First, begin with the glottal stop. I learn
it is more of a letter than a punctuation. Hide
your tongue /monoongen/ let the air escape
your mouth / motoongen/ A push—
of muscle. A catch in your throat/ mongoong /
‘Eyooshiraaw’nga/ In our language / it’s hard to hide
the self–your relations. Body
parts require prefixes. The Tongva language
asks, who does this tongue belong to? Whose
mouth speaks?
The definition comes easily because
‘Wiishmenok sounds like wish, a cousin to want
or like that could lead to desire or love.
Wiishmenokre / I love you. / One word equals
a sentence. The “re” is both the I
and the you; the lover and the loved
in two letters, side by side. But context matters.
Wiishemokre / I want you / I desire you—
What could your lover mean? What could they hide
in this language? Nay’ wiishemokne
neshiiro’a / But I love my language. / I can become
a translation of my own desire.
Wiishemokne menee’ / I love this—
that this word can be smushedagainst
others. Say to your lover: Shiraaw’shmenokne / I want to talk.
Add the shiraaw/ talk / in front of the shmenok/ want. / End it with the /ne/ I.
Let your tone do the rest.
We could smush more words together.
Háwtok / Perhaps / at the end
of the night, you might say: Miishmenokne / I want to go—
Or: chwiishkeshmenokre / I want to kiss you.
End your night with all your wants. The lesson is done.
Copyright © 2025 by Casandra López. Originally published in Poem-a-Day on November 27, 2025, by the Academy of American Poets.
in a home with no books in spanish or english, papi’s tongue lashes the air
mami’s murmurs float & pop like burbujitas
en español, they swallow their “esses,” leave syllables dangling pa’ ná’
their rush to speak making words rise like mami’s incense
rising & slipping up through the kitchen fan
the rounded countertop radio out of my reach hurls spanish bolts of words
too quick for me to catch and color with crayons I hide
from little brothers who stuff anything into their mouths
at five, i see & listen to sesame street, sound out slowly the muppets’ english
with no “esses,” no broken words, letters slow enough
for me to trace on the TV’s fat bubble screen
*
in preschool with no books in spanish, i learn my abc’s with no “esses,” no
broken words, no spanish rs for my first or last names
my american preschool teacher holds my right fist around crayon, shapes
my first letters only in english, makes me mimic her voice
only in english, the only language that counts
for me to survive
Copyright © 2022 by María Luisa Arroyo Cruzado. This poem was first printed in Multiplicity Magazine, Issue 4: “At Any Age” (Spring–Summer 2022). Used with the permission of the editors and the author.