As the body of the beloved is a window
through which we behold the blackness and vastness of space
pulsing with stars, and as the man
on the corner with his fruit stand is a window,
and the cherries, blackberries, raspberries
avocados and carrots are a rose window
like the one in Chartres, yes, or the one in Paris
through which light floods from the other world, the pure one
stabbing tourists with malicious abundant joy
though the man is tired in the summer heat
and reads his newspaper listlessly, without passion
and people pass his stand buying nothing
let us call this scene a window looking out
not at a paradise but as a paradise
might be, if we had eyes to see
the women in their swaying dresses, the season’s fruit
the babies in their strollers infinitely soft: clear window
after clear window
Copyright © 2016 by Alicia Ostriker. Originally published in Tupelo Quarterly. Used with permission of the author.