The whales can’t hear each other calling
in the noise-cluttered sea: they beach themselves.
I saw one once— heaved onto the sand with kelp
stuck to its blue-gray skin.
Heavy and immobile

it lay like a great sadness.
And it was hard to breathe with all the stink.
Its elliptical black eyes had stilled, were mostly dry,
and barnacles clustered on its back
like tiny brown volcanoes.

Imagining the other whales, their roving weight,
their blue-black webbing of the deep,
I stopped knowing how to measure my own grief.
And this one, large and dead on the sand
with its unimaginable five-hundred-pound heart.

Copyright © 2016 by Sally Bliumis-Dunn. Originally published in Poem-a-Day on August 19, 2016, by the Academy of American Poets.

A fifth of animals without backbones could be at risk of extinction, say scientists.
—BBC Nature News

Ask me if I speak for the snail and I will tell you
I speak for the snail.
                          speak of underneathedness
and the welcome of mosses,
                                        of life that springs up,
little lives that pull back and wait for a moment.

I speak for the damselfly, water skeet, mollusk,
the caterpillar, the beetle, the spider, the ant.
                                                        I speak
from the time before spinelessness was frowned upon.

Ask me if I speak for the moon jelly. I will tell you
                        one thing today and another tomorrow
        and I will be as consistent as anything alive
on this earth.

                        I move as the currents move, with the breezes.
What part of your nature drives you? You, in your cubicle
ought to understand me. I filter and filter and filter all day.

Ask me if I speak for the nautilus and I will be silent
as the nautilus shell on a shelf. I can be beautiful
and useless if that's all you know to ask of me.

Ask me what I know of longing and I will speak of distances
        between meadows of night-blooming flowers.
                                                        I will speak
                        the impossible hope of the firefly.

                                                You with the candle
burning and only one chair at your table must understand
        such wordless desire.

                                To say it is mindless is missing the point.

Copyright © 2012 by Camille Dungy. Used with permission of the author.

We had been together so very long,
you willing to swim with me
just last month, myself merely small
in the ocean of splendor and light,
the reflections and distortions of us,
and now when I see the man from British Petroleum
lift you up dead from the plastic
bin of death,
he with a smile, you burned
and covered with red-black oil, torched
and pained, all I can think is that I loved your life,
the very air you exhaled when you rose,
old great mother, the beautiful swimmer,
the mosaic growth of shell
so detailed, no part of you
simple, meaningless,
or able to be created
by any human,
only destroyed.
How can they learn
the secret importance
of your beaten heart,
the eyes of another intelligence
than ours, maybe greater,
with claws, flippers, plastron.
Forgive us for being thrown off true,
for our trespasses,
in the eddies of the water
where we first walked.

Copyright © 2014 by Linda Hogan. From Dark. Sweet.: New and Selected Poems (Coffee House Press, 2014). Reprinted from Split This Rock’s The Quarry: A Social Justice Poetry Database

Most likely, you think we hated the elephant,
the golden toad, the thylacine and all variations
of whale harpooned or hacked into extinction.

It must seem like we sought to leave you nothing
but benzene, mercury, the stomachs
of seagulls rippled with jet fuel and plastic. 

You probably doubt that we were capable of joy,
but I assure you we were.

We still had the night sky back then,
and like our ancestors, we admired
its illuminated doodles
of scorpion outlines and upside-down ladles.

Absolutely, there were some forests left!
Absolutely, we still had some lakes!

I’m saying, it wasn’t all lead paint and sulfur dioxide.
There were bees back then, and they pollinated
a euphoria of flowers so we might
contemplate the great mysteries and finally ask,
“Hey guys, what’s transcendence?”   

And then all the bees were dead.

Copyright © 2017 by Matthew Olzmann. Originally published in Poem-a-Day on April 14, 2017, by the Academy of American Poets.

I
Among starving polar bears, 
The only moving thing 
Was the edge of a glacier.
 
II
We are of one ecology
Like a planet
In which there are 200,000 glaciers.
 
III
The glacier absorbed greenhouse gases. 
We are a large part of the biosphere.
 
IV
Humans and animals 
Are kin. 
Humans and animals and glaciers 
Are kin.
 
V
We do not know which to fear more,
The terror of change
Or the terror of uncertainty, 
The glacier calving
Or just after.
 
VI
Icebergs fill the vast Ocean
With titanic wrecks. 
The mass of the glacier 
Disappears, to and fro. 
The threat
Hidden in the crevasse
An unavoidable cause.
 
VII
O vulnerable humans,
Why do you engineer sea walls?
Do you not see how the glacier
Already floods the streets
Of the cities around you?
 
VIII
I know king tides, 
And lurid, inescapable storms; 
But I know, too, 
That the glacier is involved 
In what I know.
 
IX
When the glacial terminus broke, 
It marked the beginning 
Of one of many waves.
 
X
At the rumble of a glacier
Losing its equilibrium, 
Every tourist in the new Arctic
chased ice quickly.
 
XI
They explored the poles 
for offshore drilling. 
Once, we blocked them, 
In that we understood 
The risk of an oil spill
For a glacier.
 
XII
The sea is rising.
The glacier must be retreating.
 
XIII
It was summer all winter. 
It was melting 
And it was going to melt.
The glacier fits
In our warm-hands.
 

Copyright © 2016 by Craig Santos Perez. “Thirteen Ways of Looking at a Glacier” originally appeared in Newsletter of the Comparative Literature Association of the Republic of China. Reprinted with permission of the author.

translated from the O’odham by the poet

We travel carrying our words.
We arrive at the ocean.
With our words we are able to speak
of the sounds of thunderous waves.
We speak of how majestic it is,
of the ocean power that gifts us songs.
We sing of our respect
and call it our relative.

 

 

 

’U’a g T-ñi’okı˘


T-ñi’okı˘ ’att ’an o ’u’akc o hihi
Am ka:ck wui dada.
S-ap ‘am o ’a: mo has ma:s g kiod.
mat ’am ’ed.a betank ’i-gei.
’Am o ’a: mo he’es ’i-ge’ej,
mo hascu wud.  i:da gewkdagaj
mac ’ab amjed.  behě g ñe’i.
Hemhoa s-ap ‘am o ’a: mac si has elid, mo d.  ’i:mig.

Used with the permission of the author.

Forced to fly lower by unexpected rains
a thousand songbirds passing over the lake

near McCormick Place slap lit windowpanes—
and fall in yellow heaps across the lawn.

In Muncie, Indiana, no one at dawn
hears swelling choruses in the sycamores,

and later, in Louisville, garage doors
open but no birds put on a show

whistling  seebit, seebit,  or whywhywhy 
and hunters in Tennessee, hearing only crows,

stick in their earbuds for the morning lies.
Alabama commuters glimpse no feathers

brightening the woods in the grey weather.
Down at the Texas border no cheerful zreee

encourages the migrants sleeping in tents
or wakes a child to point up with glee,

and the palms in Mexico do not shake and sway
with warblers in their fronds resting a day

for the flight to Guatemala, the final swing
of the songbird migration to their winter place

where Monarch butterflies clap their wings
calling for music in that silent space.

Copyright © 2025 by Maura Stanton. Originally published in Poem-a-Day on December 3, 2025, by the Academy of American Poets.