Everyone forgets that Icarus also flew.
It’s the same when love comes to an end,
or the marriage fails and people say
they knew it was a mistake, that everybody
said it would never work. That she was
old enough to know better. But anything
worth doing is worth doing badly.
Like being there by that summer ocean
on the other side of the island while
love was fading out of her, the stars
burning so extravagantly those nights that
anyone could tell you they would never last.
Every morning she was asleep in my bed
like a visitation, the gentleness in her
like antelope standing in the dawn mist.
Each afternoon I watched her coming back
through the hot stony field after swimming,
the sea light behind her and the huge sky
on the other side of that. Listened to her
while we ate lunch. How can they say
the marriage failed? Like the people who
came back from Provence (when it was Provence)
and said it was pretty but the food was greasy.
I believe Icarus was not failing as he fell,
but just coming to the end of his triumph.
Copyright © 2005 Jack Gilbert. From Refusing Heaven, 2005, Alfred A. Knopf. Reprinted with permission.
They lashed him halfway up the mast
And he screamed above the silent oarsmen
As they rowed him relentlessly away
From the bone-cluttered island shore of the Sirens
Sitting in the flowers singing unearthly promise.
They saw the ship go by,
and the madman raving there.
One of them stood up,
still singing, and made gestures
with her aching body, using
hands between thighs, showing
as well as singing.
The ship went on by wind and oars.
The voices faded.
They shrugged, sucked their sharp teeth,
and went back to their flowers.
His anxious men, blessed with the silence
Of the blind, saw only the soundless agony
As he fought the bonds of the rigid mast
For the vision the Sirens never dreamed
In a word that faded for ever as he moved
Through life after life in the ship at the mast
And his screaming for release, ceased.
They lowered him down among their flesh
And he mastered again his own flesh and his ship
And remembered, once, an impotent whim for mutiny.
From From a Person Sitting in Darkness: New and Selected Poems (Louisiana State University Press, 1998) by Gerald Barrax. Copyright © 1998 by Gerald Barrax. Used with the permission of Louisiana State University Press.
some days you seem
so disappointed, love but you knew
what it was.
i am your dread wife.
you will not throw me out
of eden i walk myself to the door.
o!
there is no snake i plant the tree.
i pluck the apple i bite.
the pomegranate the passion fruit
whatever the fuck.
i am feast unto myself.
in this wilderness the feral things name me.
& i was raised to one day wash
my husband’s feet at night.
of course i molted made myself a woman
who unmakes home.
refused to be whittled to a fine point
but you like me piercing.
beloved i will not
only writhe when coming.
my vow: break through this shell fully impossible.
your vow: lap every slick of the yolk.
Copyright © 2023 by Elizabeth Acevedo. Originally published in Poem-a-Day on May 5, 2023, by the Academy of American Poets.
What will suffice for a true-love knot? Even the rain?
But he has bought grief’s lottery, bought even the rain.
“Our glosses / wanting in this world”—“Can you remember?”
Anyone!—“when we thought / the poets taught” even the rain?
After we died—That was it!—God left us in the dark.
And as we forgot the dark, we forgot even the rain.
Drought was over. Where was I? Drinks were on the house.
For mixers, my love, you’d poured—what?—even the rain.
Of this pear-shaped orange’s perfumed twist, I will say:
Extract Vermouth from the bergamot, even the rain.
How did the Enemy love you—with earth? air? and fire?
He held just one thing back till he got even: the rain.
This is God’s site for a new house of executions?
You swear by the Bible, Despot, even the rain?
After the bones—those flowers—this was found in the urn:
The lost river, ashes from the ghat, even the rain.
What was I to prophesy if not the end of the world?
A salt pillar for the lonely lot, even the rain.
How the air raged, desperate, streaming the earth with flames—
To help burn down my house, Fire sought even the rain.
He would raze the mountains, he would level the waves;
he would, to smooth his epic plot, even the rain.
New York belongs at daybreak to only me, just me—
To make this claim Memory’s brought even the rain.
They’ve found the knife that killed you, but whose prints are these?
No one has such small hands, Shahid, not even the rain.
From Call Me Ishmael Tonight by Agha Shahid Ali. Copyright © 2003 by the Agha Shahid Ali Literary Trust. Used by permission of W. W. Norton & Company, Inc. All rights reserved.
The way each linked lobe of your cactus swallows all
the green from the one before it, reminds me of that movie
about the human centipede and how appalled you’d have been
to know such a film exists, though you were no stranger
to the macabre, you who used to warn me not to drink tea
too much or my stomach would swell red, you said,
citing the story of that man with the shotgun wound
in his abdomen, how he became a medical curiosity
for the dark deep hole in him through which the world
could suddenly view the innermost sanctum of a human body,
which was a long way you had of saying it matters what we put
inside ourselves. I have put so many things inside myself I should
not have: smoke of all sorts, whiskey, sorrow, pennies, bottomless
guilt, river stones, a crusty work glove pulled off with my teeth.
