Emesis

From   her   perch   on  the  docent’s  gloved  wrist,  she
watches   us with the eyes  of any creature handled  too
much:  featherless head a closed door,  body a mask of
silence.   In   the  steep   twilight  descending  like   the
backwards  count of a  nurse’s  voice leading  a patient
into  unconsciousness,   the   handler  explains  to  our
circle   the  generalities    of   the   species—the    turkey
vulture’s    primary    form     of     self-defense   is     the
regurgitation   of   semi-digested    meat    that  is   then
vomited      onto     a       predator’s        face—and     the
particularities of this one, who had come   to them with
a broken wing.  I, too,  have places on my body  knitted
back together by unseen hands,  scars laid while I slept
the   sleep  of  the  unknowing:    one  above  the    belly
button,  and  another  below where   two  fingers   must
have parted the dark hair before shaving a path.   Does
she remember  the first faces to peer toward her  as she
surfaced?  Every time  I try to write  what those   hands
did,  I end   up  plunging  my own   fingers deep   inside
until  I  pull  up the voice  of the surgeon  in post-op:   I
usually have to pay women to take their clothes off for
me.  Oh, the shudder of her black-feathered shoulders.
Oh, the bile rising in her throat

Credit

Copyright © 2024 by Keetje Kuipers. Originally published in Poem-a-Day on March 8, 2024, by the Academy of American Poets. 

About this Poem

“One of the great pleasures of poetry writing for me is when I’ve had an experience that I want to put into a poem but I don’t have a way to write about it yet. The waiting, which can sometimes be years, for the thing that will allow me to write into that original experience always feels like a useful, reflective passage of time. And the excitement of realizing that I finally have the imagistic or metaphorical tools to crack an experience open is worth the wait.”
—Keetje Kuipers