Do not go gentle into that good night,
Old age should burn and rave at close of day;
Rage, rage against the dying of the light.
Though wise men at their end know dark is right,
Because their words had forked no lightning they
Do not go gentle into that good night.
Good men, the last wave by, crying how bright
Their frail deeds might have danced in a green bay,
Rage, rage against the dying of the light.
Wild men who caught and sang the sun in flight,
And learn, too late, they grieved it on its way,
Do not go gentle into that good night.
Grave men, near death, who see with blinding sight
Blind eyes could blaze like meteors and be gay,
Rage, rage against the dying of the light.
And you, my father, there on the sad height,
Curse, bless, me now with your fierce tears, I pray.
Do not go gentle into that good night.
Rage, rage against the dying of the light.
From The Poems of Dylan Thomas, published by New Directions. Copyright © 1952, 1953 Dylan Thomas. Copyright © 1937, 1945, 1955, 1962, 1966, 1967 the Trustees for the Copyrights of Dylan Thomas. Copyright © 1938, 1939, 1943, 1946, 1971 New Directions Publishing Corp. Used with permission.
The line-storm clouds fly tattered and swift,
The road is forlorn all day,
Where a myriad snowy quartz stones lift,
And the hoof-prints vanish away.
The roadside flowers, too wet for the bee,
Expend their bloom in vain.
Come over the hills and far with me,
And be my love in the rain.
The birds have less to say for themselves
In the wood-world’s torn despair
Than now these numberless years the elves,
Although they are no less there:
All song of the woods is crushed like some
Wild, easily shattered rose.
Come, be my love in the wet woods; come,
Where the boughs rain when it blows.
There is the gale to urge behind
And bruit our singing down,
And the shallow waters aflutter with wind
From which to gather your gown.
What matter if we go clear to the west,
And come not through dry-shod?
For wilding brooch shall wet your breast
The rain-fresh goldenrod.
Oh, never this whelming east wind swells
But it seems like the sea’s return
To the ancient lands where it left the shells
Before the age of the fern;
And it seems like the time when after doubt
Our love came back amain.
Oh, come forth into the storm and rout
And be my love in the rain.
This poem is in the public domain.
I
If I should worship at thine ancient shrine,
Where thy good sons, incensed by love of war,
Now clamor, as their fathers did of yore—
If I should sacrifice what is not mine,
Nor any living god’s, nor even thine—
If for the sake of honor I must pour
This cup of life upon thy barren shore,
How will it fare then with my love divine?
No! let thy sons go forth to burn and slay:
Let them for love of thee and glory smear
And tear the love of all that’s pure and dear;
Let them this loveless love in rage display;
I can not join them; no, I can not cheer
As they beneath my window pass to-day.
II
What care I for the tears the maudlin crowd
Sheds o’er my bier—for praise of Church and State—
For glory that remains within the gate
Of worldly things—for men’s esteem avowed—
For freedom that is not with love endowed—
For fame that lingers oft and comes too late,
When these the sorrow of my love create
And haunt her with the shadow of my shroud?
How cowardly, self-centered have I grown—
How dead to true and noble feelings all?
Why not, when they the human soul enthrall—
Why not, when they the beast in man enthrone?
I cling to love, and with love I will fall,
Unwept, unsung, unhonored and unknown.
III
What will these kings and war-lords of the land
And all their ministers of murder fell
Do with their arms and fleets—all tools of hell—
If every son of man resolve to stand
A-wielding, king-like, in his home the wand,
Beside the ones he loves and honors well?
Can force this gentle host of peace compel,
When loving hearts their amber wings expand?
O love, though hounded, outlawed we may be—
Though Slander, dagger-drawn, be on our trail—
Though Hatred with her hydra tongues should rail
At us, and though left sinking in the sea
Of ostracism, ay, never will I quail,
But will now and forever cling to thee.
From Myrtle and Myrrh (The Gorham Press, 1905) by Ameen Rihani. This poem is in the public domain.