I even licked a Burmese python once. I list the contraband
of my body to myself as I eat nachos or frozen French fries
off your blue dinner plates, counting the indulgences
I imagine you would not have approved. And here I am now,
inserting a gross horror movie reference into a poem
about your absence, a poem I began writing only because
I wanted you to know: your cactus is flowering again,
as it has four years now, fuchsia flames licking out
from the maw of each final green—I don’t know what to call it,
not a leaf, but a section of stem pressed flat—until yes,
it erupts into firework, a tongue or tail of brightness uncurling
into this winter room. I wanted you to know: it flowered
the night you died. It flowered because I told it to,
you in your hospital bed and me not there. And now
I force it unconsciously each year, forget to water
for months then soak it with the thawed remains
of yesterday’s chicken pail. It’s an Easter cactus really,
I wanted you to know. I looked it up on a diagram today—
the three shapes of lobe—but yours is willful, peculiar, blooms
only in late January, blooms only for you. Which is fitting,
since we don’t believe in resurrection, you or I. Just another
flattened green segment each year, another stubborn
explosion of beauty at the end of our grief.
Reprinted from Plume (Issue #139), March 2023. Copyright © 2023 Julia Bouwsma. Used with permission of the author.
Hard to watch somebody lose their mind
Maybe everybody should just go get stoned
My father said it happens all the time
I knew a woman lost her to soul to wine
But who doesn’t live with their life on loan?
Shame to watch somebody lose their mind
Don’tchu gotta wonder when people say they’re fine?
Given what we’re given, I guess they actin grown
I think I used to say that all the time
When my parents died, I coined a little shrine
And thought about all the stuff they used to own
Felt like I was gonna lose my mind
Used to have a friend who smiled all the time
Then he started sayin he could hear the devil moan
Hate to see a brotha lose his gotdam mind
Doesn’t matter how you pull, the hours break the line
Mirror, Mirror on the wall, how come nobody’s home?
Broke my soul for real, when my mother lost her mind
Tried to keep my head right, but sanity’s a climb
Been workin on the straight face—I guess my cover’s blown
My father tried to tell me all the time
Had one last question, baby, but maybe never mind
After’while, even springtime starts to drone
Hard to see somebody lose their mind
My pop said, “Boy, it happens all the time”
Copyright © 2022 by Tim Seibles. Originally published in Poem-a-Day on February 21, 2022, by the Academy of American Poets.
A boy can wear a dress
by cliff or by
creek, by God or by
dark in the caul of the devil.
A boy can wear a dress
bought with a tin-
can full of cherries on the
day of his daddy’s dying.
A boy can weep in his dress—
by boat or by plane, he
can sleep in his dress,
dance in his dress, make
eyes in his dress at the
flame at the hotel bar.
Goddamn it all to graceland,
how stunning he looks
in his blue cotton dress,
just stunning! Nothing can
keep him from
losing our minds, sluicing
my heart in that way he does.
Nothing can keep him.
On the walk to his daddy’s wake,
persons of rank may
question his dress,
raise their brows at his dress,
so he twirls and twirls
till his dress is its own
unaddressed question, un-
veiling the reasons he
wakes every morning, like an
x-ray for colors beneath
your colors, your
zygote soul, your naked twirl—
Copyright © 2018 by John Bosworth. Used with the permission of the author.
As he holds his wife’s hand, the nurse tells him to
breathe. He will be a good father. He
could be. His wife tows a boat on land with her teeth.
Don’t worry. Good father. Breathe. Later,
everyone smiles when he jogs with the stroller. He
feigns interest in ponies. He pushes a swing and his daughter
giggles. He applies sunblock, and
helps warm the bottle, and he is
inducted into the fatherly hall of fame. He
jumps on the trampoline, and the chorus sings Good Father. He wipes
ketchup off her cheek at the zoo, and the old women
laud. He is told he is a new breed of
man. Evolved. His knuckles just barely or
never scraping the ground. He hugs
often enough, packs her lunch, and the crowd
pours on the applause. He lays her down for
quiet time. It goes somewhat well.
Rejoice, the people shout, for here is a
saint, as he lifts diapers to the conveyor belt.
Truthfully, he feels slightly
unwell. A bowl of plastic fruit is pretty, but
vaguely toxic. He sleeps fine
without a mouth affixed to his chest. His bottle of
Xanax is half full. The nurse says,
You will be a good father. He jogs with the stroller. He reaches the
zenith of a very small hill.
Copyright © 2024 by Keith Leonard. Originally published in Poem-a-Day on March 4, 2024, by the Academy of American Poets.