We are preparing for the wrong disaster. —Chris Begley, The Next Apocalypse
The year I was born, the Soviet Union’s
early warning radar system malfunctioned,
reporting five intercontinental ballistic
missiles in flight: a preemptive nuclear
strike. You may have heard this story.
How a single lieutenant colonel dismissed
the signal as the false alarm that it was …
but had he made a different call
in that moment? Had he seen those five
ghost fingers as a fist? A mushroom cloud:
the most dangerous cliché. I hold it
in my hands on my fortieth birthday and
it becomes a bouquet: a thousand stems
leading to a thousand worlds in which cooler
heads did not prevail, to a thousand
alternate universe versions of me, born
in the year of the apocalypse. I see myself …
dead via radiation poisoning. Dead via
the shutdown of the supply chain, the failure
of the water system, the reemergence
of previously preventable diseases. Dead
in such manly ways: via an unlucky fall
in a fistfight over nothing. Via a scratch,
ignored and infected. I plucked petals, looking
for a version of me who survives. Hoping
to find that … you know: leather jacket,
black motorcycle, katana strapped to my back
version. That warrior poet, lone vessel of
vengeance, keeping the wasteland’s unending
tide of razor-clawed mutants at bay version.
All these dead worlds, and he isn’t out there.
All these visions of who I could have been,
and not a single hero: folk, super, anti
or otherwise. In one life, I wore a suit of armor
and drowned in the river. In one life, I hoarded
food and choked on it. In one life, the basement
was so full of boxes of bullets—a tornado came
and I had nowhere to go. No shelter. I emptied
clip after clip into the wind. All these dead
worlds, and we tell the same stories.
Which is not to say that I never survive. Just
that my survival, in every reality where it is
possible, never belongs to me. I see myself:
forty. Not a dual-wielding bandit warlord. Just a
neighbor, sitting in another endless community
meeting. And how many of our ancestors have
already taught us: even after the world ends,
there is work to do. I see myself in that work: not
the leader, not a lone wolf, just another part of the
pack. Because in every universe in which
I am alive, it is because of other people. And I
don’t always like them, but I love them. In every
universe in which I am alive, it is less because I
could fight, and more because I could
forgive. Because I could cooperate. Because
I could apologize. Because I could dance. Because
I could grow pumpkins in my backyard and leave
them at my neighbor’s door, asking for nothing in
return. In every universe in which I am alive, I am
holding: a first aid kit, a solar panel, a sleeping
cat. Never a rusty battle ax or rocket launcher—
sure, maybe sometimes a chainsaw, but only for
firewood. I am holding: a cooking pot, a teddy bear,
a photo album, a basketball, a bouquet of flowers.
Survival is not a fortress. It is a garden.
Survival is not a siren. It is a symphony. And
yeah, we fight for it sometimes, but survival is not
the fight. It is the healing after: the soft hum of
someone you trust applying the bandage, the
feeling of falling asleep in a safe place.
Copyright © 2024 by Kyle Tran Myhre. Originally published in Poem-a-Day on August 6, 2024, by the Academy of American Poets.
Two years into anorexia recovery,
when I begin to miss dying more than ever,
my cat begins to hide.
She disappears for hours and I find her
hammocked in the lining of my couch.
She has hollowed it out with her teeth
and stares at me through cobwebbed eyes.
I am startled at my own anger.
After all the time and love I’ve given her,
I can’t forgive her turning away like this.
My partner reminds me that cats
do not know how to be cruel,
but they do know survival and fear.
Each day, I reach into the dark
mouth of the couch and pull her,
claws and all, back into life.
Weeks later, she dies with no one home.
I discover the body and the urge to blame
myself glows hot in my chest.
How could I let her die
in an empty house?
How could I be so cruel.
On the drive to donate her body,
my partner apologizes with every breath.
We pull over and he cries into my coat,
How could I let this happen?
And I know that if he feels guilty too,
maybe the blame belongs to neither of us.
This is the person who tried
to breathe life back into the cat’s corpse,
without realizing what he was doing.
He did it because his instincts told him to,
because every cell in his body is good.
For weeks, the memory will make him
shiver, gag, rinse the moment from his mouth.
This is the person who gave everything
to keep me alive, when letting me die
was the easiest thing to do.
He never stopped looking for me
when I hid in the hollows of myself and my heart
became a shadowy hallway of locked doors.
This is the person who, if I died
as the doctor said I would,
would surely blame himself,
and I would bang my phantom fists
against the plexiglass of the living world,
screaming No!
I did not die.
And when I was stuck in the hospital,
sobbing as I pictured him living our life alone,
I wrote him a letter asking how
he could ever forgive me.
He wrote back saying I would
rather miss you for a while
than miss you forever.
In the car now, he asks how
we’ll ever survive this
and I say Together.
