The Chinese truck driver
throws the rope
like a lasso, with a practiced flick,

over the load:
where it hovers an instant,
then arcs like a willow

into the waiting,
gloved hand
of his brother.

What does it matter
that, sitting in traffic,
I glanced out the window

and found them that way?
So lean and sleek-muscled
in their sweat-stiffened t-shirts:

offloading the pallets
just so they can load up
again in the morning,

and so on,
and so forth
forever like that—

like Sisyphus
I might tell them
if I spoke Mandarin,

or had a Marlboro to offer,
or thought for a minute
they’d believe it

when I say that I know
how it feels
to break your own

back for a living.
Then again,
what’s the difference?

When every light
for a mile turns
green all at once,

no matter how much
I might like
to keep watching

the older one squint
and blow smoke
through his nose?

Something like sadness,
like joy, like a sudden
love for my life,

and for the body
in which I have lived it,
overtaking me all at once,

as a bus driver honks
and the setting
sun glints, so bright

off a windshield
I wince and look back
and it’s gone.
 

Copyright © 2015 by Patrick Phillips. Used with permission of the author.

This hour, while a child sleeps, before he wakes
and those arcadian hours we make together—
is it a continued arch, vaulted, open at both ends, is it
a bending?—recommence. Yes, a bending.
Light before you’d call it light bluing the sky.
The old city below, a fidget toy’s
string of buildings; doves calling and answering
from ledges in the cavities; a low
branching into divisions of memory;
a hot afternoon’s lunch on the grounds
of the museum, children at play in
tethered circles; traffic and voices from the avenues
carrying along the bright cold mornings
on the lawns of big houses near the hotel;
those who saw me home, whoever they were
(though I know who they are), I also saw them home.
I rode in their cars. I rode with the mother of the boy
who lost all his words, she gave us a ride, the boys
with their large eyes, sitting up high beside
each other and smiling; the empty avenues
of asphalt from the station to the new
hospital to the corner we rounded
and, past the galvanized fence, a school;
the city narrows there;
there is the river, suddenly;
and then a spread of houses like a cowl on the head
of the island; a journey whose meaning
was as yet unknown though I know it sometimes;
sheep on a patch of land at the convergence
of two superhighways; no silence in the train;
harvesters in orange and red slickers
among the lettuces; swifts overhead;
apricots flecked with rose; lichen spreading
on corrugated iron; short-wave voices of those
who are gone now remembered in the intonation
of throwaway phrases; it should not follow
but it follows; and are their fathers here;
one of them is, white stubble where his razor
didn’t pass that calls up his morning,
the temperature of his cheek, and how
luck befriended us then, and at this hour,
which rests on a child’s sleeping.

Copyright © 2017 by Saskia Hamilton. Originally published in Poem-a-Day on April 12, 2017, by the Academy of American Poets.

for a bottle of red
a coat hanger
the school gardener
would make us boys a
skeleton out of
that coat hanger
working with pliers
a bunsen burner he
bent metal round
around through gave
wire ribs a pelvis a
skull it was a game
the shed was hot
you had to unlink
his thigh-bones to
make him dance he
burnt your fingers
the gardener took off his
vest remember the
smell of black-orange
metal he gave you a
mug of warm wine 
how does a skeleton
dance anyway you
could feel the pliers
on your thigh-bones
the bunsen’s flame
do you still play his game
boys have you seen
metal glow brighter
since those shed-days

Copyright © 2016 by Richard Scott. Originally published in Poem-a-Day on October 10, 2016, by the Academy of American Poets.

for DMK

When I thought it was right to name my desires,
what I wanted of life, they seemed to turn
like bleating sheep, not to me, who could have been
a caring, if unskilled, shepherd, but to the boxed-in hills
beyond which the blue mountains sloped down
with poppies orange as crayfish all the way to the Pacific seas
in which the hulls of whales steered them
in search of a mate for whom they bellowed
in a new, highly particular song
we might call the most ardent articulation of love,
the pin at the tip of evolution,
modestly shining.
                                    In the middle of my life
it was right to say my desires
but they went away. I couldn’t even make them out,
not even as dots
now in the distance.  
                                         Yet I see the small lights
of winter campfires in the hills—
teenagers in love often go there
for their first nights—and each yellow-white glow
tells me what I can know and admit to knowing,
that all I ever wanted
was to sit by a fire with someone
who wanted me in measure the same to my wanting.
To want to make a fire with someone,
with you,
was all.

Copyright © 2017 by Katie Ford. Originally published in Poem-a-Day on March 15, 2017, by the Academy of American Poets.