Be glad your nose is on your face,
not pasted on some other place,
for if it were where it is not,
you might dislike your nose a lot.

Imagine if your precious nose
were sandwiched in between your toes,
that clearly would not be a treat,
for you’d be forced to smell your feet.

Your nose would be a source of dread
were it attached atop your head,
it soon would drive you to despair,
forever tickled by your hair.

Within your ear, your nose would be
an absolute catastrophe,
for when you were obliged to sneeze,
your brain would rattle from the breeze.

Your nose, instead, through thick and thin,
remains between your eyes and chin,
not pasted on some other place—
be glad your nose is on your face!

^{“What is poetry which does not save nations or people?”
            – Czesław Milosz}

Ask the question.
Not once but forty-nine times.
And, perhaps at the fiftieth,
you will make an answer.
Or perhaps not. Then
ask it again. This time
till seventy times seven. Ask
as you open the door
of every book of poems that you enter.
Ask it of every poem,
regardless of how beautiful,
that whispers: “Lie with me.”
Do not spare your newborn.
If the first cry, first line
is not a wailing for an answer,
abandon it. As for the stillborn,
turn the next blank white sheet over,
shroud it. Ask the clamouring procession
of all the poems of the ages –
each measured, white-haired epic,
every flouncing free verse debutante –
to state their names, where they have come from
and what their business is with you.
You live in the caesura of our times,
the sound of nations, persons, breaking around you.
If poetry can only save itself,
then who will hear it after it has fled
from the nations and the people that it could not save
even a remnant of for a remembering?

What are they mumbling about me there?
"Here," they say, "he suffered; here was glad."
Are words clothes or the putting off of clothes?

The scene is as follows: my book is open
On thirty desks; the teacher expounds my life.
Outside the window the Pacific roars like a lion.

Beside which my small words rise and fall.
"In this alliteration a tower crashed."
Are words clothes or the putting off of clothes?

"Here, in the fisherman casting on the water,
He saw the end of the dreamer.
And in that image, death, naked."

Out of my life I fashioned a fistful of words.
When I opened my hand, they flew away.

Brave Winter and I shall ever agree,
Though a stern and frowning gaffer is he.
I like to hear him, with hail and rain,
Come tapping against the window pane;
I joy to see him come marching forth
Begirt with the icicle gems of the north;
But I like him best when he comes bedight
In his velvet robes of stainless white.

A cheer for the snow—the drifting snow!
Smoother and purer than beauty’s brow!
The creature of thought scarce likes to tread
On the delicate carpet so richly spread.
With feathery wreaths the forest is bound,
And the hills are with glittering diadems crown’d;
’Tis the fairest scene we can have below.
Sing, welcome, then, to the drifting snow!

The urchins gaze with eloquent eye
To see the flakes go dancing by.
In the thick of the storm how happy are they
To welcome the first deep snowy day;
Shouting and pelting—what bliss to fall
Half-smother’d beneath the well-aim’d ball!
Men of fourscore, did ye ever know
Such sport as ye had in the drifting snow?

I’m true to my theme, for I loved it well.
When the gossiping nurse would sit and tell
The tale of the geese—though hardly believed—
I doubted and question’d the words that deceived.
I rejoice in it still, and love to see
The ermine mantle on tower and tree.
’Tis the fairest scene we can have below.
Hurrah! then, hurrah! for the drifting snow!

SPEAK, MEMORY—
                                        Of the cunning hero,
The wanderer, blown off course time and again
After he plundered Troy's sacred heights.

                                                       nbsp; Speak
Of all the cities he saw, the minds he grasped,
The suffering deep in his heart at sea
As he struggled to survive and bring his men home
But could not save them, hard as he tried—
The fools—destroyed by their own recklessness
When they ate the oxen of Hyperion the Sun,
And that god snuffed out their day of return.

                                   Of these things,

Speak, Immortal One,
And tell the tale once more in our time.

By now, all the others who had fought at Troy—
At least those who had survived the war and the sea—
Were safely back home. Only Odysseus
Still longed to return to his home and his wife.
The nymph Calypso, a powerful goddess—
And beautiful—was clinging to him
In her caverns and yearned to possess him.

        An old trunk of olive
grew like a pillar on the building plot,
and I laid out our bedroom round that tree,
lined up the stone walls, built the walls and roof,
gave it a doorway and smooth-fitting doors.
Then I lopped off the silvery leaves and branches,
hewed and shaped that stump from the roots up
into a bedpost, drilled it, let it serve
as model for the rest. I planed them all,
inlaid them all with silver, gold and ivory,
and stretched a bed between--a pliant web 
of oxhide thongs dyed crimson.

I

Saints have adorned the lofty soul of you.
Poets have whitened at your high renown.
We stand among the many millions who
Do hourly wait to pass your pathway down.
You, so familiar, once were strange: we tried
To live as of your presence unaware.
But now in every road on every side
We see your straight and steadfast signpost there.

I think it like that signpost in my land
Hoary and tall, which pointed me to go
Upward, into the hills, on the right hand,
Where the mists swim and the winds shriek and blow,
A homeless land and friendless, but a land
I did not know and that I wished to know.

