Yet I was, in peculiar truth, a very lucky boy.
            —James Baldwin

In any case, the story begins
with darkness. A classroom. 

A broom closet. A bowl of bruised 
light held over a city. Or, the story 

begins with a child playing
the role of an ashy plum—

how it rises to meet the man's teeth
or doesn't. How the skin is broken 

or breaks because the body just wants
what it wants: to be a hallway 

where men hang their photos
on the wall. Does that make sense?

To want to own the image of the man
but not the man? To bask in that memory

of what first nailed you to the dark? 

From Sympathetic Little Monster (Ricochet Editions, 2016). Copyright © 2016 by Cameron Awkward-Rich. Used with permission of the author.