Here, at this half-ass state park without a sign,
with its cracked concrete bench and triangle of dying
cottonwoods, the Missouri joins the Mississippi,
meeting not like a ballet, or a twisting
of silk scarves, but maybe like construction workers, shaking
hands before a building forever half-built.
And what is there to do now but love this unfinished work
of the river, carrying everything it has ever been
given: snow-melt streams like a cold bandana circling
its neck, shreds of styrofoam cooler catching
in its teeth, sturgeon eggs blooming with their translucent
tails, nitrates, and phosphates, and soil glittering
with bone, and this single mountain dew bottle
eddying in a green-tinged foam, and the ashes
of Oceti, reddening in all of our throats. I sit with my knees
tucked to my chest, listen to the ducks call
each other from either side of what will be
the same water, and River, you and I both know
that despite your dams, you will go on
to grow deadly algae in the Gulf, to feed rich
alluvial plains, shelter alligators and hellbenders and mudpuppies,
to have done to you and to do the most beautiful
and terrible things. We know the word end
is never an end, but always a mouth instead.
Copyright © 2025 Teresa Dzieglewicz. From Something Small of How to See a River (Tupelo Press, 2025). Used with the permission of The Permissions Company, LLC on behalf of Tupelo Press.