes. Used with permission.
We go in search of history and find
a guillotine at a garage sale where the lady
of the house in curlers and stretch pants
sits in a lawn chair knitting, knitting.
The guillotine is ugly but has historic
value, we say, and take it home
to replace the wagon wheel in the yard,
but we can’t get the damned thing to work.
Nobody told us the lubricant of history
is blood. We thought it was money.
Is Grandma’s pickle crock historical?
How much is it worth? Could we convert
the rusted old tricycle into a fountain?
But history sings like a chain saw
in the woods, a freight train
in the night. History is the grizzled
Viet Nam veteran with his dog and sign,
begging at the intersection. History
is the yellow detritus of used condoms
at the edge of Lovers’ Lane.
History is a lottery ticket, a truck full
of cocaine approaching the border crossing,
a drunk on the wrong side of the highway.
History is hallucination, fantasy, a mirage
in the desert, as blind as justice.
Historians suffer from the fever of time
but never know what time it is.
They are mad poets making up stories.
The history of war passes a hat and we
put our children in it. Then somebody
gives us stars to put in our windows,
one star for each child.
On the streets of history there are more
guns than lovers, but who could stay
indoors on such a day when the chestnuts
have leafed out at last and lilacs
fill the air with the heartbreak of history.
“In Search of History” from The Last Person to Hear Your Voice by Richard Shelton, © 2007. All rights are controlled by the University of Pittsburgh Press, Pittsburgh, PA 15260. Used by permission of the University of Pittsburgh Press.
Dear March—Come in—
How glad I am—
I hoped for you before—
Put down your Hat—
You must have walked—
How out of Breath you are—
Dear March, how are you, and the Rest—
Did you leave Nature well—
Oh March, Come right upstairs with me—
I have so much to tell—
I got your Letter, and the Birds—
The Maples never knew that you were coming—
I declare - how Red their Faces grew—
But March, forgive me—
And all those Hills you left for me to Hue—
There was no Purple suitable—
You took it all with you—
Who knocks? That April—
Lock the Door—
I will not be pursued—
He stayed away a Year to call
When I am occupied—
But trifles look so trivial
As soon as you have come
That blame is just as dear as Praise
And Praise as mere as Blame—
This poem is in the public domain.
I wonder what I’d do
with eight arms, two eyes
& too many ways to give
myself away
see, I only have one heart
& I know loving a woman can make you crawl
out from under yourself, or forget
the kingdom that is your body
& what would you say, octopus?
that you live knowing nobody
can touch you more
than you do already
that you can’t punch anything underwater
so you might as well drape yourself
around it, bring it right up to your mouth
let each suction cup kiss what it finds
that having this many hands
means to hold everything
at once & nothing
to hold you back
that when you split
you turn your blood
blue & pour
out more ocean
that you know heartbreak so well
you remove all your bones
so nothing can kill you.
Copyright © 2025 by Denice Frohman. Published by permission of the author.