All of us are born in blood

but those born in the Abattoir

smell it every day – a 

reminder that our death 

is imminent and will be swift

and bloody

.

Elsewhere, childhood is different

bloodied only by scrapes and falls. Elsewhere

People are free of the smell of iron in their own hair

, sweat, clothes. They are 

free of the taste of it

.

 

From All the Rage (Nightboat Books, 2021) by Rosamond S. King. Copyright © 2021 by Rosamond S. King. Used with the permission of the author.

                   THE POOL PLAYERS. 

                   SEVEN AT THE GOLDEN SHOVEL.

We real cool. We

Left school. We

Lurk late. We

Strike straight. We

Sing sin. We

Thin gin. We

Jazz June. We

Die soon.

From The Bean Eaters by Gwendolyn Brooks, published by Harpers. © 1960 by Gwendolyn Brooks. Used with permission. All rights reserved.

Nature’s first green is gold,
Her hardest hue to hold.
Her early leaf’s a flower;
But only so an hour.
Then leaf subsides to leaf.
So Eden sank to grief,
So dawn goes down to day.
Nothing gold can stay.

From The Poetry of Robert Frost edited by Edward Connery Lathem. Copyright © 1923, 1947, 1969 by Henry Holt and Company, copyright © 1942, 1951 by Robert Frost, copyright © 1970, 1975 by Lesley Frost Ballantine. Reprinted by permission of Henry Holt and Company, LLC.

When the spent sun throws up its rays on cloud
And goes down burning into the gulf below,
No voice in nature is heard to cry aloud
At what has happened. Birds, at least, must know
It is the change to darkness in the sky.
Murmuring something quiet in its breast,
One bird begins to close a faded eye;
Or overtaken too far from its nest,
Hurrying low above the grove, some waif
Swoops just in time to his remembered tree.
At most he thinks or twitters softly, “Safe!
Now let the night be dark for all of me.
Let the night be too dark for me to see
Into the future. Let what will be be.”

This poem is in the public domain. Published in Poem-a-Day on August 11, 2024, by the Academy of American Poets.

Level II: Basic Assessment

All my life I was a hammer:  
I struck at everything I touched. 

Then I commit a few Thursdays  
to trees. I am not gentle but I could be. 

Around one tree, I try my basic circling  
steps, tap the tree’s bark with my mallet  

and listen for the difference: alive?  
dead? alive? dead? alive? still alive?  

I muscle coils of clay and learn  
the same lesson again and again– 

could be clay trees family trees  
literal trees: I hear the precarious things.  

I go phone-my-forester asking  
about sounding trees, about my ears?  

How I want to save a few trees  
but don’t understand what I hear.  

All my life I swung the wrong things.  
I put down mallet and muscle,  

circle the tree’s girdling roots  
and ask, “Where does it hurt?”  

The forester returns my call.  
He’s glad he caught me this evening. 

He heard what I asked about trees  
and ears. “It’s subtle, takes practice.”

Copyright © 2025 by MaKshya Tolbert. Originally published in Poem-a-Day on February 11, 2025, by the Academy of American Poets.

My mistress’ eyes are nothing like the sun;

Coral is far more red than her lips’ red;

If snow be white, why then her breasts are dun;

If hairs be wires, black wires grow on her head.

I have seen roses damasked, red and white,

But no such roses see I in her cheeks;

And in some perfumes is there more delight

Than in the breath that from my mistress reeks.

I love to hear her speak, yet well I know

That music hath a far more pleasing sound;

I grant I never saw a goddess go;

My mistress when she walks treads on the ground.

     And yet, by heaven, I think my love as rare

     As any she belied with false compare.

This poem is in the public domain.