I don’t want a basket full of lemons –
I’ve had enough bitter times.
Give me instead the flame-licked day
lilies opening so hard they are
breaking their own backs or that
little porcelain bowl – its blue
arcadia scrawled delicately as scar
tissue – or a sip of that make-
believe tea steaming away for a
century or two, or that woven basket –
such regimented beauty – wicker
sticks lined up all in a row like a little
boy’s ribs. Yes, give me instead those
two carnations – prismatic bbs –
so very white like how quartz is some-
times white and kind of blinding –
true opposite of all these shadows
I have been carrying around in me
for the longest time – shadows
that are his hands moving across the light,
that are his hands moving across my
body. O the hypersensitivity of the victim
who finds even these lemons –
their muscular rinds rendered in such
forensic light – threatening. Who is
crying now because sometimes he misses
being looked at. Who is older now.
Who goes into galleries and clocks
the still lifes and feels this seismic
mirroring as he encounters their
codification – for if he cannot unpick him-
self, he can at least unpick the
lemons, lilies, basket and bowl. Bright
symbols waiting for the sore and
broken mind to rush in, inhabit. Brilliant
alarms burning against complacency.
From That Broke into Shining Crystals (Faber and Faber, Ltd., 2025) by Richard Scott. Copyright © 2025 by Richard Scott. Used with the permission of the publisher.