Every time I see you I ask if Bruce Willis is dead 
and every time you answer me first yes, then no.  
An asteroid was going to hit earth last week  
in the only dream my eight-year-old has ever shared— 
a last-ditch stab, perhaps, at not falling asleep 
the next night, while he lay with my hand on his hip 
which, since kindergarten, has been the only form 
of touch he will permit. Was everyone scared, 
I asked, and the question was not rhetorical. 
He had been standing with the other 
fourth graders on the astro-turfed playground 
of their school rooftop, and because an asteroid 
was coming, his friend Ethan jumped over the edge 
but broke only his arm. That’s it, that’s all he broke, 
his arm, which seems, in my son’s telling, 
the dream’s central event—and not that his father 
who is my husband gave my son who is his son 
a magic potion to seal their eyes shut 
as they drove to Sky Zone Trampoline Park 
while the asteroid kept falling to earth. So much, 
he said, when I asked if they had fun. I don’t know 
when I started failing. If there’s a when, if it’s I, 
as the sly syntax of catastrophe seems to collapse 
all identifying pronouns into a mirror-flecked heap 
in which you move from the narrating self 
to dear friend down the street through an infinity 
of strangers between—such as the teen clerk at Rite Aid 
who yells DEAD? when I share the news 
of Bruce Willis’s sudden or expected demise 
that a magazine cover by the register does imply. 
So I’m not in the dream, I asked my son, pretending 
to laugh, and my son nodded, and the children 
fishing for gold stars on a quilt my mother 
embroidered when I was younger than my son 
nodded on a lake of jean pockets. 
Oh Bruce Willis himself is not dead, 
you say, in my backyard: he just has aphasia, 
which is when I remember we had this same 
conversation last week in your backyard 
before the asteroid did or didn’t hit earth 
in a dream where my husband and son 
had so much fun at Sky Zone with their eyes closed.  
Wait, my son said, his hip light in my palm.  
Actually. You were on the asteroid.  
I was on the asteroid? You were on the asteroid. 
I bet the magic potion has glitter in it.  
I bet the magic potion disappears the instant you 
pour it in your palm. I bet it tastes like orange juice 
in the form of air and blammo, before you touch it 
to your tongue, your eyes never open again, a miracle. 
Can you believe it, just his arm. Although the school’s 
only two stories high above a parking lot 
where afternoon pick-up has been scheduled 
in fifteen-minute slots but please keep your mask on  
and we’ll bring your child to your car from the locked 
back door. You meaning I, and we meaning safety 
is the trampolined floor of a windowless room 
in a strip mall. Maybe you’re Bruce Willis 
in Armageddon, you say, and you’re on the asteroid 
to dismantle it, but I don’t know Armageddon  
is a film, so when I ask if Bruce Willis died, and you 
say yes, but he died saving earth, I say what??? 
while thinking it’s impossible to know what, exactly,
is alarming. Yes. Everyone’s scared. An asteroid has no 
atmosphere. It is made of rock and metal. 
It is very valuable. It is one hundred percent certain 
that we will be hit by a devastating asteroid but it is not 
one hundred percent certain when. Aphasia like heat 
splitting pavement in winter, Aphasia the forced 
open blooms in our yards in this language of mirrors 
at the end of the world in this life I love with you 
on an astro-turfed rooftop, so high up and survivable. 
Copyright © 2024 by Taije Silverman. Originally published in Poem-a-Day on March 22, 2024, by the Academy of American Poets.