If you can keep your head when all about you
   Are losing theirs and blaming it on you;
If you can trust yourself when all men doubt you,
   But make allowance for their doubting too;
If you can wait and not be tired by waiting,
   Or, being lied about, don’t deal in lies,
Or, being hated, don’t give way to hating,
   And yet don’t look too good, nor talk too wise;

If you can dream—and not make dreams your master;
   If you can think—and not make thoughts your aim;
If you can meet with triumph and disaster
   And treat those two impostors just the same;
If you can bear to hear the truth you’ve spoken
   Twisted by knaves to make a trap for fools,
Or watch the things you gave your life to broken,
   And stoop and build ’em up with wornout tools;

If you can make one heap of all your winnings
   And risk it on one turn of pitch-and-toss,
And lose, and start again at your beginnings
   And never breathe a word about your loss;
If you can force your heart and nerve and sinew
   To serve your turn long after they are gone,
And so hold on when there is nothing in you
   Except the Will which says to them: “Hold on”;

If you can talk with crowds and keep your virtue,
   Or walk with kings—nor lose the common touch;
If neither foes nor loving friends can hurt you;
   If all men count with you, but none too much;
If you can fill the unforgiving minute
With sixty seconds’ worth of distance run—
   Yours is the Earth and everything that’s in it,
And—which is more—you’ll be a Man, my son!

What summons do I hear?
The morning peal, departure's knell;
My eyes let fall a friendly tear,
And bid this place farewell.

Attending servants come,
The carriage wheels like thunders roar,
To bear the pensive seniors home,
Here to be seen no more.

Pass one more transient night,
The morning sweeps the college clean;
The graduate takes his last long flight,
No more in college seen.

The bee, which courts the flower,
Must with some pain itself employ,
And then fly, at the day's last hour,
Home to its hive with joy.

How do I love thee? Let me count the ways.
I love thee to the depth and breadth and height
My soul can reach, when feeling out of sight
For the ends of being and ideal grace.
I love thee to the level of every day’s
Most quiet need, by sun and candle-light.
I love thee freely, as men strive for right.
I love thee purely, as they turn from praise.
I love thee with the passion put to use
In my old griefs, and with my childhood’s faith.
I love thee with a love I seemed to lose
With my lost saints. I love thee with the breath,
Smiles, tears, of all my life; and, if God choose,
I shall but love thee better after death.

When you are old and grey and full of sleep,
And nodding by the fire, take down this book,
And slowly read, and dream of the soft look
Your eyes had once, and of their shadows deep;

How many loved your moments of glad grace,
And loved your beauty with love false or true,
But one man loved the pilgrim soul in you,
And loved the sorrows of your changing face;

And bending down beside the glowing bars,
Murmur, a little sadly, how Love fled
And paced upon the mountains overhead
And hid his face amid a crowd of stars.

O my luve's like a red, red rose,
That's newly sprung in June;
O my luve's like the melodie
That's sweetly played in tune.

As fair art thou, my bonnie lass,
So deep in luve am I;
And I will luve thee still, my dear,
Till a' the seas gang dry.

Till a' the seas gang dry, my dear,
And the rocks melt wi' the sun:
O I will love thee still, my dear,
While the sands o' life shall run.

And fare thee weel, my only luve,
And fare thee weel awhile!
And I will come again, my luve,
Though it were ten thousand mile.

—A simple child,
That lightly draws its breath,
And feels its life in every limb,
What should it know of death?

I met a little cottage girl:
She was eight years old, she said;
Her hair was thick with many a curl
That clustered round her head.

She had a rustic, woodland air,
And she was wildly clad:
Her eyes were fair, and very fair;
—Her beauty made me glad.

"Sisters and brothers, little maid,
How many may you be?"
"How many? Seven in all," she said,
And wondering looked at me.

"And where are they? I pray you tell."
She answered, "Seven are we;
And two of us at Conway dwell,
And two are gone to sea.

"Two of us in the churchyard lie,
My sister and my brother;
And, in the churchyard cottage, I
Dwell near them with my mother."

