I ask the new migrant if he regrets leaving Russia.
We have dispensed already with my ancestry. 
He says no. For a time, he was depressed. He found 
with every return he missed what he left behind. 
A constant state of this. Better to love by far 
where you are. He taps the steering wheel of his car, 
the hum of the engine an imperceptible tremble 
in us. When he isn’t driving, he works tending 
to new trees. I’ve seen these saplings popping 
up all over the suburbs, tickling the bellies 
of bridges, the new rooted darlings of the State. 
The council spent a quarter mil on them & 
someone, he—Lilian—must ensure the dirt 
holds. Gentrification is climate-friendly now. 
I laugh and he laughs, and we eat the distance 
between histories. He checks on his buds daily. 
Are they okay? They are okay. They do not need 
him, but he speaks, and they listen or at least 
shake a leaf. What a world where you can live off 
land by loving it. If only we cared for each other 
this way. The council cares for their investment. 
The late greenery, that is, not Lilian, who shares 
his ride on the side. I wonder what it would cost 
to have men be tender to me regularly,  
to be folded into his burly, to be left on the side 
of the road as he drove away, exhausted. Even 
my dreams of tenderness involve being used 
& I’m not sure who to blame: colonialism, 
capitalism, patriarchy, queerness or poetry? 
Sorry, this is a commercial for the Kia Sportage 
now. This is a commercial for Lilian’s thighs.
He didn’t ask for this and neither did I—how 
language drapes us together, how stories tongue 
each other in the back seat and the sky blurs 
out of frame. There are too many agonies 
to discuss here, and I am nearly returned. 
He has taken me all the way back, around 
the future flowering, back to where I am not, 
to the homes I keep investing in as harms. 
I should fill them with trees. Let the boughs 
cover the remembered boy, cowering 
under a mother, her raised weapon 
not the cane but the shattering within,
let the green tear through the wall 
paper, let life replace memory. Lilian, I left 
you that day, and in the leaving, a love 
followed. Isn’t that a wonder and a wound? 
Tell me which it is, I confess I mistake the two. 
I walk up the stairs to my old brick apartment 
where the peach tree reaches for the railing, 
a few blushing fruits poking through the bars, 
eager to brush my leg, to say linger, halt.
I want to stop, to hold it for real, just once 
but I must wait until I am safe. 
Copyright © 2019 by Omar Sakr. Originally published in Poem-a-Day on September 4, 2019, by the Academy of American Poets.