II

Such, such is Death: no triumph: no defeat:
Only an empty pail, a slate rubbed clean,
A merciful putting away of what has been.

And this we know: Death is not Life effete,
Life crushed, the broken pail. We who have seen
So marvellous things know well the end not yet.

Victor and vanquished are a-one in death:
Coward and brave: friend, foe. Ghosts do not say,
“Come, what was your record when you drew breath?”
But a big blot has hid each yesterday
So poor, so manifestly incomplete.
And your bright Promise, withered long and sped,
Is touched, stirs, rises, opens and grows sweet
And blossoms and is you, when you are dead.

An unemployed
machinist
An unemployed machinist
who travelled
here
who travelled here
from Georgia
from Georgia 10 days ago
10 days ago
and could not find
a job
and could not find a job
walked
into a police station
walking into a police station
yesterday and said
yesterday
and said:

"I'm tired
of being scared
I'm tired of being scared."

My friend, I need thee in good days or ill,
    I need the counsel of thy larger thought;
   And I would question all the year has brought—
   What spoil of books, what victories of will;
But most I long for the old wordless thrill,
   When on the shore, like children picture-taught,
   We watched each miracle the sweet day wrought,
   While the tide ebbed, and every wind was still.
Dear, let it be again as if we mused,
   We two, with never need of spoken word
   (While the sea’s fingers twined among the dulse,
And gulls dipped near), our spirits seeming fused
   In the great Life that quickens wave and bird,
   Our hearts in happy rhythm with the world-pulse.

^{March 30, 1889}

My white therapist calls it my edge, I hear
Angry Black Woman. She says, Strength
of Willful Negative Focus. She says, Acerbic
Intellectual Temperament. I copy her words
onto an index card. She wants
an origin story, a stranger with his hand
inside me, or worse. I’m without
linear narrative and cannot sate her. We
perform rituals on her living room floor. I burn
letters brimming with resentments, watch
the paper ember in the fireplace, admit
I don’t want to let this go. What if anger,
my armor, is embedded in the marrow
of who I am. Who can I learn to be
without it? Wherever you go,
there you are. She asks what I will lose
if I surrender, I imagine a gutted fish,
silvery skin gleaming, emptied of itself—

My language has its own world 
where he doesn’t know how to live,
but he should learn my language;
then he can call my mother to say
that I am dead. I drive too fast 
and someone else drives too fast 
and we crash on the icy road.
The death sweeps me away.
He can tell this to my mother 
if he learns my language. 
Her large yellow voice travels 
and hits his body, but at least she knows 
that I am dead, and if I die,
I want him to tell my mother 
with his deep voice shaking.

The ferns—sharp lime green, lean over 
the concrete like a woman over a boardwalk 
on a bright spring day like this, though maybe it is better 
with Grace’s curious nose assessing the damp earth
while ignoring its copious lizards. 
There is joy in the soft butt
of a dog disappearing into its daily necessities.
I am not sure I have ever had such a joy, 
either in discovery or expectation. Looking out
over the side of a boat
with a hat as wide as this fern 
is Grace, of the delicate paws.
I have never liked it: The Spring. But this is the 
end of Spring! First yellow of summer. They say a poet 
can never write a purely happy poem about a dog 
greeting the sun and what it has done to rain.
I don’t know about that. 
I am light like a canine’s memory; 
a minute, a world. Where one of the greatest 
and most daring feats is to enjoy 
the breeze’s slow boat of fertilization
made by other dogs of other years—the scent of
living in and of itself. Grace among the ferns
likes to place her body right over the pulpit 
of the last dog, so they know. I am here, too. Living.
Lime green ribbons touch her soft, wet nose.

I heard the bells on Christmas Day
Their old, familiar carols play,
    And wild and sweet
    The words repeat
Of peace on earth, good-will to men!

And thought how, as the day had come,
The belfries of all Christendom
    Had rolled along
    The unbroken song
Of peace on earth, good-will to men!

Till ringing, singing on its way,
The world revolved from night to day,
    A voice, a chime,
    A chant sublime
Of peace on earth, good-will to men!

Then from each black, accursed mouth
The cannon thundered in the South,
    And with the sound
    The carols drowned
Of peace on earth, good-will to men!

It was as if an earthquake rent
The hearth-stones of a continent,
    And made forlorn
    The households born
Of peace on earth, good-will to men!

And in despair I bowed my head;
"There is no peace on earth," I said;
    "For hate is strong,
    And mocks the song
Of peace on earth, good-will to men!"

Then pealed the bells more loud and deep:
"God is not dead, nor doth He sleep;
    The Wrong shall fail,
    The Right prevail,
With peace on earth, good-will to men."

                                                     A l l
T       h     e                     things living on the          a     t     o      m   
f      i     n     d           surface    of     our    globe          s             w 
i     t     h      i         arrive at the equator a recital             n
i     t     s      e        of  our  uncertainties.  A touch           l     f   
T     r      u     t      of  blue devotion.  Waves and              h           a     n
d          J     u           lastly light nestling.  Trans-      s      t     i     c     e  
                                    lation  of space indicat-
                                           ing  the  future.