When Crimea was still a place of light,

translated from the Russian by Ilya Kaminsky and Katie Farris

when gulls
were free
of orders,
when sandals
beat light
on the border
of water,
and gulls were the only patrols in the sky;
when women in bright dresses
walked barefoot or in cheap sandals,
in sandals, in sandals
instead of boots,
before missiles.
Before missiles,
I, too, loved it all.

 

 


 

Когда-то во времена Крыма,

 

когда Крым еще не был горем,
когда Крым еще был морем,
и над морем летали чайки,
а в море резвились дельфины,
когда по берегу ходили в сандалиях,
а не в тяжелых берцах,
когда-то во времена солнца,
когда не было дыма снарядов,
когда в море не вбивали сваи
и не строили железную сушу,
тогда я все это любила.

Credit

Copyright © 2026 by Lyudmyla Khersonska, translated by Ilya Kaminsky and Katie Farris. Originally published in Poem-a-Day on September 1, 2026, by the Academy of American Poets.

About this Poem

“I [wrote] this poem after Russia annexed the Crimea. After this beautiful Ukrainian place [was] violently transformed into a Russian military base. I visited Crimea many times before the annexation. I loved its poetic tranquillity and inspiring landscapes. Now it is all gone. I might never be able to see it again. But I have it in my memory. I often think of my friends who used to live there before the annexation. They had to flee. Their house stays empty with the memory locked behind the door.”
—Lyudmyla Khersonska

“Katie Farris and I [collaborated] to translate this poem by Ludmyla Khersonsky who is a poet from Odesa, Ukraine, who is also a war refugee, currently living in Italy. Her writings have appeared widely in the U.S., including in The New Yorker and World Literature Today. She has written about war for many years and, to my mind, her writing stands in the tradition of other Eastern European poets, including Anna Swir, who write about crisis with hypnotic clarity and restraint.”
—Ilya Kaminsky

Translators