Copyright © 2024 by Nen G. Ramirez. Originally published in Poem-a-Day on July 11, 2024, by the Academy of American Poets.
as a child, i learned
while killing, do not think about being killed.
when you are five, you will watch your father,
while skinning a deer, rip the hide from the muscle
like pulling apart the velcro on your pink light-up sneakers
after you get home from your first day of kindergarten.
as a child, i learned
the right body can be resurrected to walk on water.
it is the summer after second grade and
insects you will never learn the name of float on top of the river,
and you watch as they glide and you hold your breath.
just trust the water, they said.
trust you will float, and you will float.
you were always a child that sank.
as a child, i learned
when a rabbit dies, it will scream so loud
you will think of this death-sound with every other death after.
even the quiet ones, as if this loudness could out-wail death,
as if there is no other option but to break open the air
with your grief the same way your father cracked apart the
deer’s ribs to pull its heart out.
you have never eaten another animal’s heart,
but you watch your father cut the bottom third off with a pocket knife
and skewer it along a stick he finds by the edge of the woods.
when it emerges, gleaming and slick from the smoke of the fire,
dripping with grease and blood-fat,
you smell this heart-third
and even though you can still see your father’s hands
red and pulped and trembling
as he pulls out the center of this creature,
you can’t help but notice your mouth water.
now, you think of which parts of yourself
you will slice off to make a meal from,
how you can rip your girlhood off you
with nothing but the right pair of hands,
which parts you could snap the blood vessels from,
easy as pulling out a weed,
all your good blood shaken loose like so much dirt.
so consider this a window,
consider the surgeon a precise and humble butcher,
who fills the future with your own blood,
which is, after all,
the only water you’ve ever found safe enough to trust,
to close your eyes in,
and float.
Copyright © 2024 by Ollie Schminkey. Originally published in Poem-a-Day on August 2, 2024, by the Academy of American Poets.
Lynchburg, VA. Summer 2022
They sing as they walk n’ when they walk they dance. The Blueblack women.
They whisper bout me, up North, this green don’t exist. I don’t know
who I was before I was a campus, maybe a forest, maybe another people’s
mother. They don’t care bout what was made of me. The Blueblack women
they grin, huff something bout the sun, the devil’s hot ass breath on their napes.
Ask me who is you? I paint dusk the orange of their blueblack fingertips,
that dye on their lips. That’s a pretty name ooo. I don’t see folks like them much.
When they walk about the daylight, curl up in my grass blades, groan
Damn! these hills is hilling today! It’s the sweetest curse of my name, women
who come from flatlands, buildings that bleed no natural light. Blueblack
women greet me in the morning bluer than they were last night. They dress
in red, ripe plums. I watch them chase each other, blueblack between the pillars,
no fear they’ll lose sight of the other. They near campfires n’ don’t burn.
One bluer woman, smilin’ like a bunny-moon says I’ve never seen a mountain.
If I could, she’d wake up with me outside her window, glowing blue.
She’d scale my shoulder with her bare hands. I don’t know who
I was before, maybe some ground, some unknown lists of murders.
But these blue, blue women are giggling in the green of me.
Copyright © 2024 by Isha Camara. Originally published in Poem-a-Day on August 1, 2024, by the Academy of American Poets.
I can’t give you my eye,
nor a kidney, nor a second
right now. We have to hustle
up the block like antelopes
cus all the buses are
colonists. All the signs
are chandeliers, light
stuck in shambles.
I’m eating earth-
worms watching
neighbors become stars,
Grannies becoming idols, parents
become strangers. Our childhoods
were sundials. Adulthood sundered & stabbed
for the Sabbath. Our nations are out,
our capitals are overrun with word-rot.
I’m photographing the apocalypse
while watching history through the mouth
of a shield. I’m from conifers
peeling potpourri for the arrivals
needing helipads. Summon oblivion & still
I give my heart to the panthers
to the Palestinians cracking open
a skull-warm winter, screaming back we’re all the I
in nation—even when we’re scheduled to die.
Copyright © 2024 by Golden. Originally published in Poem-a-Day on July 26, 2024, by the Academy of American Poets.
I’m not brave because I leave gently. It’s not mercy
when the kill lives serving self. I told my therapist
I’m through with villain portraiture but I keep leaving promises
to wilt. Even this is vanity—garden of self-importance. I’m rambling.
What I mean to say: Love is larger than declaration. & chrysanthemum
don’t thrive in starless night. Who am I to light the sky? I know, no one
loves to end any more than we live to die, but I’m learning not to clutch
the ground so fierce. To trust life is a series of orbits;
worship mercy in routine. I know this part like lost love:
gripping sheets, curling toes, tongue feels righteous but don’t fill
empty space. All hollow goings. Carving fresh cavities to become
known. Nimble fingers, sigh & sweat. Fill me full
of hope. After, glow
again fading.
Back to wilting,
gentle kill.
You up?
Copyright © 2024 by Ty Chapman. Originally published in Poem-a-Day on August 5, 2024, by the Academy of American Poets.
To see a world in a grain of sand …
—from “Auguries of Innocence” by William Blake
We are Starseeds
every one of us –
you & me,
& me and you
& him & her,
& them
& they
& those
Who know of this
are truly blessed …
True for all
living beings,
beings living –
not humans only,
but ants & trees
& the open breeze,
things that breathe
air or fire,
water, earth
all kinds of dust
& dirt,
particles
a part of all,
all a part
of
Everything
that is
in everything;
Thus, it Sings!!!
& its song
is Life,
& Life
is!!! …
a seed of Stars,
the dust of Suns
& Moons
rocks & dust
& outer smoke
in outer space
Floating
in a bath of timelessness,
counted, measured
numbered
by some species –
others caring not;
Science & Mathematics
trying to plot
Poetry in motion,
Motion
in a Helix’s curve,
And Life
on Earth
becomes visible
to You
through the naked I!
Copyright © 2024 by Jesús Papoleto Meléndez. Originally published in Poem-a-Day on December 11, 2024, by the Academy of American Poets.