The line-storm clouds fly tattered and swift,
The road is forlorn all day,
Where a myriad snowy quartz stones lift,
And the hoof-prints vanish away.
The roadside flowers, too wet for the bee,
Expend their bloom in vain.
Come over the hills and far with me,
And be my love in the rain.
The birds have less to say for themselves
In the wood-world’s torn despair
Than now these numberless years the elves,
Although they are no less there:
All song of the woods is crushed like some
Wild, easily shattered rose.
Come, be my love in the wet woods; come,
Where the boughs rain when it blows.
There is the gale to urge behind
And bruit our singing down,
And the shallow waters aflutter with wind
From which to gather your gown.
What matter if we go clear to the west,
And come not through dry-shod?
For wilding brooch shall wet your breast
The rain-fresh goldenrod.
Oh, never this whelming east wind swells
But it seems like the sea’s return
To the ancient lands where it left the shells
Before the age of the fern;
And it seems like the time when after doubt
Our love came back amain.
Oh, come forth into the storm and rout
And be my love in the rain.
This poem is in the public domain.
is a field
as long as the butterflies say
it is a field
with their flight
it takes a long time
to see
like light or sound or language
to arrive
and keep
arriving
we have more
than six sense dialect
and i
am still
adjusting to time
the distance and its permanence
i have found my shortcuts
and landmarks
to place
where i first took form
in the field
Copyright © 2022 by Marwa Helal. Originally published in Poem-a-Day on October 3, 2022, by the Academy of American Poets.
—after lucille clifton
the estuary opens to the bay
and the bay stretches into the pacific and so on
therefore and such-and-such,
none of them empty or full
in the way no frame can minimize nor contain horizon—
yet the ocean can be it, even when sky
and sea are the same late summer gray
they blend together erasing, making
each other. the humpback whale
breaching the slate screen is the only
one who knows the tension between.
here arrive two children winding bikes
on the path to the point passing succulents
and ground squirrels, and three pelicans
follow in spinning dives to slash
down on this estuary guarded
by gurgling sea lions. the children
collecting rocks and examining mussel shells,
millennia in their hands, nod to each other and laugh
racing childhood to the pier’s edge.
Copyright © 2025 by David Maduli. Originally published in Poem-a-Day on April 14, 2025, by the Academy of American Poets.
because this planet's radiance overcame me
—Dante, Paradiso, IX, 33
Translation from Historiae by Antonella Anedda
I dreamt that I saw the earth from far away,
I saw fields, the moon, the undertow
and how each tide undermines earth with water.
I wanted to reach Saturn, my planet
of fire and lead, so I was nourishing melancholy.
I was spinning in the fog looking for you and you were below
among the living. You loved who I was not and would never be
yet there in the void, in that sidereal light I saw
the autumn spinning the leaves with verdigris,
I was hearing the thud of the wind upon a bedsheet
as one voice was calling another
and this one responded as something in the evening
that was approaching with the shadow that fell on the chairs.
Already there in glory, already overcome by the radiance between planets,
and yet I was starving myself with envy for life.
From Historiae by Antonella Anedda. First published in English by New York Review Books. Translation Copyright © 2023 by Susan Stewart and Patrizio Ceccagnoli.
I wandered lonely as a Cloud
That floats on high o’er Vales and Hills,
When all at once I saw a crowd,
A host of golden Daffodils;
Beside the Lake, beneath the trees,
Fluttering and dancing in the breeze.
Continuous as the stars that shine
And twinkle on the Milky Way,
They stretched in never-ending line
Along the margin of a bay:
Ten thousand saw I at a glance,
Tossing their heads in sprightly dance.
The waves beside them danced, but they
Out-did the sparkling waves in glee:—
A Poet could not but be gay
In such a jocund company:
I gazed—and gazed—but little thought
What wealth the show to me had brought:
For oft when on my couch I lie
In vacant or in pensive mood,
They flash upon that inward eye
Which is the bliss of solitude,
And then my heart with pleasure fills,
And dances with the Daffodils.
This poem appeared in Poem-a-Day on October 1, 2017. This poem is in the public domain.
Light silken curtain, colorless and soft,
Dreamlike before me floating! what abides
Behind thy pearly veil’s
Opaque, mysterious woof?
Where sleek red kine, and dappled, crunch daylong
Thick, luscious blades and purple clover-heads,
Nigh me I still can mark
Cool fields of beaded grass.
No more; for on the rim of the globed world
I seem to stand and stare at nothingness.
But songs of unseen birds
And tranquil roll of waves
Bring sweet assurance of continuous life
Beyond this silvery cloud. Fantastic dreams,
Of tissue subtler still
Than the wreathed fog, arise,
And cheat my brain with airy vanishings
And mystic glories of the world beyond.
A whole enchanted town
Thy baffling folds conceal—
An orient town, with slender-steepled mosques,
Turret from turret springing, dome from dome,
Fretted with burning stones,
And trellised with red gold.
Through spacious streets, where running waters flow,
Sun-screened by fruit-trees and the broad-leaved palm,
Past the gay-decked bazaars,
Walk turbaned, dark-eyed men.
Hark! you can hear the many murmuring tongues,
While loud the merchants vaunt their gorgeous wares.
The sultry air is spiced
With fragrance of rich gums,
And through the lattice high in yon dead wall,
See where, unveiled, an arch, young, dimpled face,
Flushed like a musky peach,
Peers down upon the mart!
From her dark, ringleted and bird-poised head
She hath cast back the milk-white silken veil:
’Midst the blank blackness there
She blossoms like a rose.
