What thoughts I have of you tonight, Walt Whitman, for I
walked down the sidestreets under the trees with a headache self-
conscious looking at the full moon.
   In my hungry fatigue, and shopping for images, I went into the
neon fruit supermarket, dreaming of your enumerations!
   What peaches and what penumbras! Whole families shopping
at night! Aisles full of husbands! Wives in the avocados, babies in
the tomatoes!—and you, García Lorca, what were you doing
down by the watermelons?

   I saw you, Walt Whitman, childless, lonely old grubber, poking
among the meats in the refrigerator and eyeing the grocery boys.
   I heard you asking questions of each: Who killed the pork
chops? What price bananas? Are you my Angel?
   I wandered in and out of the brilliant stacks of cans following
you, and followed in my imagination by the store detective.
   We strode down the open corridors together in our solitary
fancy tasting artichokes, possessing every frozen delicacy, and
never passing the cashier.

   Where are we going, Walt Whitman? The doors close in a hour.
Which way does your beard point tonight?
    (I touch your book and dream of our odyssey in the 
supermarket and feel absurd.)
   Will we walk all night through solitary streets? The trees add
shade to shade, lights out in the houses, we’ll both be lonely.
   Will we stroll dreaming of the lost America of love past blue
automobiles in driveways, home to our silent cottage?
   Ah, dear father, graybeard, lonely old courage-teacher, what
America did you have when Charon quit poling his ferry and you
got out on a smoking bank and stood watching the boat disappear
on the black waters of Lethe?

—Berkeley, 1955

From Collected Poems 1947–1980 by Allen Ginsberg, published by Harper & Row. Copyright © 1984 by Allen Ginsberg. Used with permission.

	The changing light at San Francisco
	                         is none of your East Coast light
	                                          none of your
	                                                                 pearly light of Paris
	The light of San Francisco
	                                                is a sea light
	                                                                      an island light
	And the light of fog
	                                    blanketing the hills
	                        drifting in at night
	                                     through the Golden Gate
	                                                          to lie on the city at dawn
	And then the halcyon late mornings
	                  after the fog burns off
	                          and the sun paints white houses
	                                                           with the sea light of Greece
	                                with sharp clean shadows
	                                       making the town look like
	                                                     it had just been painted
But the wind comes up at four o’clock
                                                                    sweeping the hills
And then the veil of light of early evening
And then another scrim
                                when the new night fog
                                                                          floats in
And in that vale of light
                                           the city drifts
                                                                    anchorless upon the ocean

From How to Paint Sunlight by Lawrence Ferlinghetti. Copyright © 2000 by Lawrence Ferlinghetti. Reprinted by permission of New Directions Publishing Corp. All rights reserved.