Hold fast to dreams 
For if dreams die
Life is a broken-winged bird
That cannot fly.

Hold fast to dreams
For when dreams go
Life is a barren field
Frozen with snow.

I have a little shadow that goes in and out with me,
And what can be the use of him is more than I can see.
He is very, very like me from the heels up to the head;
And I see him jump before me, when I jump into my bed.

The funniest thing about him is the way he likes to grow—
Not at all like proper children, which is always very slow;
For he sometimes shoots up taller like an India-rubber ball,
And he sometimes gets so little that there’s none of him at all.

He hasn’t got a notion of how children ought to play,
And can only make a fool of me in every sort of way.
He stays so close beside me, he’s a coward you can see;
I’d think shame to stick to nursie as that shadow sticks to me!

One morning, very early, before the sun was up,
I rose and found the shining dew on every buttercup;
But my lazy little shadow, like an arrant sleepy-head,
Had stayed at home behind me and was fast asleep in bed.

I think Cliff Swallow sounds like the name
of a beige-clad mortgage broker who hangs
out at the bar and doesn’t talk politics, but
it’s a bird I’m reading about to keep my mind
from diving fast into the abyss. If someone asked
what changed me first, I’d say love. Secondly,
I’d say death. Does the order matter? When I took
to birds I thought I’d be destroyed by staring
at flying, twittering blurs, but what destroys me
is what always destroys me. A friend once said,
every elegy is a love poem and every love poem
is an elegy. But there must be a difference. Trying
once to identify swallows darting in and out
of the shadows above the creek water slick with
reflections of willows and white alders above us,
I asked a friend,  What kind of swallows are those?
He squinted, and we all watched, the sky’s mirror
rippling in the shallow creek bed, the wet rocks
emerging like islands we might retire to when we
shrink into nothing.  Fast ones, he said, turning,
and shrugged. So much for the naming. Instead
a pointing to the flitting minutes so they lasted,
until they didn’t. Then all of us leaned over
the railing and stared at the quickly thinning light
and all that the light contained, all of us calmly
unable to distinguish, to classify, but we could
show each other the whole view, practically
holding each other by the collar so no one
drowned, as we watched every last fast
flyer swoop, yes, we praised what lives and what
disappears, we made use of the end of the light.

When we two parted
   In silence and tears,
Half broken-hearted
   To sever for years,
Pale grew thy cheek and cold,
   Colder thy kiss;
Truly that hour foretold 
   Sorrow to this.

The dew of the morning 
   Sunk chill on my brow— 
It felt like the warning
   Of what I feel now.
Thy vows are all broken,
   And light is thy fame;
I hear thy name spoken,
   And share in its shame.

They name thee before me, 
   A knell to mine ear;
A shudder comes o’er me—
   Why wert thou so dear?
They know not I knew thee, 
   Who knew thee too well—
Long, long shall I rue thee,
   Too deeply to tell.

In secret we met—
   In silence I grieve,
That thy heart could forget,
   Thy spirit deceive.
If I should meet thee
   After long years,
How should I greet thee?—
   With silence and tears.

I too, dislike it: there are things that are important beyond all this fiddle.

   Reading it, however, with a perfect contempt for it, one discovers that there is in

   it after all, a place for the genuine.

      Hands that can grasp, eyes

      that can dilate, hair that can rise

         if it must, these things are important not because a

high-sounding interpretation can be put upon them but because they are

   useful; when they become so derivative as to become unintelligible, the

   same thing may be said for all of us—that we

      do not admire what

      we cannot understand. The bat,

         holding on upside down or in quest of something to

eat, elephants pushing, a wild horse taking a roll, a tireless wolf under

   a tree, the immovable critic twinkling his skin like a horse that feels a flea, the base—

   ball fan, the statistician—case after case

      could be cited did

      one wish it; nor is it valid

         to discriminate against “business documents and

school-books”; all these phenomena are important. One must make a distinction

   however: when dragged into prominence by half poets, the result is not poetry,

   nor till the autocrats among us can be

     “literalists of

      the imagination”—above

         insolence and triviality and can present

for inspection, imaginary gardens with real toads in them, shall we have

   it. In the meantime, if you demand on the one hand, in defiance of their opinion—

   the raw material of poetry in

      all its rawness, and

      that which is on the other hand,

         genuine, then you are interested in poetry.

I had not known before
    Forever was so long a word.
The slow stroke of the clock of time
    I had not heard.

‘Tis hard to learn so late;
    It seems no sad heart really learns,
But hopes and trusts and doubts and fears,
    And bleeds and burns.

The night is not all dark,
    Nor is the day all it seems,
But each may bring me this relief—
    My dreams and dreams.

I had not known before
    That Never was so sad a word,
So wrap me in forgetfulness—
     I have not heard.
 

Prisoners are we,
American citizens imprisoned
For daring in the name of Democracy
To protest against the continued denial
Of the right of self-government
To twenty millions of the American people.

We lie in a dungeon
Long ago abandoned and condemned,
Just as politically we are held
Imprisoned in a subjection
Abandoned and condemned
By every other nation of English speech and spirit.

Painfully raising my head,
I look down the long row
Of gray-blanketed heaps.
Under every heap a woman,
Weak, sick, but determined,
Twenty gray fortresses of determination.

In life there is no pleasure
To love and youth unknown,
For love is life’s one treasure,
And love and life are one.

In youth there is one sorrow
To love and life well known,
For beauty fades to-morrow
When youth from love has flown.

But love is like the shower
That waters gardens dry,
And brings to earth a flower
That blooms, but cannot die.

When I am dead, my dearest,
    Sing no sad songs for me;
Plant thou no roses at my head,
    Nor shady cypress tree:
Be the green grass above me
    With showers and dewdrops wet;
And if thou wilt, remember,
    And if thou wilt, forget.

I shall not see the shadows,
   I shall not feel the rain;
I shall not hear the nightingale
   Sing on, as if in pain:
And dreaming through the twilight
    That doth not rise nor set,
Haply I may remember,
    And haply may forget.