I am given a pony for my birthday, but it is the wrong kind of pony. It is the kind of pony that won't listen. It is testy. When I ask it to go left, it goes right. When I ask it to run, it sleeps on its side in the tall grass. So when I ask it to jump us over the river into the field I have never before been, I have every reason to believe it will fail, that we will be swept down the river to our deaths. It is a fate for which I am prepared. The blame of our death will rest with the testy pony, and with that, I will be remembered with reverence, and the pony will be remembered with great anger. But with me on its back, the testy pony rears and approaches the river with unfettered bravery. Its leap is glorious. It clears the river with ease, not even getting its pony hooves wet. And then there we are on the other side of the river, the sun going down, the pony circling, looking for something to eat in the dirt. Real trust is to do so in the face of clear doubt, and to trust is to love. This is my failure, and for that I cannot be forgiven.

Copyright © 2010 by Zachary Schomburg. Used with permission of the author.

for my father, 1922-1944

Your face did not rot 
like the others--the co-pilot, 
for example, I saw him

yesterday. His face is corn-
mush: his wife and daughter, 
the poor ignorant people, stare

as if he will compose soon. 
He was more wronged than Job. 
But your face did not rot

like the others--it grew dark, 
and hard like ebony; 
the features progressed in their

distinction. If I could cajole 
you to come back for an evening, 
down from your compulsive

orbiting, I would touch you, 
read your face as Dallas, 
your hoodlum gunner, now,

with the blistered eyes, reads 
his braille editions. I would 
touch your face as a disinterested

scholar touches an original page. 
However frightening, I would 
discover you, and I would not

turn you in; I would not make 
you face your wife, or Dallas,
or the co-pilot, Jim. You

could return to your crazy 
orbiting, and I would not try 
to fully understand what

it means to you. All I know 
is this: when I see you, 
as I have seen you at least

once every year of my life, 
spin across the wilds of the sky 
like a tiny, African god,

I feel dead. I feel as if I were 
the residue of a stranger's life, 
that I should pursue you.

My head cocked toward the sky, 
I cannot get off the ground, 
and, you, passing over again,

fast, perfect, and unwilling 
to tell me that you are doing 
well, or that it was mistake

that placed you in that world, 
and me in this; or that misfortune 
placed these worlds in us.

From The Lost Pilot, published by Yale University Press, 1967. Copyright © 1967 by James Tate. Reprinted with permission. All rights reserved.