since feeling is first
who pays any attention
to the syntax of things
will never wholly kiss you;
wholly to be a fool
while Spring is in the world
my blood approves,
and kisses are a better fate
than wisdom
lady i swear by all flowers. Don’t cry
—the best gesture of my brain is less than
your eyelids’ flutter which says
we are for each other: then
laugh, leaning back in my arms
for life’s not a paragraph
And death i think is no parenthesis
This poem is in the public domain. Published in Poem-a-Day on April 16, 2022, by the Academy of American Poets.
know when they’re going to die. It’s why
she leaves the flock, lays beneath
the magnolia bush while her sisters clamber
into the coop, presenting herself only to us
the next morning. Sure, I’m projecting—
a human trait. But imagine walking
into your own brutal death
in the processing plant.
It’s no surprise, Lisa says,
we’re such fearful creatures—
full on chicken wings and fried chicken
sandwiches and sesame chicken
and chicken salad and rotisserie
chicken and BBQ chicken, chicken
fingers, chicken pot pie, chicken parmesan,
chicken & waffles—we’re always eating
fear. I swear I’ll stop every time I look
at our own small flock from our kitchen
window while preparing Korean fried
chicken. And why do I need to include
that extra adjective when I tell you what
I’m cooking? If I only said fried chicken,
would you render me whole or only smell
paper buckets and grease? Watch me lick
the fat from my fingers over a plate
of bones? The things I love will kill me
and kill the ones I love. The chickens
outside, Lisa and I—full on sweet dark meat.
Copyright © 2026 by Gary Jackson. Originally published in Poem-a-Day on January 5, 2026, by the Academy of American Poets.
Let me give you my old address
so that if you are in the neighborhood
you can drive by,
see if they’ve repainted.
You might also see someone I used to know.
Maybe eventually
we will see each other.
Let me give you my address
so that you can find it
on a map,
so that at least you will know
where I came from,
at least someone will know
where I came from.
On the map
it’s the pale orange shape
next to the light blue
of the water
where I walked on the wet sand
dragging a stick, drawing
a line that would lead back.
Copyright © 2022 Olena Jennings. From The Age of Secrets (Lost Horse Press, 2022). Used with the permission of Lost Horse Press.
REASON / UNREASON
the brain is
an unlit synagogue
easily charted
in dark waters
using machines
it can baffle faith
& therapy
it can asphyxiate
don’t worry
the drowning dogs
your pretty head
painted for the gods
it’s simple
to rage & riot & rot
to manage
the vacant parking lot
with the appropriate
knives do what some
medicines
can not
Copyright © 2017 by sam sax. “Post-Diagnosis” originally appeared in Madness (Penguin, 2017). Reprinted with permission of the author.
Masons, when they start upon a building,
Are careful to test out the scaffolding;
Make sure that planks won’t slip at busy points,
Secure all ladders, tighten bolted joints.
And yet all this comes down when the job’s done
Showing off walls of sure and solid stone.
So if, my dear, there sometimes seem to be
Old bridges breaking between you and me
Never fear. We may let the scaffolds fall
Confident that we have built our wall.
“Scaffolding” from Opened Ground: Selected Poems 1966–1996 by Seamus Heaney. Copyright © 1998 by Seamus Heaney.
You are enough
Divinity flows in your fingertips
with light so radiant
every beat of your heart
a victory march
made of whole universes
stitched by the hands of creation
with flawless design
a prophecy You fulfill perfectly with every breath
You
The sun wouldn’t shine the same without it
Creation is only waiting for You
to smile back at it
Do you see it yet?
You are enough
For the birds to sing about
For the seeds to sprout about
For the stars to shoot about
Do you see it yet?
Gardens in your speech
Fields of wildflowers in your prayers
Lighthouses in your eyes
No one else can see it for you
You have always been enough
You will always be enough
Your simple act of being is enough
Do you see it yet?