Beckons she not with those bright, full-orbed eyes,
And open arms that like twin moonbeams gleam?
Behold her smile on me
With honeyed, scarlet lips!
Divine Scheherazade! I am thine.
I come! I come!—Hark! from some far-off mosque
The shrill muezzin calls
The hour of silent prayer,
And from the lattice he hath scared by love.
The lattice vanisheth itself—the street,
The mart, the Orient town;
Only through still, soft air
That cry is yet prolonged. I wake to hear
The distant fog-horn peal: before mine eyes
Stands the white wall of mist,
Blending with vaporous skies.
Elusive gossamer, impervious
Even to the mighty sun-god’s keen red shafts!
With what a jealous art
Thy secret thou dost guard!
Well do I know deep in thine inmost folds,
Within an opal hollow, there abides
The lady of the mist,
The Undine of the air—
A slender, winged, ethereal, lily form,
Dove-eyed, with fair, free-floating, pearl-wreathed hair,
In waving raiment swathed
Of changing, irised hues.
Where her feet, rosy as a shell, have grazed
The freshened grass, a richer emerald glows:
Into each flower-cup
Her cool dews she distills.
She knows the tops of jagged mountain-peaks,
She knows the green soft hollows of their sides,
And unafraid she floats
O’er the vast-circled seas.
She loves to bask within the moon’s wan beams,
Lying, night-long, upon the moist, dark earth,
And leave her seeded pearls
With morning on the grass.
Ah! that athwart these dim, gray outer courts
Of her fantastic palace I might pass,
And reach the inmost shrine
Of her chaste solitude,
And feel her cool and dewy fingers press
My mortal-fevered brow, while in my heart
She poured with tender love
Her healing Lethe-balm!
See! the close curtain moves, the spell dissolves!
Slowly it lifts: the dazzling sunshine streams
Upon a newborn world and laughing summer seas.
And laughing summer seas.
Swift, snowy-breasted sandbirds twittering glance
Through crystal air. On the horizon’s marge,
Like a huge purple wraith,
The dusky fog retreats.
This poem is in the public domain. Published in Poem-a-Day on March 1, 2025, by the Academy of American Poets.
The park is filled with night and fog,
The veils are drawn about the world,
The drowsy lights along the paths
Are dim and pearled.
Gold and gleaming the empty streets,
Gold and gleaming the misty lake,
The mirrored lights light sunken swords,
Glimmer and shake.
Oh, is it not enough to be
Here with this beauty over me?
My throat should ache with praise, and I
Should kneel in joy beneath the sky.
Oh, beauty, are you not enough?
Why am I crying after love
With youth, a singing voice and eyes
To take earth’s wonder with surprise?
Why have I put off my pride,
Why am I unsatisfied,
I for whom the pensive night
Binds her cloudy hair with light,
I for whom all beauty burns
Like incense in a million urns?
Oh, beauty, are you not enough?
Why am I crying after love?
This poem is in the public domain. Published in Poem-a-Day on March 22, 2025, by the Academy of American Poets.
Rich raptures, you say, our dreams assume,
Slaking the heart’s immortal thirst?
Only the old we reillume;
But think—to have dreamed the flowers first!
Think,—to have dreamed the first blue sea;
Imaged every illustrious hue
Of the earliest sunset’s tapestry;
And the snow,—and the birds, when their songs were new!
Think,—from the blue of highest heaven
To have sown all the stars, to have whispered “Light!”—
Hung a moon in a prismy even,
Spun a world on its splendid flight!
To have first conceived of boundless Space;
To have thought so small as to garb the trees;
All planet years in your mind’s embrace,—
And the midge’s life, for all of these!
And Man still boasts of his brain’s weak best
In dream or invention; from first to last
Blunders ’mid wonders barely guessed.
And fondly believes that his thoughts are “vast”!
From The Falconer of God and Other Poems (Yale University Press, 1914) by William Rose Bénet. Copyright © 1914 by William Rose Bénet. This poem is in the public domain.
there is a kind of memory that feels, somehow
suddenly, like a wound, though not always, not until
one wanders back through: the dark, damp alley the only path
toward home—every place i have loved has forced me to leave.
and then there is memory as one might always wish:
bejeweled, like sugar on the tongue upon reentry.
what is the name for the scent that whispers mother,
the twanged hue of evening that gestures island,
limestone, cane, spume? Flatbush, i have sauntered away
from everything that has called me kin now,
as i have before, but in what little time we have left,
let me remember you, let me remember what lay beneath
your weather—your snow-born streams, your troubled foliage.
guinep, worship, convenience, heel and toe. old dream,
will either of us return to what we once were? to when?
From You Are Here: Poetry in the Natural World (Milkweed Editions, 2024), edited by Ada Limón. Copyright © 2024 Milkweed Editions and the Library of Congress. Used with the permission of the author. Published in Poem-a-Day on April 13, 2024, by the Academy of American Poets.
translated from the German by Jessie Lamont
Oh! All things are long passed away and far.
A light is shining but the distant star
From which it still comes to me has been dead
A thousand years . . . In the dim phantom boat
That glided past some ghastly thing was said.
A clock just struck within some house remote.
Which house?—I long to still my beating heart.
Beneath the sky’s vast dome I long to pray . . .
Of all the stars there must be far away
A single star which still exists apart.
And I believe that I should know the one
Which has alone endured and which alone
Like a white City that all space commands
At the ray’s end in the high heaven stands.
This poem is in the public domain. Published in Poem-a-Day on December 8, 2024, by the Academy of American Poets.