Gaza has become a funeral home, 
but there are no seats, 
no mourners, no bodies. 
In the caskets are nothing but 
what remained of the dead’s clothes, 
and on the crumbling walls are clocks 
that have not moved for fourteen months.

                The world is a beautiful place 
                                                           to be born into 
if you don’t mind happiness 
                                             not always being 
                                                                        so very much fun 
       if you don’t mind a touch of hell
                                                       now and then
                just when everything is fine
                                                             because even in heaven
                                they don’t sing 
                                                        all the time

             The world is a beautiful place
                                                           to be born into
       if you don’t mind some people dying
                                                                  all the time
                        or maybe only starving
                                                           some of the time
                 which isn’t half so bad
                                                      if it isn’t you

      Oh the world is a beautiful place
                                                          to be born into
               if you don’t much mind
                                                   a few dead minds
                    in the higher places
                                                    or a bomb or two
                            now and then
                                                  in your upturned faces
         or such other improprieties
                                                    as our Name Brand society
                                  is prey to
                                              with its men of distinction
             and its men of extinction
                                                   and its priests
                         and other patrolmen
                                                         and its various segregations
         and congressional investigations
                                                             and other constipations
                        that our fool flesh
                                                     is heir to

Yes the world is the best place of all
                                                           for a lot of such things as
         making the fun scene
                                                and making the love scene
and making the sad scene
                                         and singing low songs of having 
                                                                                      inspirations
and walking around 
                                looking at everything
                                                                  and smelling flowers
and goosing statues
                              and even thinking 
                                                         and kissing people and
     making babies and wearing pants
                                                         and waving hats and
                                     dancing
                                                and going swimming in rivers
                              on picnics
                                       in the middle of the summer
and just generally
                            ‘living it up’

Yes
   but then right in the middle of it
                                                    comes the smiling
                                                                                 mortician

                                           

Let me not to the marriage of true minds
Admit impediments. Love is not love
Which alters when it alteration finds,
Or bends with the remover to remove:
O, no! it is an ever-fixed mark,
That looks on tempests and is never shaken;
It is the star to every wandering bark,
Whose worth’s unknown, although his height be taken.
Love’s not Time’s fool, though rosy lips and cheeks
Within his bending sickle’s compass come;
Love alters not with his brief hours and weeks,
But bears it out even to the edge of doom.
    If this be error, and upon me prov’d,
    I never writ, nor no man ever lov’d.

It is really something when a kid who has a hard time becomes a kid who’s having a good time in no small part thanks to you throwing that kid in the air again and again on a mile long walk home from the Indian joint as her mom looks sideways at you like you don’t need to keep doing this because you’re pouring with sweat and breathing a little bit now you’re getting a good workout but because the kid laughs like a horse up there laughs like a kangaroo beating her wings against the light because she laughs like a happy little kid and when coming down and grabbing your forearm to brace herself for the time when you will drop her which you don’t and slides her hand into yours as she says for the fortieth time the fiftieth time inexhaustible her delight again again again and again and you say give me til the redbud tree or give me til the persimmon tree because she knows the trees and so quiet you almost can’t hear through her giggles she says ok til the next tree when she explodes howling yanking your arm from the socket again again all the wolves and mourning doves flying from her tiny throat and you throw her so high she lives up there in the tree for a minute she notices the ants organizing on the bark and a bumblebee carousing the little unripe persimmon in its beret she laughs and laughs as she hovers up there like a bumblebee like a hummingbird up there giggling in the light like a giddy little girl up there the world knows how to love.

Although she feeds me bread of bitterness,

And sinks into my throat her tiger’s tooth,

Stealing my breath of life, I will confess

I love this cultured hell that tests my youth!

Her vigor flows like tides into my blood,

Giving me strength erect against her hate.

Her bigness sweeps my being like a flood.

Yet as a rebel fronts a king in state,

I stand within her walls with not a shred

Of terror, malice, not a word of jeer.

Darkly I gaze into the days ahead,

And see her might and granite wonders there,

Beneath the touch of Time’s unerring hand,

Like priceless treasures sinking in the sand.

Some things are very dear to me—
Such things as flowers bathed by rain
Or patterns traced upon the sea
Or crocuses where snow has lain ...
the iridescence of a gem,
The moon’s cool opalescent light,
Azaleas and the scent of them,
And honeysuckles in the night.
And many sounds are also dear—
Like winds that sing among the trees
Or crickets calling from the weir
Or Negroes humming melodies.
But dearer far than all surmise
Are sudden tear-drops in your eyes.

^{translated from the Arabic by Reynold A. Nicholson}

When night draws on, remembering keeps me wakeful 
And hinders my rest with grief upon grief returning 
For Ṣakhr. What a man was he on the day of battle, 
When, snatching their chance, they swiftly exchange the spear-thrusts! 
Ah, never of woe like this in the world of spirits 
I heard, or of loss like mine in the heart of woman. 
What Fortune might send, none stronger than he to bear it; 
None better to meet the trouble with mind unshaken; 
The kindest to help, wherever the need was sorest: 
They all had of him a boon—wife, friend, and suitor. 
O Ṣakhr! I will ne’er forget thee until in dying 
part from my soul, and earth for my tomb is cloven. 
The rise of the sun recalls to me Ṣakhr my brother, 
And him I remember also at every sunset.

A nightly spell of sleep falls  
heavy on the sea.  
Blue whales undulate their slow song,  
while soft-bellied mollusks are carried  
down, sand-ways like a wound. 

These swaying underwater breezes, 
this gentle flotsam of an oceanic dream 
are all for me, querida – a keepsake 
of my savage grief. 
Artifacts of deaths that no one died, 
ashes brimming with unnamed souls. 
I hate this disconnected dream,  
this crystalline suburbia,  
this history without light.  
You are the machine, I make and 
remake in my sleep. 

                        We could not save  
each other or ourselves in this forgetfulness. 
Yet, in the making, we disappeared 
into sound dressed in gray,  
where they said our hearts lived.  
Where the sword decides and  
Foucault lectures to the ghosts of crows 
about sex and the biopolitic. 
And what of colonialism? they squawk,  
Y que del negro atado?  
The sea distanced itself and sang 
of its guilty blood, of the bodies  
consumed in its salty lather. 
Forgive these ravenous waves  
for demanding sacrifice, a buffet of 
flesh and fat spread thick and fragrant.  
Pain is a difficult animal to domesticate.