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About this Poem 

Though Charles Swinburne called Keats's early work "some of the most vulgar and fulsome doggrel ever whimpered by a vapid and effeminate rhymester in the sickly stage of whelphood," he later wrote that "Ode on a Grecian Urn" was one of the poems "nearest to absolute perfection, to the triumphant achievement and accomplishment of the very utmost beauty possible to human words."

Ode on a Grecian Urn

John Keats, 1795 - 1821
Thou still unravish'd bride of quietness, 
  Thou foster-child of Silence and slow Time,
Sylvan historian, who canst thus express 
  A flowery tale more sweetly than our rhyme:
What leaf-fringed legend haunts about thy shape 
  Of deities or mortals, or of both,
    In Tempe or the dales of Arcady?
  What men or gods are these? what maidens loth? 
What mad pursuit? What struggle to escape?
   What pipes and timbrels? What wild ecstasy?
 
Heard melodies are sweet, but those unheard 
  Are sweeter; therefore, ye soft pipes, play on;
Not to the sensual ear, but, more endear'd, 
  Pipe to the spirit ditties of no tone:
Fair youth, beneath the trees, thou canst not leave 
  Thy song, nor ever can those trees be bare;
    Bold lover, never, never canst thou kiss, 
Though winning near the goal--yet, do not grieve;
  She cannot fade, though thou hast not thy bliss, 
    For ever wilt thou love, and she be fair!

Ah, happy, happy boughs! that cannot shed 
  Your leaves, nor ever bid the Spring adieu;
And, happy melodist, unwearied,
  For ever piping songs for ever new;
More happy love! more happy, happy love! 
  For ever warm and still to be enjoy'd,
    For ever panting, and for ever young; 
All breathing human passion far above,
  That leaves a heart high-sorrowful and cloy'd, 
    A burning forehead, and a parching tongue.

Who are these coming to the sacrifice? 
  To what green altar, O mysterious priest,
Lead'st thou that heifer lowing at the skies, 
  And all her silken flanks with garlands drest?
What little town by river or sea shore, 
  Or mountain-built with peaceful citadel,
    Is emptied of this folk, this pious morn? 
And, little town, thy streets for evermore
  Will silent be; and not a soul to tell 
    Why thou art desolate, can e'er return.

O Attic shape! Fair attitude! with brede 
  Of marble men and maidens overwrought,
With forest branches and the trodden weed; 
  Thou, silent form, dost tease us out of thought
As doth eternity: Cold pastoral!
  When old age shall this generation waste, 
    Thou shalt remain, in midst of other woe
Than ours, a friend to man, to whom thou say'st,
  'Beauty is truth, truth beauty'--that is all 
    Ye know on earth, and all ye need to know.

This poem is in the public domain.

This poem is in the public domain.

John Keats

John Keats

Born in 1795, John Keats was an English Romantic poet and author of three poems considered to be among the finest in the English language.

by this poet

poem
     Left to herself, the serpent now began  
To change; her elfin blood in madness ran,  
Her mouth foam'd, and the grass, therewith besprent,  
Wither'd at dew so sweet and virulent;  
Her eyes in torture fix'd, and anguish drear,
Hot, glaz'd, and wide, with lid-lashes all sear,  
Flash'd phosphor and sharp
poem
Four Seasons fill the measure of the year;
There are four seasons in the mind of man:
He has his lusty Spring, when fancy clear Takes in all beauty with an easy span: He has his Summer, when luxuriously Spring's honeyed cud of youthful thought he loves To ruminate, and by such dreaming high Is
poem
For Fanny Brawne

The day is gone, and all its sweets are gone!
    Sweet voice, sweet lips, soft hand, and softer breast,
Warm breath, light whisper, tender semitone,
    Bright eyes, accomplished shape, and lang'rous waist!
Faded the flower and all its budded charms,
    Faded the sight of beauty from