weren’t built to let the sunlight in. They were large to let the germs out. When polio, which sounds like the first dactyl of a jump rope song, was on the rage, you did not swim in public waters. The awful thing was an iron lung. We lined up in our underwear to get the shot. Some kids fainted, we all were stung. My cousin Speed sat in a vat of ice cubes until his scarlet fever waned, but from then on his heart was not the same. My friend’s girlfriend was murdered in a hayfield by two guys from Springfield. Linda got a bad thing in her blood. Everybody’s grandmother died. Three times, I believe, Bobby shot his mother. Rat poison took a beloved local bowler. A famous singer sent condolences. In the large second floor corner room of my 4th grade class the windows were open. Snow, in fat, well-fed flakes floats in where they and the chalk-motes meet. And the white rat powder, too, sifts down into a box of oatmeal on the shelf below.
Copyright © 2012 by Thomas Lux. Used with permission of the author.
The teacher asks a question. You know the answer, you suspect you are the only one in the classroom who knows the answer, because the person in question is yourself, and on that you are the greatest living authority, but you don’t raise your hand. You raise the top of your desk and take out an apple. You look out the window. You don’t raise your hand and there is some essential beauty in your fingers, which aren’t even drumming, but lie flat and peaceful. The teacher repeats the question. Outside the window, on an overhanging branch, a robin is ruffling its feathers and spring is in the air.
Reprinted from Cold Pluto by permission of Carnegie Mellon University Press. Copyright © 1996 by Mary Ruefle.
You begin this way: this is your hand, this is your eye, that is a fish, blue and flat on the paper, almost the shape of an eye. This is your mouth, this is an O or a moon, whichever you like. This is yellow. Outside the window is the rain, green because it is summer, and beyond that the trees and then the world, which is round and has only the colors of these nine crayons. This is the world, which is fuller and more difficult to learn than I have said. You are right to smudge it that way with the red and then the orange: the world burns. Once you have learned these words you will learn that there are more words than you can ever learn. The word hand floats above your hand like a small cloud over a lake. The word hand anchors your hand to this table, your hand is a warm stone I hold between two words. This is your hand, these are my hands, this is the world, which is round but not flat and has more colors than we can see. It begins, it has an end, this is what you will come back to, this is your hand.
Reprinted by permission of Margaret Atwood. Copyright © 1978 by Margaret Atwood. Published in the United States in Selected Poems II: 1976-1986 by Houghton Mifflin Co.; in Canada in Selected Poems 1966-1984 by Oxford University Press; and in the United Kingdom in Eating Fire: Selected Poetry 1965-1995 by Virago Press.