New Orleans, a Tuesday, 7:30 A.M. 
I’m sipping coffee at a McDonald’s on Canal
when two young black men, early twenties perhaps, 
walk in, buying nothing. Suddenly, 
I’m aboard a mothership,
streaking toward the farthest stars. 
One, like a fly, bobs the aisles, sweaty
in his Crown Royal muscle shirt. 
Gym shorts hanging off his ass, 
headset in his ears, he pantomimes 
a singer and dances a Mardi Gras mambo 
in July, with himself, second-lining 
silky-smoothly across the floor, out the door, 
onto the parking lot—his own block party 
without the block.
The other, well-groomed, small backpack, 
talks loudly, eloquently to himself 
about home, what it is, isn’t and should be, then, 
facing the faces, he launches a soliloquy 
of senseless babble, 
and you sense the other—
the voices, a stage, curtain and cast,
his fans and followers looking on,
inside his head.
I’m gazing stars. Drawn to the glow 
of their wayward worlds, 
I can’t help 
but pause, watch and listen.
I’m entertained, 
but scared, because they’re black men
and I’m one, too, 
with a son and grandsons of my own,
and I can’t help
but ponder: what’s loose, 
what’s broken, what’s gone wrong,
what’s the fix?
From Soul Be A Witness (MadHat Press, 2016). Copyright © 2016 by John Warner Smith. Used with the permission of the author.