My mother said this to me
long before Beyoncé lifted the lyrics
from the Yeah Yeah Yeahs,

and what my mother meant by
Don’t stray was that she knew
all about it—the way it feels to need

someone to love you, someone
not your kind, someone white,
some one some many who live

because so many of mine
have not, and further, live on top of
those of ours who don’t.

I’ll say, say, say,
I’ll say, say, say,
What is the United States if not a clot

of clouds? If not spilled milk? Or blood?
If not the place we once were
in the millions? America is Maps

Maps are ghosts: white and 
layered with people and places I see through.
My mother has always known best,

knew that I’d been begging for them,
to lay my face against their white
laps, to be held in something more

than the loud light of their projectors
as they flicker themselves—sepia
or blue—all over my body.

All this time,
I thought my mother said, Wait,
as in, Give them a little more time

to know your worth,
when really, she said, Weight,
meaning heft, preparing me

for the yoke of myself,
the beast of my country’s burdens,
which is less worse than

my country’s plow. Yes,
when my mother said,
They don’t love you like I love you,

she meant,
Natalie, that doesn’t mean
you aren’t good.

 

 

*The italicized words, with the exception of the final stanza, come from the Yeah Yeah Yeahs song “Maps.”

Copyright © 2019 by Natalie Diaz. Originally published in Poem-a-Day on June 20, 2019, by the Academy of American Poets.

Brown love is getting the pat down but not the secondary screening
and waiting after you clear to make sure the Sikh man or
the Black woman or the hijabis behind you get through

Brown love is asking the Punjabi guy working at the starbucks knockoff
if all the tea sizes are still the same price

and he says no,
it hasn’t been like that for at least four years,
but he slips you an extra tea bag without talking about it.

Brown love is the unsmiling aunty
at the disabled immigration line

barking
anything to declare? No? No? Have a good day.
and your rice, semolina, kari karo seeds and jaggary all get through
even though they are definitely from countries
where there are insects that could eat america to the ground

Brown love is texting your cousin on whatsapp asking
if she’s ever had a hard time bringing weed tincture in her carry on 

brown love is a balm
in this airport of life

where, if we can scrape up enough money
we all end up
because we all came from somewhere
and we want to go there
or we can’t go to there but we want to go to the place we went after that
where our mom still lives even though we fight
or our chosen sis is still in her rent controlled perfect apartment
where we get the luxury of things being like how we remember
we want to go to the place we used to live
and even if gentrification snatched the bakery
with the 75 cent coffee where everyone hung out all night
we can still walk the block where it was
and remember

and the thing about brown love is, nobody smiles.
nobody is friendly. nobody winks. nobody can get away with that
they’re all silently working their terrible 9 dollar an hour
food service jobs where tip jars aren’t allowed
or TSA sucks but it’s the job you can get out of the military
and nobody can get away with being outwardly loving
but we do what we can

brown love is the woman who lets your 1 pound over the 50 pound limit bag go
the angry woman who looks like your cousin
who is so tired on the american airlines customer service line
she tags your bag for checked luggage
and doesn’t say anything about a credit card, she just yells Next!
Brown love is your tired cousin who prays you all the way home
from when you get on the subway to when you land and get on another.
This is what we have
we do what we can.

Copyright © 2020 by Leah Lakshmi Piepzna-Samarasinha. Originally published in Poem-a-Day on January 16, 2020, by the Academy of American Poets.

I.

my lover is a woman
& when i hold her
feel her warmth
     i feel good
     feel safe

then—i never think of
my family’s voices
never hear my sisters say
bulldaggers, queers, funny
     come see us, but don’t
     bring your friends
          it’s ok with us,
          but don’t tell mama
          it’d break her heart
never feel my father
turn in his grave
never hear my mother cry
Lord, what kind of child is this?

 

II.

my lover’s hair is blonde
& when it rubs across my face
it feels soft
     feels like a thousand fingers
     touch my skin & hold me
          and i feel good

then—i never think of the little boy
who spat & called me nigger
never think of the policemen
who kicked my body & said crawl
never think of Black bodies
hanging in trees or filled
with bullet holes
never hear my sisters say
white folks hair stinks
don’t trust any of them
never feel my father
turn in his grave
never hear my mother talk
of her backache after scrubbing floors
never hear her cry
Lord, what kind of child is this?

 

III. 

my lover’s eyes are blue
& when she looks at me
i float in a warm lake
     feel my muscles go weak with want
          feel good
          feel safe

then—i never think of the blue
eyes that have glared at me
moved three stools away from me
in a bar
never hear my sisters rage
of syphilitic Black men as
guinea pigs
     rage of sterilized children
          watch them just stop in an
          intersection to scare the old
          white bitch
never feel my father turn
in his grave
never remember my mother
teaching me the yes sirs & ma’ams
to keep me alive
never hear my mother cry
Lord, what kind of child is this?

 

IV.

& when we go to a gay bar
& my people shun me because i crossed
the line
& her people look to see what's
wrong with her
     what defect
     drove her to me

& when we walk the streets
of this city
     forget and touch
     or hold hands
          & the people
          stare, glare, frown, & taunt
               at those queers

i remember
     every word taught me
     every word said to me
     every deed done to me
          & then i hate
i look at my lover
& for an instant
     doubt

then—i hold her hand tighter
     & i can hear my mother cry.
     Lord, what kind of child is this?

“My Lover Is a Woman” by Pat Parker © Anastasia Dunham-Parker-Brady, used with permission.