And if my heart be scarred and burned,
The safer, I, for all I learned;
The calmer, I, to see it true
That ways of love are never new—
The love that sets you daft and dazed
Is every love that ever blazed;
The happier, I, to fathom this:
A kiss is every other kiss.
The reckless vow, the lovely name,
When Helen walked, were spoke the same;
The weighted breast, the grinding woe,
When Phaon fled, were ever so.
Oh, it is sure as it is sad
That any lad is every lad,
And what’s a girl, to dare implore
Her dear be hers forevermore?
Though he be tried and he be bold,
And swearing death should he be cold,
He’ll run the path the others went.…
But you, my sweet, are different.
This poem is in the public domain. Published in Poem-a-Day on August 17, 2024, by the Academy of American Poets.
Spring in Hell and everything’s blooming.
I dreamt the worst was over but it wasn’t.
Suppose my punishment was fields of lilies sharper than razors, cutting up fields of lies.
Suppose my punishment was purity, mined and blanched.
They shunned me only because I knew I was stunning.
Then the white plague came, and their pleas were like a river.
Summer was orgiastic healing, snails snaking around wrists.
In heat, garbage festooned the sidewalks.
Old men leered at bodies they couldn’t touch
until they did. I shouldn’t have laughed but I laughed
at their flesh dozing into their spines, their bones crunching like snow.
Once I was swollen and snowblind with grief, left for dead
at the castle door. Then I robbed the castle and kissed my captor,
my sadness, learned she was not a villain. To wake up in this verdant field,
to watch the lilies flay the lambs. To enter paradise,
a woman drinks a vial of amnesia. Found in only the palest
flowers, the ones that smell like rotten meat. To summon the stinky
flower and access its truest aroma, you have to let its stigma show.
You have to let the pollen sting your eyes until you close them.
Copyright © 2019 by Sally Wen Mao. Originally published in Poem-a-Day on October 31, 2019, by the Academy of American Poets.
The world is a beautiful place
to be born into
if you don’t mind happiness
not always being
so very much fun
if you don’t mind a touch of hell
now and then
just when everything is fine
because even in heaven
they don’t sing
all the time
The world is a beautiful place
to be born into
if you don’t mind some people dying
all the time
or maybe only starving
some of the time
which isn’t half so bad
if it isn’t you
Oh the world is a beautiful place
to be born into
if you don’t much mind
a few dead minds
in the higher places
or a bomb or two
now and then
in your upturned faces
or such other improprieties
as our Name Brand society
is prey to
with its men of distinction
and its men of extinction
and its priests
and other patrolmen
and its various segregations
and congressional investigations
and other constipations
that our fool flesh
is heir to
Yes the world is the best place of all
for a lot of such things as
making the fun scene
and making the love scene
and making the sad scene
and singing low songs of having
inspirations
and walking around
looking at everything
and smelling flowers
and goosing statues
and even thinking
and kissing people and
making babies and wearing pants
and waving hats and
dancing
and going swimming in rivers
on picnics
in the middle of the summer
and just generally
‘living it up’
Yes
but then right in the middle of it
comes the smiling
mortician
From A Coney Island of the Mind, copyright © 1955 by Lawrence Ferlinghetti. Reprinted by permission of New Directions Publishing Corp.
I am lining my memories up against the wall.
They are begging me for reprieve. Here is the night
I found you on the floor, folded
like laundry. Here are the bloody towels,
the smell of ammonia and rotting fruit.
Once I was a wife. Now
I am a wilderness. I am the grove
of aspens. All that’s left of you
are candle stubs and carpet stains.
All your goodbyes have turned into horses.
They are grazing peacefully. Your words
are blades of grass, our last argument
a pasture dotted with poppies.
That night I watched you wash
your bruised hands in the sink. Now,
I see two fish diving into a stream.
I am re-remembering the last time
we spoke. I have turned it into a holiday,
marked it on the calendar
with an asterisk. A day to eat cake.
A day to enter the cellar
and retrieve the special vintage
with its sweet notes of smoke and honey.
Lush on the tongue. Easy to swallow.
The song sparrows
have returned from their long summer
singing of loss. Three notes.
One for the knife, one for the cut,
one for all I have
forgotten.
Copyright © 2024 Nancy Miller Gomez. From Inconsolable Objects (YesYes Books, 2024). Reprinted by permission of the poet.