, because there was yet no lake
 
into many nights we made the lake
             a labor, and its necessary laborings
to find the basin not yet opened
in my body, yet my body—any body
wet or water from the start, to fill a clay
, start being what it ever means, a beginning—
the earth’s first hand on a vision-quest
wildering night’s skin fields, for touch
             like a dark horse made of air
, turned downward in the dusk, opaquing
a hand resembles its ancestors—
the war, or the horse who war made
             , what it means to be made
to be ruined before becoming—rift
             glacial, ablation and breaking
lake-hip sloping, fluvial, then spilled—
  
I unzip the lake, walk into what I am—
             the thermocline, and oxygen
, as is with kills, rivers, seas, the water
             is of our own naming 
I am wet we call it because it is
a happening, is happening now
 
imagined light is light’s imagination
a lake shape of it
             , the obligatory body, its dark burning
reminding us back, memory as filter
desire as lagan, a hydrology—
             The lake is alone, we say in Mojave
 
, every story happens because someone’s mouth,
a nature dependent—life, universe
             Here at the lake, say
, she wanted what she said
             to slip down into it
for which a good lake will rise—Lake
which once meant, sacrifice
which once meant, I am devoted
 
             , Here I am, atmosphere
sensation, pressure
, the lake is beneath me, pleasure bounded
a slip space between touch and not
slip of paper, slip of hand
             slip body turning toward slip trouble
, I am who slipped the moorings
             I am so red with lack
 
to loop-knot
or leave the loop beyond the knot
             we won’t say love because it is
a difference between vertex and vertices—
the number of surfaces we break
enough or many to make the lake
             loosened from the rock
one body’s dearth is another body’s ache
             lay it to the earth
 
, all great lakes are meant to take
             sediment, leg, wrist, wrist, the ear
let down and wet with stars, dock lights
distant but wanted deep,
             to be held in the well of the eye
woven like water, through itself, in
and inside, how to sate a depression
if not with darkness—if darkness is not
             fingers brushing a body, shhhh
, she said, I don’t know what the world is
 
I slip for her, or anything
, like language, new each time
             diffusionremade and organized
and because nothing is enough, waves
each an emotional museum of water
 
left light trembles a lake figure on loop     
             a night-loop
, every story is a story of water
             before it is gold and alone
before it is black like a rat snake
I begin at the lake
, clean once, now drained
             I am murkI am not clean
everything has already happened
always the lake is just up ahead in the poem
, my mouth is the moon, I bring it down
lay it over the lake of her thighs
             warm lamping ax
hewing water’s tender shell
slant slip, entering like light, surrounded
into another skin
             where there was yet no lake  
yet we made it, make it still
to drink and clean ourselves on

Copyright © 2020 by Natalie Diaz. This poem was co-commissioned by the Academy of American Poets and the New York Philharmonic as part of the Project 19 initiative and published in Poem-a-Day on March 28, 2020 by the Academy of American Poets.

but in this poem nothing dies.

Alone in the poem, I make myself
brave. No—I show brave 
to my body, take both to the ocean. 

Come hurricane, come rip current, 
come toxic algal bloom. 

In March, I drift past the estuary
to watch an eight-foot dolphin 
lap the Mill River 

like a cat pacing a bathtub, 
sick and disoriented. 

Biologists will unspool her empty intestines, 
weigh her gray cerebellum.
She swam a great distance to die 

alone. I’m sorry—I lied. I can’t control 
what lives or dies. I need a place

to stow my brain. To hold 
each moment close as a sand flea
caught in my knuckle hairs.
  
Please, someone—
tell me a poem can coax 

oil from a sea bird’s throat. 
Tell me what to do
with my hands—my hands—

what can my hands do now?

Copyright © 2025 by Rachel Dillon. Originally published in Poem-a-Day on April 27, 2025, by the Academy of American Poets.

Untitled Document

Sip the sea. Its salt stays on the tongue.
It burns                              like wine
               the open wound.
It heals.
                Do you have the heart to say
the truth? That it is full of strange bacteria,

indifferent to your pain. I move toward spilling out

but I will not. I will let you think the sea
is sacred still.
                       Perhaps, then,
you will try to save it.

Perhaps you’ll stand with me at the shore,
the sky now darkening, watching
the waves eat back the blueblack dunes,
shadowhills of sand, watching each wavecrash
reverberate, a drum that sounded
centuries ago, each crash a spoon scoop
more of sand, a cat’s rough tongue scraping
land back to waves, thinking, how long
until the world is sea again?
With every stone it swallows,
the ocean grows. When it laps at our
peninsulas, we take it for affection,
quiet in its claws, saying to ourselves,
this is just another sort of love, to wait
to see what happens, to stand there watching
as our feet sink in the sand, arms around each others’
waists, hoodies flapping black in the wind, our mouths
unmoving, patient, tired, only just now widening our eyes.

Copyright © 2025 by Andrew Calis. Originally published in Poem-a-Day on May 4, 2025, by the Academy of American Poets.