"You say that two at Conway dwell,
And two are gone to sea,
Yet ye are seven! I pray you tell,
Sweet maid, how this may be."

Then did the little maid reply,
"Seven boys and girls are we;
Two of us in the churchyard lie,
Beneath the churchyard tree."

"You run about, my little maid,
Your limbs they are alive;
If two are in the churchyard laid,
Then ye are only five."

"Their graves are green, they may be seen,"
The little maid replied,
"Twelve steps or more from my mother's door,
And they are side by side.

"My stockings there I often knit,
My kerchief there I hem;
And there upon the ground I sit,
And sing a song to them.

"And often after sunset, sir,
When it is light and fair,
I take my little porringer,
And eat my supper there.

"The first that died was sister Jane;
In bed she moaning lay,
Till God released her of her pain;
And then she went away.

"So in the churchyard she was laid;
And, when the grass was dry,
Together round her grave we played,
My brother John and I.

"And when the ground was white with snow
And I could run and slide,
My brother John was forced to go,
And he lies by her side."

"How many are you, then," said I,
"If they two are in heaven?"
Quick was the little maid's reply,
"O master! we are seven."

"But they are dead; those two are dead!
Their spirits are in heaven!"
'Twas throwing words away; for still
The little maid would have her will,
And said, "Nay, we are seven!"

I’m sorry, could you repeat that. I’m hard of hearing.
To the cashier
To the receptionist
To the insistent man asking directions on the street

I’m sorry, I’m hard of hearing. Could you repeat that?
At the business meeting
In the writing workshop
On the phone to make a doctor’s appointment

I’m-sorry-I’m-sorry-I’m-so-sorry-I’m-hard-for-the-hearing

Repeat.

           Repeat.

Hello, my name is Sorry
To full rooms of strangers
I’m hard to hear

I vomit apologies everywhere
They fly on bat wings
towards whatever sound beckons

I’m sorry. I’m sorry. I am so, so sorry
           and repeating
                       and not hearing

Dear (again)
I regret to inform you

I       am

here

Whose woods these are I think I know.
His house is in the village though;
He will not see me stopping here
To watch his woods fill up with snow.

My little horse must think it queer
To stop without a farmhouse near
Between the woods and frozen lake
The darkest evening of the year.

He gives his harness bells a shake
To ask if there is some mistake.
The only other sound's the sweep
Of easy wind and downy flake.

The woods are lovely, dark and deep.
But I have promises to keep,
And miles to go before I sleep,
And miles to go before I sleep.

Last night I heard your voice, mother,
      The words you sang to me
When I, a little barefoot boy,
      Knelt down against your knee.

And tears gushed from my heart, mother,
      And passed beyond its wall,
But though the fountain reached my throat
      The drops refused to fall.

'Tis ten years since you died, mother,
      Just ten dark years of pain,
And oh, I only wish that I
      Could weep just once again.

Too green the springing April grass, 
Too blue the silver-speckled sky, 
For me to linger here, alas, 
While happy winds go laughing by, 
Wasting the golden hours indoors, 
Washing windows and scrubbing floors. 

Too wonderful the April night, 
Too faintly sweet the first May flowers, 
The stars too gloriously bright, 
For me to spend the evening hours, 
When fields are fresh and streams are leaping, 
Wearied, exhausted, dully sleeping.

They who to warmer regions run,
May bless the favour of the sun,
But seek in vain what charms us here,
Life’s picture, varying with the year.

Spring, and her wanton train advance
Like Youth to lead the festive dance,
All, all her scenes are mirth and play,
And blushing blossoms own her sway.

The Summer next (those blossoms blown)
Brings on the fruits that spring had sown,
Thus men advance, impelled by time,
And Nature triumphs in her prime.

Then Autumn crowns the beauteous year,
The groves a sicklier aspect wear;
And mournful she (the lot of all)
Matures her fruits, to make them fall.

Clad in the vestments of a tomb,
Old age is only Winter’s gloom—
Winter, alas! shall spring restore,
But youth returns to man no more.