Copyright © 2022 by Andru Defeye. Sacramento Poetry Center Anthology (2022). Used with permission of the poet.
to enjoy myself. enjoying you enjoying. yourself to(o). ooo! enjoying. to enjoy myself enjoying you enjoying me enjoying myself enjoying you enjoying yourself . enjoying enjoying yourself enjoying me enjoying you/me. enjoying.enjoying myself you yourself enjoying yourself enjoying me enjoying you enjoying yourself. enjoying. enjoying you. enjoying me. enjoying you&me younme youme enjoying yummi. enjoying you enjoying me enjoying myself. enjoying you enjoying joy enjoying joy yourself. you yourself joy&me enjoying. us 3 or 4. my joy and your joy — joy we enjoying you enjoying me. you&me enjoying. you&me joying and enjoying. ain’t joying. andjoying. injoying. Me joying you and you joying me. you&me younme youme you whom me — us. & joy is the you in me and the me in you. joy joy. joy is the and. the end. of all this you and me. younme. you in me. me in you. tho you-you and me-me. both younme i. both younme am. both younme is. joy is the and. joy is the end. joy is the in. the way thru you for me. the way thru you to me. the way thru me for you. the way thru me to you. seein me thru. seein you thru. seein you tru. seein me tru. truly seein thru you and me. truly seein younme. truly seein you in me. me in you. truly seein you and me. me and you. truly seein you end me. me end you. truly younme.
so joy.us how we enjoy ourselves. some each other. (u)s.
Copyright © 2024 by Vladimir Lucien. Originally published in Poem-a-Day on June 11, 2024, by the Academy of American Poets.
Promise you wont forget
each time we met
we kept our clothes on
despite obvious intentions
to take them off,
seldom kissed or even slept,
talked to spend desire,
worn exhausted from regret.
Continue our relationship apart
under surveillance, torture, persecuted
confinement’s theft; no must or sudden blows
when embodied spirits mingled
despite fall’s knock
we rode the great divide
of falsehood, hunger and last year
From Supplication: Selected Poems of John Wieners, edited by Joshua Beckman, CAConrad, and Robert Dewhurst © 2015 John Wieners Literary Trust, Raymond Foye, Administrator. Reprinted with the permission of The John Wieners Literary Trust.
How desire is a thing I might die for. Longing a well,
a long dark throat. Enter any body
of water and you give yourself up
to be swallowed. Even the stones
know that. I have writhed
against you as if against the black
bottom of a deep pool. I have emerged
from your grip breathless
and slicked. How easily
I could forget you
as separate, so essential
you feel to me now. You
beneath me like my own
blue shadow. You silent as the moon
drifts like a petal
across your skin, my mouth
to your lip—you a spring
I return to, unquenchable, and drink.
Copyright © 2021 by Leila Chatti. Originally published in Poem-a-Day on January 14, 2021, by the Academy of American Poets.
Soft as a Claude painting, the yellow sky tonight—
trees in the parking lot still thick, though the air, yes,
has an edge, the honey was solid in the jar
when I opened it this morning, found a single ant
frozen in the dunes, stunned by sweetness.
Can you really die of sweetness? Hard
to say yes, though I want to, looking up at these clouds
that make my heart jump: oh joy in seeing
though I can’t touch, like the girl repeating persimmon
as the waitress in the diner tells her about a tree
at the top of the hill she used to see, how beautiful
that vivid orange fruit was all at once.
Can’t touch them, but I see them in her eyes as
she remembers persimmons. Maybe that was
my mistake: thinking every love was different, a fruit
inside its own clear mason jar—my love, her love, his,
all separate as the trees they fell from. Maybe love
is more contagion, bubbles in a bathtub slowly
swelling, all the little circles drifting, gliding
gently into each other until they burst, until
nothing’s left but foam, the sound of rushing water.
Copyright © 2018 Annie Kim. This poem originally appeared in The Cincinnati Review, Summer 2018. Used with permission of the author.
It didn't take a Harvard Medical School degree to detect you and I were not lovers destined to wed but two viruses doing their best to infect each other, two fevers that'd spread, different symptoms of the same sickness. Past cure I am, now reason is past care. Did I really wish to die? The doctor dismissed me with the professional ease with which one might swat a fly, as if for the fly's own good. So what if you loved me more intimately than anyone ever would? A cancer cell could say that of any body it refused to let go. Once the heart was infected, how could it be corrected? So what was I waiting for? The truth is, the doctor smiled, the microbe adores the flesh it's dating.
Copyright © 2011 by Christopher Bursk. Reprinted from The Infatuations and Infidelities of Pronouns with the permission of Bright Hill Press.