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 | ABOUT THE AUTHOR |
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| Elizabeth Bishop |
Though Elizabeth Bishop was considered for many years to be a "poet's poet," her stature as a major force in contemporary literature continues to grow through the high regard of the poets and critics who have followed her
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Poems About Breakups and Divorce |
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"To Speak of Woe That Is in Marriage" by Robert Lowell |
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The Aeneid, Book IV, [So, you traitor] by Virgil |
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A Book Of Music by Jack Spicer |
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After Love by Sara Teasdale |
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Apart (Les Séparés) by Louis Simpson |
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Dear Miss Emily by James Galvin |
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Donal Óg by Isabella Augusta, Lady Gregory |
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Failing and Flying by Jack Gilbert |
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Family Reunion by Jeredith Merrin |
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Heart's Needle by W. D. Snodgrass |
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I May After Leaving You Walk Quickly or Even Run by Matthea Harvey |
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Man and Wife by Robert Lowell |
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Remember by Christina Rossetti |
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The Afternoon Sun by C. P. Cavafy |
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The Gift by Sara Teasdale |
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The Primer by Christina Davis |
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The Vampire Bride [I am come—I am come!] by Henry Thomas Liddell |
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This Was Once a Love Poem by Jane Hirshfield |
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To Earthward by Robert Frost |
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When We Two Parted by George Gordon Byron |
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Why should a foolish marriage vow by John Dryden |
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Poems About Difficult Love |
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A Love Song by William Carlos Williams, read by Ron Silliman |
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Anna, Thy Charms by Robert Burns |
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Be Near Me by Faiz Ahmed Faiz |
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Caboose Thoughts by Carl Sandburg |
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Dregs by César Vallejo |
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He would not stay for me, and who can wonder by A. E. Housman |
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I Am Not Yours by Sara Teasdale |
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I Do Not Love Thee by Caroline Elizabeth Sarah Norton |
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Last Words to Miriam by D. H. Lawrence |
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Love's Secret by William Blake |
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Loving and Beloved by Sir John Suckling |
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Never give all the heart by W. B. Yeats |
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Opal by Amy Lowell |
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Sonnet 102 [If no love is, O God, what fele I so?] by Petrarch |
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Sonnet 12 [Alas, so all things now do hold their peace] by Petrarch |
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The Barrier by Claude McKay |
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The More Loving One by W. H. Auden, read by Nick Laird |
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The Peace That So Lovingly Descends by Noelle Kocot |
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To His Coy Love by Michael Drayton |
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What Do I Care by Sara Teasdale |
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What lips my lips have kissed, and where, and why (Sonnet XLIII) by Edna St. Vincent Millay |
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Whoever You Are Holding Me Now in Hand by Walt Whitman |
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Witch-Wife by Edna St. Vincent Millay |
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| One Art
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by Elizabeth Bishop |
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The art of losing isn't hard to master;
so many things seem filled with the intent
to be lost that their loss is no disaster.
Lose something every day. Accept the fluster
of lost door keys, the hour badly spent.
The art of losing isn't hard to master.
Then practice losing farther, losing faster:
places, and names, and where it was you meant
to travel. None of these will bring disaster.
I lost my mother's watch. And look! my last, or
next-to-last, of three loved houses went.
The art of losing isn't hard to master.
I lost two cities, lovely ones. And, vaster,
some realms I owned, two rivers, a continent.
I miss them, but it wasn't a disaster.
--Even losing you (the joking voice, a gesture
I love) I shan't have lied. It's evident
the art of losing's not too hard to master
though it may look like (Write it!) like disaster.
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From The Complete Poems 1927-1979 by Elizabeth Bishop, published by Farrar, Straus & Giroux, Inc. Copyright © 1979, 1983 by Alice Helen Methfessel. Used with permission of Farrar, Straus & Giroux, LLC. All rights reserved.
CAUTION: Users are warned that this work is
protected under copyright laws and downloading is strictly prohibited. The right to reproduce or transfer the work via any medium must be secured with Farrar, Straus, & Giroux, LLC. |
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