i
it is a terror
in the closet her knees
are limp eyes straining to see
every object glows with a
private halo pulling down
her skirt the trickle
of urine along her thigh and calf
she wipes it carelessly with her hand
biting her lips she fixates on
pebbles and rusty nails along
the path to the truck it is an oblivion
seen in matter-of-fact gestures
wiping the child’s nose with her fingers
she says blow his eyes shine as she
feels the pressure of the doorknob palms
wet slipping out of her grasp she whispers
not now not yet we’ve been so careful
he’s a good child just a little more time
she pleads with them we will not be
careless anymore this time the knob falls
into the glare of lights voices scream
orders she does not understand but obeys
blow she tells him pulling down her skirt
and wiping his nose with her fingers later
it is still over has been over
since the knob slipped from her hand
like the wet fish that jumped while she tried
to scale it later after the not yet
not now the walk nude across the yard
she glimpses the meaning of the order
allows her eyes to widen for one
moment and see the path it is a coldness
never before felt or imagined she clutches
her hands tearing at her thighs wailing
to the others she tries to lean on them
to explain the mistake the small error
nothing is irrevocable she screams nothing
to them trying to lean they push her away
and her hands cup the knob for a better hold
to keep out the light her world is cement
stone iron
ii
listening to conversations over brandy
i am always amazed at their certainty
about the past how it could have been
different could have been turned around
with what ease they transport themselves
to another time/place taking the comfort
confidence of an after-dinner drink
it would be too impolite
of me to say my mother hid with me
for two years among ignorant peasants who
would have turned us in almost at once had
they known who we were who would have watched
with glee while we were carted off even though
grandad had bounced me on his knees and fed me
from his own spoon and my mother is a frightened
woman
it would be too impolite
to say you do not know yourselves you do not know
others
"perspectives on the second world war" from Her Birth and Later Years: New and Collected Poems, 1971-2021 © 2022 by Irena Klepfisz. Published by Wesleyan University Press. Used by permission.