To the Poets:
Why do poets
Like to die
And sing raptures to the grave?
They seem to think
That bitter dirt
Turns sweet between the teeth.
I have lived
And yelled hosannas
At the climbing stars
I have lived
And drunk deep
The deceptive wine of life. . . .
And now, tipsy and reeling
From its dregs
I die . . .
Oh, let the poets sing
To Henry:
I do not know
How I shall look
When I lie down here
But I really should be smiling
Mischievously . . .
You and I have studied
Together
The knowledge of the ages
And lived the life of
Science
Matching discovery for discovery —
And yet
In a trice
With a small explosion
Of this little machine
In my hand
I shall know
All
That Aristotle, Newton, Lavoisier, and Galileo
Could not determine
In their entire
Lifetimes . . .
And the joke of it is,
Henry,
That I have
Beat you to it . . .
To One Who Called Me “Nigger”:
You are Power
And send steel ships hurtling
From shore to shore . . .
You are Vision
And cast your sight through eons of space
From world to world . . .
You are Brain
And throw your voice endlessly
From ear to ear . . .
You are Soul
And falter at the yawning chasm
From White to Black . . .
To Caroline:
Your piano
Is the better instrument . . .
Yesterday
Your fingers
So precisely
Touched the cold keys —
A nice string
Of orderly sounds
A proper melody . . .
Tonight
Your hands
So wantonly
Caressed my tingling skin —
A mad whirl
Of cacophony,
A wild chanting . . .
Your piano
Is the better instrument.
To Alfred:
I have grown tired of you
And your wife
Sitting there
With your children,
Little bits of you
Running about your feet
And you two so calm
And cold together . . .
It is really better
To lie here
Insensate
Than to see new life
Creep upon you
Calm and cold
Sitting there . . .
To You:
All my life
They have told me
That You
Would save my Soul
That only
By kneeling in Your House
And eating of Your Body
And drinking of Your Blood
Could I be born again . . .
And yet
One night
In the tall black shadow
Of a windy pine
I offered up
The Sacrifice of Body
Upon the altar
Of her breast . . .
You
Who were conceived
Without ecstasy
Or pain
Can you understand
That I knelt last night
In Your House
And ate of Your Body
And drank of Your Blood.
. . . and thought only of her?
To James:
Do you remember
How you won
That last race . . . ?
How you flung your body
At the start . . .
How your spikes
Ripped the cinders
In the stretch . . .
How you catapulted
Through the tape . . .
Do you remember . . . ?
Don’t you think
I lurched with you
Out of those starting holes . . . ?
Don’t you think
My sinews tightened
At those first
Few strides . . .
And when you flew into the stretch
Was not all my thrill
Of a thousand races
In your blood . . . ?
At your final drive
Through the finish line
Did not my shout
Tell of the
Triumphant ecstasy
Of victory . . . ?
Live
As I have taught you
To run, Boy —
It’s a short dash
Dig your starting holes
Deep and firm
Lurch out of them
Into the straightaway
With all the power
That is in you
Look straight ahead
To the finish line
Think only of the goal
Run straight
Run high
Run hard
Save nothing
And finish
With an ecstatic burst
That carries you
Hurtling
Through the tape
To victory. . . .
From The Book of American Negro Poetry (Harcourt, Brace and Company, 1922), edited by James Weldon Johnson. This poem is in the public domain.