won’t you celebrate with me
what i have shaped into
a kind of life? i had no model.
born in babylon
both nonwhite and woman
what did i see to be except myself?
i made it up
here on this bridge between
starshine and clay,
my one hand holding tight
my other hand; come celebrate
with me that everyday
something has tried to kill me
and has failed.
Lucille Clifton, “won’t you celebrate with me” from Collected Poems of Lucille Clifton. Copyright © 1991 by Lucille Clifton. Reprinted with the permission of The Permissions Company, Inc., on behalf of BOA Editions, Ltd., boaeditions.org.
Sun makes the day new.
Tiny green plants emerge from earth.
Birds are singing the sky into place.
There is nowhere else I want to be but here.
I lean into the rhythm of your heart to see where it will take us.
We gallop into a warm, southern wind.
I link my legs to yours and we ride together,
Toward the ancient encampment of our relatives.
Where have you been? they ask.
And what has taken you so long?
That night after eating, singing, and dancing
We lay together under the stars.
We know ourselves to be part of mystery.
It is unspeakable.
It is everlasting.
It is for keeps.
MARCH 4, 2013, CHAMPAIGN, ILLINOIS
Reprinted from Conflict Resolution for Holy Beings by Joy Harjo. Copyright © 2015 by Joy Harjo. Used with permission of the publisher, W. W. Norton & Company, Inc. All rights reserved.
It is difficult to know what to do with so much happiness.
With sadness there is something to rub against,
a wound to tend with lotion and cloth.
When the world falls in around you, you have pieces to pick up,
something to hold in your hands, like ticket stubs or change.
But happiness floats.
It doesn’t need you to hold it down.
It doesn’t need anything.
Happiness lands on the roof of the next house, singing,
and disappears when it wants to.
You are happy either way.
Even the fact that you once lived in a peaceful tree house
and now live over a quarry of noise and dust
cannot make you unhappy.
Everything has a life of its own,
it too could wake up filled with possibilities
of coffee cake and ripe peaches,
and love even the floor which needs to be swept,
the soiled linens and scratched records . . .
Since there is no place large enough
to contain so much happiness,
you shrug, you raise your hands, and it flows out of you
into everything you touch. You are not responsible.
You take no credit, as the night sky takes no credit
for the moon, but continues to hold it, and share it,
and in that way, be known.
“So Much Happiness” from Words Under the Words: Selected Poems by Naomi Shihab Nye, copyright © 1995. Reprinted with the permission of Far Corner Books.
Admit it—
you wanted the end
with a serpentine
greed. How to negotiate
that strangling
mist, the fibrous
whisper?
To cease to exist
and to die
are two different things entirely.
But you knew this,
didn't you?
Some days you knelt on coins
in those yellow hours.
You lit a flame
to your shadow
and ate
scorpions with your naked fingers.
So touched by the sadness of hair
in a dirty sink.
The malevolent smell
of soap.
When instead of swallowing a fistful
of white pills,
you decided to shower,
the palm trees
nodded in agreement,
a choir
of crickets singing
behind your swollen eyes.
The masked bird
turned to you
with a shred of paper hanging
from its beak.
At dusk,
hair wet and fragrant,
you cupped a goat's face
and kissed
his trembling horns.
The ghost?
It fell prostrate,
passed through you
like a swift
and generous storm.
"Six Months After Contemplating Suicide" first appeared in the December 2015 issue of Poetry. Copyright © 2015 Erika L. Sánchez.
I had put down in writing my fear of the war
I too pined for pastoral description
The blue of the water was the blue of the world
Newness does not, for me, equal satisfaction
A finite number of concentric rings I push out into space
A tedious fabric moving through time without malice
An act of oration, rebellion, inventory, fantasy
The sound of the earth closing its one good eye over me
Imagine: you reach out towards the margin’s white hand
You do what your poems want and are clean
When you lay down your thorns you will be done
You do not take up arms against anyone
Copyright © 2016 by Wendy Xu. Originally published in Poem-a-Day on May 27, 2016, by the Academy of American Poets.
The world begins at a kitchen table. No matter what, we must eat to live.
The gifts of earth are brought and prepared, set on the table. So it has been since creation, and it will go on.
We chase chickens or dogs away from it. Babies teethe at the corners. They scrape their knees under it.
It is here that children are given instructions on what it means to be human. We make men at it, we make women.
At this table we gossip, recall enemies and the ghosts of lovers.
Our dreams drink coffee with us as they put their arms around our children. They laugh with us at our poor falling-down selves and as we put ourselves back together once again at the table.
This table has been a house in the rain, an umbrella in the sun.
