If we must die—let it not be like hogs
Hunted and penned in an inglorious spot,
While round us bark the mad and hungry dogs,
Making their mock at our accursed lot.
If we must die—oh, let us nobly die,
So that our precious blood may not be shed
In vain; then even the monsters we defy
Shall be constrained to honor us though dead!
Oh, Kinsmen! We must meet the common foe;
Though far outnumbered, let us show us brave,
And for their thousand blows deal one deathblow!
What though before us lies the open grave?
Like men we'll face the murderous, cowardly pack,
Pressed to the wall, dying, but fighting back!
Used by permission of the Archives of Claude McKay (Carl Cowl, administrator).
I hear an army charging upon the land, And the thunder of horses plunging, foam about their knees: Arrogant, in black armour, behind them stand, Disdaining the reins, with fluttering whips, the charioteers. They cry unto the night their battle-name: I moan in sleep when I hear afar their whirling laughter. They cleave the gloom of dreams, a blinding flame, Clanging, clanging upon the heart as upon an anvil. They come shaking in triumph their long, green hair: They come out of the sea and run shouting by the shore. My heart, have you no wisdom thus to despair? My love, my love, my love, why have you left me alone?
This poem is in the public domain.
It seems I have no tears left. They should have fallen—
Their ghosts, if tears have ghosts, did fall—that day
When twenty hounds streamed by me, not yet combed out
But still all equals in their rage of gladness
Upon the scent, made one, like a great dragon
In Blooming Meadow that bends towards the sun
And once bore hops: and on that other day
When I stepped out from the double-shadowed Tower
Into an April morning, stirring and sweet
And warm. Strange solitude was there and silence.
A mightier charm than any in the Tower
Possessed the courtyard. They were changing guard,
Soldiers in line, young English countrymen,
Fair-haired and ruddy, in white tunics. Drums
And fifes were playing “The British Grenadiers.”
The men, the music piercing that solitude
And silence, told me truths I had not dreamed,
And have forgotten since their beauty passed.
This poem is in the public domain.
I climbed to the crest,
And, fog-festooned,
The sun lay west
Like a crimson wound:
Like that wound of mine
Of which none knew,
For I’d given no sign
That it pierced me through.
This poem is in the public domain.
If I could have put you in my heart,
If but I could have wrapped you in myself,
How glad I should have been!
And now the chart
Of memory unrolls again to me
The course of our journey here, here where we part.
And of, that you had never, never been
Some of your selves, my love, that some
Of your several faces I had never seen!
And still they come before me, and they go,
And I cry aloud in the moments that intervene.
And oh, my love, as I rock for you to-night,
And have not any longer and hope
To heal the suffering, or to make requite
For all your life of asking and despair,
I own that some of me is dead to-night.
This poem is in the public domain.
She begins, and my grandmother joins her.
Mother and daughter sing like young girls.
If my father were alive, he would play
his accordion and sway like a boat.
I’ve never been in Peking, or the Summer Palace,
nor stood on the great Stone Boat to watch
the rain begin on Kuen Ming Lake, the picnickers
running away in the grass.
But I love to hear it sung;
how the waterlilies fill with rain until
they overturn, spilling water into water,
then rock back, and fill with more.
Both women have begun to cry.
But neither stops her song.
From Rose. Copyright © 1986 by Li-Young Lee. Used with permission of The Permissions Company, Inc., on behalf of BOA Editions, Ltd., www.boaeditions.org.
A face seen passing in a crowded street, A voice heard singing music, large and free; And from that moment life is changed, and we Become of more heroic temper, meet To freely ask and give, a man complete Radiant because of faith, we dare to be What Nature meant us. Brave idolatry Which can conceive a hero! No deceit, No knowledge taught by unrelenting years, Can quench this fierce, untamable desire. We know that what we long for once achieved Will cease to satisfy. Be still our fears; If what we worship fail us, still the fire Burns on, and it is much to have believed.
This poem is in the public domain.
Flame out, you glorious skies, Welcome our brave; Kiss their exultant eyes; Give what they gave. Flash, mailed seraphim, Your burning spears; New days to outflame their dim Heroic years. Thrills their baptismal tread The bright proud air; The embattled plumes outspread Burn upwards there. Flame out, flame out, O Song! Star ring to star; Strong as our hurt is strong Our children are. Their blood is England’s heart; By their dead hands It is their noble part That England stands. England—Time gave them thee; They gave back this To win Eternity And claim God’s kiss.
This poem is in the public domain.
This poem is in the public domain.
My sorrow, when she’s here with me,
Thinks these dark days of autumn rain
Are beautiful as days can be;
She loves the bare, the withered tree;
She walks the sodden pasture lane.
Her pleasure will not let me stay.
She talks and I am fain to list:
She’s glad the birds are gone away,
She’s glad her simple worsted grey
Is silver now with clinging mist.
The desolate, deserted trees,
The faded earth, the heavy sky,
The beauties she so truly sees,
She thinks I have no eye for these,
And vexes me for reason why.
Not yesterday I learned to know
The love of bare November days
Before the coming of the snow,
But it were vain to tell her so,
And they are better for her praise.
This poem is in the public domain.
The sun immense and rosy
Must have sunk and become extinct
The night you closed your eyes for ever against me.
Grey days, and wan, dree dawnings
Since then, with fritter of flowers –
Day wearies me with its ostentation and fawnings.
Still, you left me the nights,
The great dark glittery window,
The bubble hemming this empty existence with lights.
Still in the vast hollow
Like a breath in a bubble spinning
Brushing the stars, goes my soul, that skims the bounds like a swallow?
I can look through
The film of the bubble night, to where you are.
Through the film I can almost touch you.
This poem is in the public domain.
Take it easy, Sadness. Settle down.
You asked for evening. Now, it’s come. It’s here.
A choking fog has blanketed the town,
infecting some with calm, the rest with fear.
While the squalid throng of mortals feels the sting
of heartless pleasure swinging its barbed knout
and finds remorse in slavish partying,
take my hand, Sorrow. I will lead you out,
away from them. Look as the dead years lurch,
in tattered clothes, from heaven’s balconies.
From the depths, regret emerges with a grin.
The spent sun passes out beneath an arch,
and, shroudlike, stretched from the antipodes,
—hear it, O hear, love!—soft night marches in.
*
Recueillement
Sois sage, ô ma Douleur, et tiens-toi plus tranquille.
Tu réclamais le Soir; il descend; le voici:
Une atmosphère obscure enveloppe la ville,
Aux uns portant la paix, aux autres le souci.
Pendant que des mortels la multitude vile,
Sous le fouet du Plaisir, ce bourreau sans merci,
Va cueillir des remords dans la fête servile,
Ma Douleur, donne-moi la main; viens par ici,
Loin d'eux. Vois se pencher les défuntes Années,
Sur les balcons du ciel, en robes surannées;
Surgir du fond des eaux le Regret souriant;
Le soleil moribond s'endormir sous une arche,
Et, comme un long linceul traînant à l'Orient,
Entends, ma chère, entends la douce Nuit qui marche.
This poem is in the public domain. Translation copyright © 2017 by David Yezzi. Originally published in Poem-a-Day on May 12, 2017, by the Academy of American Poets.