The world is a beautiful place
to be born into
if you don’t mind happiness
not always being
so very much fun
if you don’t mind a touch of hell
now and then
just when everything is fine
because even in heaven
they don’t sing
all the time
The world is a beautiful place
to be born into
if you don’t mind some people dying
all the time
or maybe only starving
some of the time
which isn’t half so bad
if it isn’t you
Oh the world is a beautiful place
to be born into
if you don’t much mind
a few dead minds
in the higher places
or a bomb or two
now and then
in your upturned faces
or such other improprieties
as our Name Brand society
is prey to
with its men of distinction
and its men of extinction
and its priests
and other patrolmen
and its various segregations
and congressional investigations
and other constipations
that our fool flesh
is heir to
Yes the world is the best place of all
for a lot of such things as
making the fun scene
and making the love scene
and making the sad scene
and singing low songs of having
inspirations
and walking around
looking at everything
and smelling flowers
and goosing statues
and even thinking
and kissing people and
making babies and wearing pants
and waving hats and
dancing
and going swimming in rivers
on picnics
in the middle of the summer
and just generally
‘living it up’
Yes
but then right in the middle of it
comes the smiling
mortician
From A Coney Island of the Mind, copyright © 1955 by Lawrence Ferlinghetti. Reprinted by permission of New Directions Publishing Corp.
try calling it hibernation.
Imagine the darkness is a cave
in which you will be nurtured
by doing absolutely nothing.
Hibernating animals don’t even dream.
It’s okay if you can’t imagine
Spring. Sleep through the alarm
of the world. Name your hopelessness
a quiet hollow, a place you go
to heal, a den you dug,
Sweetheart, instead
of a grave.
From You Better Be Lightning (Button Poetry, 2021) by Andrea Gibson. Copyright © 2021 Andrea Gibson. Reprinted by permission of the author.
Full-on, no bullshit, no irony, yes Taco Bell
where I can almost always pull together the
cash to get dinner, at my brokest
scrounging up enough change
for the pillowy warmth of a bean burrito,
extra red sauce, meant to be eaten
behind the steering wheel in a parking lot
or while driving, the wrapper crumpled up
and thrown on the passenger side floor,
leftover napkins stashed in the glovebox.
In high school we’d ditch seventh period
and drive 10 miles down I-5 to the closest town
big enough to have a Taco Bell,
where we’d house as much food as we could
pay for, lounging in the pinkpurplegreen vinyl
or the metal swivel chairs we’d knock knees under,
giving each other dares around fire sauce,
hoarding packets of mild sauce to douse everything.
And forever, my love to the Taco Bell employees,
who took my order when I was drunk or high or crying,
who listened and fed me without too much judgment
through high school and college and my thirties,
and a special love for the two who pushed my car
through the drive-thru, once, when it broke down
mid-order. I couldn’t afford a tow until payday.
They let me leave it in the lot.
This is how I know labor is entitled to all it creates,
and that given a chance most of us are helpers,
we want to help people and to be helped
by people, amidst the absolute and delicious
loveliness of ordinary things.
Copyright © 2026 by Rebecca Bornstein. Originally published in Poem-a-Day on April 23, 2026, by the Academy of American Poets.
Peonies, heavy and pink as ’80s bridesmaid dresses
and scented just the same. Sweet pea,
because I like clashing smells and the car
I drove in college was named that: a pea-green
Datsun with a tendency to backfire.
Sugar snap peas, which I might as well
call memory bites for how they taste like
being fourteen and still mourning the horse farm
I had been uprooted from at ten.
Also: sage, mint, and thyme—the clocks
of summer—and watermelon and blue lobelia.
Lavender for the bees and because I hate
all fake lavender smells. Tomatoes to cut
and place on toasted bread for BLTs, with or without
the b and the l. I’d like, too, to plant
the sweet alyssum that smells like honey and peace,
and for it to bloom even when it’s hot,
and also lilies, so I have something left
to look at when the rabbits come.
They always come. They are
always hungry. And I think I am done
protecting one sweet thing from another.
Copyright © 2018 Katherine Riegel. Used with permission of the author. This poem originally appeared in Tin House, Spring 2018.