with gratitude to Wanda Coleman & Terrance Hayes
We have the same ankles, hips, nipples, knees—
our bodies bore the forks/tenedors
we use to eat. What do we eat? Darkness
from cathedral floors,
the heart’s woe in abundance. Please let us
go through the world touching what we want,
knock things over. Slap & kick & punch
until we get something right. ¿Verdad?
Isn’t it true, my father always asks.
Your father is the ghost of mine & vice
versa. & when did our pasts
stop recognizing themselves? It was always like
us to first person: yo. To disrupt a hurricane’s
path with our own inwardness.
C’mon huracán, you watery migraine,
prove us wrong for once. This sadness
lasts/esta tristeza perdura. Say it both ways
so language doesn’t bite back, but stays.
for Kristen
Copyright © 2019 by Iliana Rocha. Originally published in Poem-a-Day on September 19, 2019, by the Academy of American Poets.
I could bore you with the sunset, the way water tasted after so many days without it, the trees, the breed of dogs, but I can’t say there were forty people when we found the ranch with the thin white man, his dogs, and his shotgun. Until this 5 a.m. I couldn’t remember there were only five, or seven people— We’d separated by the paloverdes. We, meaning: four people. Not forty. The rest. . . I don’t know. They weren’t there when the thin white man let us drink from a hose while pointing his shotgun. In pocho Spanish he told us si correr perros atacar. If run dogs trained attack. When La Migra arrived, an officer who probably called himself Hispanic at best, not Mejicano like we called him, said buenas noches and gave us pan dulce y chocolate. Procedure says he should’ve taken us back to the station, checked our fingerprints, etcétera. He must’ve remembered his family over the border, or the border coming over them, because he drove us to the border and told us next time, rest at least five days, don’t trust anyone calling themselves coyotes, bring more tortillas, sardines, Alhambra. He knew we would try again and again, like everyone does.
Copyright © 2016, 2017 by Javier Zamora. Reprinted with the permission of Copper Canyon Press.