“The Coming of Night” appears in Others: An Anthology of the New Verse, edited by Alfred Kreymborg and published in 1917 by Alfred A Knopf. Skipwith Cannell’s poetry is anthologized alongside that of Mary Carolyn Davies, Jeanne D’Orge, T. S. Eliot, Marianne Moore, and others. His work has also been anthologized alongside that of Amy Lowell, William Carlos Williams, and Ezra Pound, in the first anthology of Imagist poets, published in 1914, Des Imagistes: An Anthology, edited by Pound. In the spring of 1957, The Kenyon Review published “Imagism and Poetesses” by British poet and essayist Al Alvarez, in which he wrote: “Literary historians often play the game of Coincidences; they point out how the great outburst of Elizabethan talent followed the defeat of the [Spanish] Armada, how the Romantic movement followed the French Revolution, and so on. Yet, so far as I know, no one has yet remarked [on] how the rise of the Imagist movement in England at least coincided with the enfranchisement of women. Only at this decent remove have we the hindknowledge [sic] to see that it was, in fact, no coincidence. For Imagism was the first full-scale feminist movement in poetry.”