She needs to eat. She needs
to keep something warm in
her stomach. I reheat rice on the stove,
some cabbage and smoked salmon
and bring it to her in bed.
Like a widow, she chews the end
of a bone already buried. Ignores
the plate. I make her sit up anyways
adjust just before she spits
her last meal into my hands. Warm,
half-digested ghost.
Downstairs in the kitchen
I’ll eat from this plate, the white grains
cold and dead, pinched in my fingers’
tight grip, raised to a mouth
emptied—already open.
And I’ll try to—no, I will,
I’ll keep it down.
Copyright © 2020 by Charleen McClure. Originally published in Poem-a-Day on September 1, 2020, by the Academy of American Poets.
They keep telling me why I do what I do. I do it so that one day someone will do for me what I'm doing for her. They're saying, then, that my motivation is to be, down the line, the recipient of the doing. According to their logic, I buy her the Times and irises for the bed table, renew the nitroglycerin and Cardia, throw in the chocolate that isn't allowed, and, back home, scour the tub, scrub the toilet—I do these things in order to have them done for me, if not by her, who can't do them (let's be honest), then, second best, by someone else. They say that's the reason I study so closely her happiness, her lack of happiness. And their gentleness in the telling, the lowered chin and eyes, the slow enunciation, the hand reaching toward my wrist—it all tells me that things won't end where I think they will, that what I do isn't like a mitral valve (thrust open, clamp shut), an act without volition, but is, like the refusal finally to turn away, something chosen, which may or may not do anything like what one hopes it will. |
Copyright © 2011 by Elisabeth Frost. Used with permission of the author.