How a house is a self
& else, a seeping into
of light deciding the day.
A house so close
it breathes as the lake
breathes. How a lake
is a shelf, an eye,
a species of seeing,
burbling of tongues
completing the shore.
How a loon is a probing,
a genus of dreams,
encyclopedia of summer.
Unsummable house
by the lake, generous hinge
opening us. I loved,
in folds of sleep, to hear
the back door’s yawn
& click. You gliding
down toward shore
& dawn, beyond all frames,
reconciling yourself to
bracing Long Lake.
Into its ever-opening, you—
Copyright © 2018 Philip Metres. Used with permission of the author. This poem originally appeared in Tin House, Summer 2018.
Do you know what I was, how I lived? —Louise Glück
It is a goldfinch
one of the two
small girls,
both daughters
of a friend,
sees hit the window
and fall into the fern.
No one hears
the small thump but she,
the youngest, sees
the flash of gold
against the mica sky
as the limp feathered envelope
crumples into the green.
How many times
in a life will we witness
the very moment of death?
She wants a box
and a small towel
some kind of comfort
for this soft body
that barely fits
in her palm. Its head
rolling side to side,
neck broke, eyes still wet
and black as seed.
Her sister, now at her side,
wears a dress too thin
for the season,
white as the winter
only weeks away.
She wants me to help,
wants a miracle.
Whatever I say now
I know weighs more
than the late fall’s
layered sky,
the jeweled leaves
of the maple and elm.
I know, too,
it is the darkest days
I’ve learned to praise —
the calendar packages up time,
the days shrink and fold away
until the new season.
We clothe, burn,
then bury our dead.
I know this;
they do not.
So we cover the bird,
story its flight,
imagine his beak
singing.
They pick the song
and sing it
over and over again.
Copyright © 2019 by Didi Jackson. Originally published in Poem-a-Day on April 23, 2019, by the Academy of American Poets.
It should be difficult,
always difficult, rising
from bed each morning,
against gravity, against
dreams, which weigh
like the forgotten names
of remembered faces.
But some days it’s
easy, nothing, to rise,
to feed, to work, to
commit the small graces
that add up to love,
to family, to memory,
finally to life, or
what one would choose
to remember of it, not
those other leaden
mornings when sleep
is so far preferable
to pulling over one’s
head the wet shirt
of one’s identity again,
the self one had been
honing or fleeing
all these years,
one’s fine, blessed
self, one’s only,
which another day fills.
From The Trembling Answers. Copyright © 2017 by Craig Morgan Teicher. Used with the permission of BOA Editions.