It is a kind of love, is it not?
How the cup holds the tea,
How the chair stands sturdy and foursquare,
How the floor receives the bottoms of shoes
Or toes. How soles of feet know
Where they’re supposed to be.
I’ve been thinking about the patience
Of ordinary things, how clothes
Wait respectfully in closets
And soap dries quietly in the dish,
And towels drink the wet
From the skin of the back.
And the lovely repetition of stairs.
And what is more generous than a window?
From The Weight of Love (Negative Capability Press, 2019) by Pat Schneider. Copyright © 2019 by Pat Schneider. Used with the permission of the Estate of Pat Schneider.
Mindful of you the sodden earth in spring,
And all the flowers that in the springtime grow,
And dusty roads, and thistles, and the slow
Rising of the round moon, all throats that sing
The summer through, and each departing wing,
And all the nests that the bared branches show,
And all winds that in any weather blow,
And all the storms that the four seasons bring.
You go no more on your exultant feet
Up paths that only mist and morning knew,
Or watch the wind, or listen to the beat
Of a bird’s wings too high in air to view,—
But you were something more than young and sweet
And fair,—and the long year remembers you.
From Renascence, and other poems (Harper, 1917) by Edna St. Vincent Millay. This poem is in the public domain.
after Etel Adnan
And there,
between clean walls
you assume
the position,
angled toward
the red squares
roiling
on her canvases.
Into the oils
of a new tense
she herself
days before
had dissolved.
There, impasto:
her mountain.
Trimmed down
to the first
seeing.
Tamalpais
at every pitch,
pistachio
patches scraping
against cobalt.
Edges opaque
until they refused.
Mountainous,
she, too—
which is to say
surfacing,
color latching
to the seasons
where meaning
rushes.
Of this transition
the living are given
no access.
You, turning
away from
the dry wall,
where nothing
tears through.
A red square
appears in your days
yet you know
not yet where.
Copyright © 2022 by Jenny Xie. Originally published in Poem-a-Day on December 23, 2022, by the Academy of American Poets.
on Gustav Klimt’s painting, 1907-1908
Do you really think if you bend
me, I will love you? You
crack my chin up, your hands
brown pigeons scheming reunion
at my cheek and temple, your jaw
cragged at the end of your thick neck
of longing. I claw onto you
as the only tree here, your
swing. I’m mad for gravity though
I’m bound, diagonally, to
you. Let me. Push from your trunk towards
the edge and my freedom. Leave me
to wither while moss weeps
in the corners, our halo liquid
as yolk, waving from our bodies’ heat,
our divinity melting. My dress
blossoms loudly. You are still
wrestling me closer. If only I could
release to you my mouth just this
once and you would leave me,
but the shadows of your robe are
so haphazard. I know you will try
to smother me again. The poppies scratch. My feet
reach beyond spring.
From For Want of Water (Beacon Press, 2017). Copyright © 2017 by Sasha Pimentel. Used with the permission of the poet and Beacon Press.