Wars have begun and ended at this table. It is a place to hide in the shadow of terror. A place to celebrate the terrible victory.
We have given birth on this table, and have prepared our parents for burial here.
At this table we sing with joy, with sorrow. We pray of suffering and remorse. We give thanks.
Perhaps the world will end at the kitchen table, while we are laughing and crying, eating of the last sweet bite.
From The Woman Who Fell From the Sky (W. W. Norton, 1994) by Joy Harjo. Copyright © 1994 by Joy Harjo. Used with permission of the author.
Wearing nothing but snakeskin
boots, I blazed a footpath, the first
radical road out of that old kingdom
toward a new unknown.
When I came to those great flaming gates
of burning gold,
I stood alone in terror at the threshold
between Paradise and Earth.
There I heard a mysterious echo:
my own voice
singing to me from across the forbidden
side. I shook awake—
at once alive in a blaze of green fire.
Let it be known: I did not fall from grace.
I leapt
to freedom.
Copyright © 2015 by Ansel Elkins. Used with permission of the author.
love between us is
speech and breath. loving you is
a long river running.
From Like the Singing Coming Off the Drums. Copyright © 1998 by Sonia Sanchez. Used with the permission of Beacon Press.
In class today,
We mused on Janie and Tea Cake
And how love saves and wounds.
And I said,
Who is Janie’s true love?
And they said,
Tea Cake.
And I said
Are you sure?
And Eboni said,
She love herself like she ’posed to.
She wanted to be like the bee and the flower
But her granny wouldn’t let her.
And we all nodded.
Logan treated her like a mule
And Joe like a doll baby
And Tea Cake was her
Bae. But in the end
She come back home.
And I said
Is this the end of the story?
And Chynna said,
Naw, she ain’t but forty’
It’s just the beginning
Janie got money, and a house
And she ain’t studyin’ nothin’.
Copyright © 2024 by Kelly Norman Ellis. Originally published in Poem-a-Day on February 14, 2024, by the Academy of American Poets.
One drop of midnight in the dawn of life’s pulsating stream
Marks her an alien from her kind, a shade amid its gleam.
Forevermore her step she bends, insular, strange, apart—
And none can read the riddle of her strangely warring heart.
The stormy current of her blood beats like a mighty sea
Against the man-wrought iron bars of her captivity.
For refuge, succor, peace, and rest, she seeks that humble fold
Whose every breath is kindliness, whose hearts are purest gold.
This poem is in the public domain. Published in Poem-a-Day on February 18, 2024, by the Academy of American Poets.
i’m confident that the absolute dregs of possibility for this society,
the sugary coffee mound at the bottom of this cup,
our last best hope that when our little bit of assigned plasma implodes
it won’t go down as a green mark in the cosmic ledger,
lies in the moment when you say hello to a bus driver
and they say it back—
when someone holds the door open for you
and you do a little jog to meet them where they are—
walking my dog, i used to see this older man
and whenever I said good morning,
he replied ‘GREAT morning’—
in fact, all the creative ways our people greet each other
may be the icing on this flaming trash cake hurtling through the ether.
when the clerk says how are you
and i say ‘i’m blessed and highly favored’
i mean my toes have met sand, and wiggled in it, a lot.
i mean i have laughed until i choked and a friend slapped my back.
i mean my niece wrote me a note: ‘you are so smart + intellajet’
i mean when we do go careening into the sun,
i’ll miss crossing guards ushering the grown folks too, like ducklings
and the lifeguards at the community pool and
men who yelled out the window that they’d fix the dent in my car,
right now! it’d just take a second—
and actually everyone who tried to keep me alive, keep me afloat,
and if not unblemished, suitably repaired.
but I won’t feel too sad about it,
becoming a star
Copyright © 2024 by Eve L. Ewing. Originally published in Poem-a-Day on February 6, 2024, by the Academy of American Poets.
Maybe there is more of the magical
in the idea of a door than in the door
itself. It’s always a matter of going
through into something else. But
while some doors lead to cathedrals
arching up overhead like stormy skies
and some to sumptuous auditoriums
and some to caves of nuclear monsters
most just yield a bathroom or a closet.
Still, the image of a door is liminal,
passing from one place into another
one state to the other, boundaries
and promises and threats. Inside
to outside, light into dark, dark into
light, cold into warm, known into
strange, safe into terror, wind
into stillness, silence into noise
or music. We slice our life into
segments by rituals, each a door
to a presumed new phase. We see
ourselves progressing from room
to room perhaps dragging our toys
along until the last door opens
and we pass at last into was.
Copyright © 2015 by Marge Piercy. Originally published in Poem-a-Day on May 21, 2015, by the Academy of American Poets.